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Sant'Andrea al Quirinale

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494: 454:. He is shown on a cloud, designating a heavenly appearance, and, with his arm outstretched and gaze cast upwards, he indicates that he is on his way to heaven as represented by the golden dome, the stucco cherubim heads clustered around the opening to the lantern, and the lantern vault with the Dove of the Holy Ghost. This dramatic visual narrative is sustained not only upwards through the space of the church but employs different artistic modes. Bernini combined painting, sculpture and architecture into a synthesis to create visually the idea of the apotheosis of St Andrew in this spiritual theater. He used a similar synthesis of artistic modes in his design of the 485: 69: 473: 431: 653: 411: 969: 401:
further down the road. Unlike San Carlo, Sant’Andrea is set back from the street and the space outside the church is enclosed by low curved quadrant walls. An oval cylinder encases the dome, and large volutes transfer the lateral thrust. The main façade to the street has an aedicular pedimented frame
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In contrast to the dark side chapels, the high altar niche is well lit from a hidden source and becomes the main visual focus of the lower part of the interior. As a result, the congregation effectively become ‘witnesses’ to the theatrical narrative of St Andrew which begins in the High Altar chapel
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Inside, the main entrance is located on the short axis of the church and directly faces the high altar. The oval form of the main congregational space of the church is defined by the wall, pilasters and entablature, which frame the side chapels, and the golden dome above. Large paired columns
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Floor map - Legend: (1) Main entrance, (2) Chapel of Saint Francis Xavier, (3) Chapel of the Passion, (4) Chapel Saint Stanislas Kostka, (5) Chapel of Saint Ignatius of Loyola, (6) Main altar, (7) Entrance to novitiate and access to the rooms of Saint Stanislas
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Bernini received the commission in 1658 and the church was constructed by 1661, although the interior decoration was not finished until 1670. The site previously accommodated a 16th-century church, Sant'Andrea a Montecavallo.
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For a detailed discussion of these rooms, the statue and an unsuccessful proposal by the artist to bring it into the saint's chapel within the church, see: Gerhard Bissell,
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at the center of which a semicircular porch with two Ionic columns marks the main entrance. Above the porch entablature is the heraldic coat of arms of the Pamphili patron.
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has painted scenes from the life of the saint in the rooms. The canvas painting above the head of Legros' Stanislaus was painted by
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Between the Chapel St Stanislaus Kostka and the main altar is a side chapel with a large crucifix. It houses the tomb of King
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The Chapel of the Passion, also known as the Chapel of the Flagellation, has three canvases with scenes from the
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supporting a curved pediment differentiate the recessed space of the high altar from the congregational space.
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of Saint Stanislaus Kostka (1702-03) in the Jesuit novitiate adjacent to Sant'Andrea al Quirinale, Rome.
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and then lived in the Jesuit novitiate, adjacent to the church, until his death in 1819.
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have been reconstructed next to the church. A sculpture in polychrome marble by
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Façade of Sant'Andrea al Quirinale, bearing the arms of Cardinal
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It has served as the titular church of Brazilian Cardinal
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The church of Sant'Andrea, an important example of Roman
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made in 1716. The painting above the funerary monument
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17th-century Roman Catholic church buildings in Italy
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in 1825 and covers some older, deteriorated frescos.
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Rooms of St Stanislaus Kostka in the Jesuit novitiate
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houses the shrine of the saint, an urn of bronze and
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The main façade of the church faces onto the Via del
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The Goat Amalthea with the Infant Jupiter and a Faun
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Andreae in Quirinali 1816:Domenico Bernini (son) 1561:Busts of Alexander VII 1522:Habakkuk and the Angel 1448:Truth Unveiled by Time 1374:Bust of King Charles I 1150:The Rape of Proserpina 892:Lavin, Irving (1980), 797:Lavin, Irving (1980), 661: 597:, with a ceiling with 501: 490: 481: 435: 423: 302:) is a Roman Catholic 299: 291: 47: 32: 1171:St. Peter's Baldachin 976:at Wikimedia Commons 826:Enciclopedia Treccani 655: 496: 487: 475: 433: 413: 368:The French dramatist 108:41.90068°N 12.48934°E 16:Church in Rome, Italy 1575:Elephant and Obelisk 1529:Chair of Saint Peter 1381:Bust of Thomas Baker 1010:Gian Lorenzo Bernini 914:, Reading: Si Vede, 729:List of Jesuit sites 642:Cardinal de Bouillon 327:Gian Lorenzo Bernini 211:Gian Lorenzo Bernini 127:30 Via del Quirinale 1716:Fontana del Tritone 1649:Bust of the Saviour 1515:Daniel and the Lion 1083:Bust of Pope Paul V 787:Hibbard, 1986 p.147 664:The rooms of Saint 599:Glory of the Angels 579:Glory of the Saints 542:of Jesus Christ by 104: 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289: 285: 276: 275:Odilo Scherer 273: 271: 267: 262: 259: 256: 254: 250: 245: 241: 237: 233: 231: 227: 224: 221: 219: 215: 212: 209: 207: 203: 198: 195: 192: 190: 186: 183: 179: 175: 171: 166: 163: 160: 156: 153: 150: 148: 144: 141: 138: 134: 131: 126: 122: 117: 88: 81: 76: 70: 65: 56: 49: 45: 41: 34: 30: 29: 25: 20: 1789: 1782: 1775: 1768: 1761: 1754: 1680: 1663:Architecture 1647: 1640: 1633: 1626: 1608: 1601: 1594: 1587: 1580: 1573: 1566: 1559: 1552: 1534: 1527: 1520: 1513: 1506: 1499: 1492: 1485: 1467: 1460: 1453: 1446: 1439: 1432: 1425: 1418: 1411: 1404: 1386: 1379: 1372: 1365: 1358: 1351: 1344: 1337: 1330: 1323: 1302: 1295: 1288: 1281: 1274: 1267: 1260: 1253: 1246: 1239: 1232: 1225: 1218: 1211: 1204: 1197: 1190: 1183: 1176: 1169: 1162: 1155: 1148: 1141: 1134: 1116: 1111:Blessed Soul 1109: 1102: 1095: 1088: 1081: 1074: 1067: 1060: 1053: 1046: 1039: 966: 911: 893: 875: 857: 839: 834: 825: 816: 798: 792: 783: 759: 754: 743: 674:Andrea Pozzo 663: 628:and Piedmont 607: 598: 590: 586: 578: 570: 567:lapis lazuli 560: 555: 552:Flagellation 551: 547: 537: 532: 521: 517: 513: 503: 477: 455: 443: 441: 437: 425: 415: 392: 385:since 2007. 380: 373: 367: 359:Sant'Ignazio 340: 336: 320: 283: 281: 206:Architect(s) 200:Architecture 147:Denomination 1104:Damned Soul 640:, known as 111: / 1845:Categories 1308:(mattress) 850:References 548:Deposition 522:Death of 418:(1668) by 306:church in 189:Dedication 99:12°29′22″E 96:41°54′02″N 1744:Paintings 1026:Sculpture 558:(1682). 518:preaching 395:Quirinale 363:novitiate 239:Completed 703:See also 554:, and a 531:painted 510:Baciccio 406:Interior 389:Exterior 375:La Tosca 176:Rectory 152:Catholic 124:Location 1805:Related 876:Bernini 760:Bernini 620:Burials 540:Passion 514:baptism 489:Kostka. 468:Chapels 333:History 323:Baroque 304:titular 288:Italian 253:Diocese 223:Baroque 182:Titulus 168:History 158:Website 136:Country 40:Italian 1501:Corpus 1388:Medusa 918:  900:  882:  864:  805:  573:is by 351:Jesuit 312:Jesuit 264:Clergy 178:church 173:Status 51:  36:  1620:1670s 1546:1660s 1479:1650s 1398:1640s 1317:1630s 1185:David 1128:1620s 1033:1610s 735:Notes 296:Latin 218:Style 140:Italy 55:Latin 916:ISBN 898:ISBN 880:ISBN 862:ISBN 803:ISBN 716:and 589:and 550:, a 546:: a 520:and 357:and 308:Rome 282:The 258:Rome 242:1670 234:1658 130:Rome 601:by 593:by 581:by 535:. 1847:: 943:, 824:. 767:^ 605:. 516:, 318:. 298:: 294:, 290:: 180:, 1002:e 995:t 988:v 422:. 286:( 77:. 57:) 53:( 42:) 38:(

Index

Italian
Latin

Camillo Francesco Maria Pamphili
41°54′02″N 12°29′22″E / 41.90068°N 12.48934°E / 41.90068; 12.48934
Rome
Italy
Denomination
Catholic
Official website
church
Titulus
Dedication
Andrew the Apostle
Architect(s)
Gian Lorenzo Bernini
Style
Baroque
Groundbreaking
Diocese
Rome
Cardinal protector
Odilo Scherer
Italian
Latin
titular
Rome
Jesuit
Quirinal Hill
Baroque

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