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Voltaire, in "The
History of the Quakers" in The Works of Voltaire (1762), Vol 13, as translated by Tobias George Smollett, Thomas Francklin, et al., later published as "The Religion of the Quakers", in The Works of Voltaire: A Contemporary Version with Notes (1901), Vol. 33, as modernized by William
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The muscular
Indians are dressed and decorated in green, red and white, with feather headdresses, partly shaved heads, beaded armbands and headbands, and large earrings. They lean forward, keen to see what they are being offered. Original items of clothing that were used as a model for portraying
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The
Europeans are shown in more sombre clothing typical of 1771, in shades of browns and greys, rather than the more decorated styles of 1682; Penn is picked out by his white neckcloth. The Europeans stand back, reversing their contemporary keenness to acquire land from the Indians. The crowd
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For the image of
William Penn, West copied a relief portrait made from memory by Silvanius Bevan several years after Penn's death. West had no models for the Indian subjects, so used sketches of sculptures, adding Indian artefacts, such as beaded moccasins, arm bands, and bags, and clay pipes.
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includes West's own father (the elderly gentleman with white hair, third to left of Penn) and his half brother Thomas West (behind Penn). West also added brick-built buildings from his own memories of
Pennsylvania, even though they had not been built by 1682.
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scene. The painting presents an idealized picture of interaction between the
Indians and the Europeans, glossing over recent difficulties such as the
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The tree itself also became a subject for later paintings and prints, although it fell during a storm on 3 March 1810. The land is now
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The painting was purchased at auction by Joseph
Harrison and brought to Philadelphia. On Harrison's death, it was given to the
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The crowd is gathered around a white cloth which draws the eye at the centre of the composition, like a campfire or the
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William Penn's treaty with the
Indians, when he founded the province of Pennsylvania in North America, 1681
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The peace between the Lenape Turtle Clan and Penn's successors would endure for over 70 years, until the
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but developed as a painter of historic subjects in London, where he was the second president of the
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The canvas measures 190 centimetres (75 in) high by 274 centimetres (108 in) wide.
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General
Johnson Saving a Wounded French Officer from the Tomahawk of a North American Indian
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216:'s son – in 1770 or 1771 and completed in 1771–72. West was a local artist who was born in
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and the United States
National Museum of Independence. It has been exhibited at the
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Picturing imperial power: colonial subjects in eighteenth-century British painting
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Reception of the American Loyalists by Great Britain in the Year 1783
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in June 1775, with the image reversed, under the longer title
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Agrippina Landing at Brundisium with the Ashes of Germanicus
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in 1744, but harking back instead to Penn's wish for peace.
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Colonel Guy Johnson and Karonghyontye (Captain David Hill)
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The treaty William Penn entered into was remarked upon by
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was established in the early 1770s with his painting of
174:("Delaware Indians") Turtle Clan, under the shade of an
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family. Also like Thomas Penn, he later turned to the
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Native Americans in the painting can be found in the
51:. Unsourced material may be challenged and removed.
602:Benjamin Franklin Drawing Electricity from the Sky
345:. This French print was copied by other artists.
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419:; Kenneth W. Milano, John Connors; p. 23–29
325:print of the painting was engraved in London by
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337:. The print was copied in a smaller size by
141:Penn's Treaty with the Indians at Shackamaxon
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224:. Like Thomas Penn, West was born into a
111:Learn how and when to remove this message
356:, who made his own image of the events.
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698:Native American history of Pennsylvania
352:. The painting influenced folk artist
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343:Guillaume Penn Traite avec les Indiens
688:Cultural depictions of British people
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293:Pennsylvania Academy of the Fine Arts
49:adding citations to reliable sources
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135:The Treaty of Penn with the Indians
128:The Treaty of Penn with the Indians
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427:; Beth Fowkes Tobin; p. 56–65
411:, The State Museum of Pennsylvania
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208:The painting was commissioned by
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60:"Penn's Treaty with the Indians"
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416:The History of Penn Treaty Park
36:needs additional citations for
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578:Edward III Crossing the Somme
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570:Portrait of Dr Richard Price
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271:treaty with the Six Nations
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663:Paintings by Benjamin West
506:The Death of General Wolfe
409:Creating an Image of Peace
247:The Death of General Wolfe
232:, however. He studied in
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640:Portrait of Benjamin West
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394:British Museum Collection
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297:Pennsylvania State Museum
218:Springfield, Pennsylvania
16:Painting by Benjamin West
620:Benjamin West Birthplace
498:The Departure of Regulus
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222:Swarthmore, Pennsylvania
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586:Death on the Pale Horse
538:The Battle of the Boyne
546:The Battle of La Hogue
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238:Royal Academy of Arts
191:Penn's Creek Massacre
164:Treaty of Shackamaxon
138:, sometimes known as
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530:Fidelia and Speranza
431:penntreatymuseum.org
182:(now Kensington) in
178:near the village of
45:improve this article
594:The Death of Nelson
261:at the centre of a
373:Penn Treaty Museum
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162:entering into the
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565:(1783–1811; lost)
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101:January 2016
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180:Shackamaxon
657:Categories
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403:References
384:F. Fleming
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474:Paintings
327:John Hall
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