121:
727:
235:
22:
739:
411:
77:
510:
856:, has re-assessed the corpus with a particular focus on the emblems used and their origins and meanings to the Scottish patrons. Bath has published a number of articles and a detailed illustrated 2003 monograph exploring sources with a useful comprehensive inventory of examples both extant and destroyed. Ailsa Murray's 2009 article and ChantalâHelen Thuer's 2011 report and explore conservation methods. Michael Bath, Anne Crone and Michael Pearce (2017) reflected on Anne Crone's dendrochronogy work on the salvaged timbers stored by
104:, before it was demolished to build the public library in Edinburgh, had a large hall with a painted ceiling concealed above a moulded plasterwork ceiling, and the painted work could be seen by taking up the floorboards in the room above. The painted ceiling at
773:
Most examples were concealed behind later interiors or neglected in buildings which became lower status accommodation. In the early nineteenth century antiquarian interest was kindled by discovery during the demolition of buildings in
Edinburgh and Dundee.
347:, and restored by Walter Melville in 1693. Gladstone's Land, with a ceiling included a painted date of "1620", also has relatively well-preserved decoration on plaster contemporary with the ceilings. More extensive domestic mural painting survives at
567:
in London, saying that he had heard Cecil was completing a gallery and would like paintings with "such toyis" as he had seen himself in
Scotland. Dundas seems to have sent Cecil a present of sketches, presumably of emblematic devices.
202:
may be those of the painter John Mellin or
Melville. It appears that only the wealthiest of the merchant classes and aristocrats could afford this decoration, though the picture is unbalanced as more modest interiors do not survive.
88:
Most surviving examples are painted simply on the boards and joists forming the floor of the room above. Rooms or galleries in attic storeys were fully lined with thin pine boarding and painted. Oak and pine timber was imported from
718:(Frankfurt, 1596). These demonstrate the use of renaissance pattern books by painters and patrons in Scotland, and coupled with copious classical quotations, the wealth and topicality of the library of Alexander Seton.
1955:
170:
The names of many painters have been found in contemporary records, but as yet no painter of any particular surviving ceiling has been identified through archival research. However, it is recorded that in 1554,
97:, and further afield and known as "Eastland" timber. The fashion was superseded by decorative plasterwork and sometimes the painted ceilings were broken up to form lathing for the new plaster.
841:
articles. Apted made an exhaustive search of archive references to painters and painting for his
Edinburgh PhD thesis, and this formed the basis for his collaboration with Susan Hannabuss,
60:, was recorded in 1974. There are records of over 100 examples, and a much smaller number of painted ceilings survive in-situ today. Some salvaged painted beams and boards are stored by
1092:
Karen Dundas, 'Painted ceilings: their significance on the Royal Mile and wider context', Michael
Cressey, 'Riddle's Court, Lawnmarket, Edinburgh: a merchant's house fit for a king,
1011:
Karen Dundas, 'Painted ceilings: their significance on the Royal Mile and wider context', Michael
Cressey, 'Riddle's Court, Lawnmarket, Edinburgh: a merchant's house fit for a king,
860:. Fern Insh writes on religious connections in the imagery and the patrons who commissioned these works. In 2018 Michael Bath revisited emblems and symbolism making new connections.
817:
in 1912. He advised using a weak solution of gelatine to fix the flaking paint pigment. In the first half of the twentieth century conservation works were led by John
Houston of the
470:, though these last two are not regularly open to the public. Two rooms in the G&V Hotel in Edinburgh still have painted ceilings from the original early seventeenth century
2031:
1870:
222:, a ship part-owned by the Law family. At Riddle's Court in Edinburgh, painted decoration on plaster survived between the ends of the beams, and painted walls survive at
1647:
249:
The largest group of these ceilings have patterns of fruit and flowers, and may perhaps have evoked tapestry borders and include religious iconography. Some ceilings in
1989:"Painted ceilings: their significance on the Royal Mile and wider context", Michael Cressey, 'Riddle's Court, Lawnmarket, Edinburgh: a merchant's house fit for a king,
1275:
794:. At the end of the century, Andrew Lyons, artist and antiquarian, made drawings of a number of ceilings (also held by HES/RCAHMS), and published articles in the
1956:'From Relegation to Elevation: The Viewer's Relationship with Painted Ceilings from the Medieval to Renaissance Eras in North-East Scotland', in Jane Geddes,
1673:
206:
The plastered walls or timber linings of the rooms were also painted, but this decoration has not usually survived. At the merchant's house in Law's Close,
151:
to form vibrant greens. Some painters used a varnish made of pine resin and walnut oil on selected areas and colours of decoration. In
England, a painter
834:
679:
Inscriptions on beams salvaged from
Carnock House, Stirlingshire, the oak timber dated to 1589 by dendrochronology, include stoic advice in Scots from
2089:
501:'s house in Advocate's Close. A part of the ceiling was varnished with pine resin. The joints in the floorboards had been sealed with paper tape.
1919:'Strange Bedfellows: Two Early-Seventeenth-Century Painted Ceilings and a Painted Plaster Panel at 302â304 Lawnmarket in Edinburgh's Old Town',
1451:
Bath (2003), 79-103, 231, 236, 249-252, 258: Peter
Davidson, 'Alexander Seton, First Earl of Dunfermline: his library, his house, his world',
1947:
1704:
1612:
1595:
1579:
40:
built between 1540 and 1640. This is a distinctive national style, though there is common ground with similar work elsewhere, especially in
1435:
869:
1966:
1306:
936:
1894:
837:, were instrumental in the rescue and salvage of a number of painted ceilings, published in Apted's 1966 monograph, and a series of
443:
352:
1457:'An âInventair of som of the Earill of Dunfermline his buiks in Pinkie June 1625â: a fragment of the library of Alexander Seton'
1743:
1727:
1688:
1654:
1632:
1623:
1210:
726:
120:
1882:
1534:
1525:
1516:
435:
585:
481:
Painted ceilings concealed by later plasterwork continue to be discovered or rediscovered. Fragments of a ceiling made for
1918:
1119:
Rhodes, Daniel T.; Uglow, Nicholas; Addyman, Tom (2017). "Gladstone's Land: the changing face of Edinburgh's Royal Mile".
922:, no.36 (1979/1980), pp. 203-215: associated wall-painting is exposed in Wickham Wine Bar, the ceiling is now concealed,
564:
152:
1291:
874:
818:
758:
Apart from William Dundas' letter of 1593, there are no contemporary references to this type of decoration. The lawyer
526:
215:
762:
saw the painted emblems in the gallery at Pinkie in the 1680s and thought them pedantic. In 1746, an English soldier,
630:
2054:
2049:
2016:
1796:
234:
2079:
1319:
Gottfied von BĂŒlow, 'Journey Through England and Scotland made by Lupold von Wedel in the years 1584 and 1585', in
673:
482:
321:
625:
depicting architectural 'terms' - load bearing figures. The ceiling is dated 1581 and at that time complimented a
759:
665:
317:
2026:
857:
783:
243:
61:
2021:
1927:
Fern Insh, 'Recusants and the Rosary: A Seventeenth-Century Chapel in Aberdeen' (Provost Skene's House), in
1910:
A. Crone & D. Sproat, 'Revealing the History, timber-framed building at No 302 Lawnmarket Edinburgh' in
1261:
A. Crone & D. Sproat, 'Revealing the History, timber framed building at No 302 Lawnmarket Edinburgh' in
2084:
1624:
Andrew S. Lyons, 'Further Notes on Tempera-Painting in Scotland, and other Discoveries at Delgaty Castle,'
1487:
576:
336:
289:
101:
1473:
407:, has a variety of painted interiors including suites of emblems, geometric patterns and biblical scenes.
2074:
1128:
822:
649:
522:
738:
497:
by an American benefactor in 2012. Another ceiling on Edinburgh's Royal Mile was discovered in 2010 in
1808:
923:
846:
801:
Modern conservation of painted ceilings in Scotland can be said to have begun at Huntingtower in 1912.
775:
439:
410:
309:
269:
2059:
918:(Antique Collector's Club, 1979), p.36, pictured: Lewis, Elizabeth, 'A jettied house at Wickham', in
560:
316:. Some 17th-century schemes included the signs of the zodiac. The summer house or banqueting room at
21:
1988:
2064:
787:
782:
painting from Edinburgh's Castlehill and made a series of coloured record drawings now held by the
684:
2027:
Comparable painted ceiling of the aisle of the Lords of Neerlinter, Heilige Follianuskerk, Belgium
984:, 102 (2023), p. 43: Michael Pearce, 'Painted Decoration, Making and Context', Jennifer Melville,
703:
supplied the ornament at the Skelmorlie Aisle. Amongst the sources used at Pinkie were de Vries's
198:
the 1590s. The Skelmorlie Aisle at Largs was signed by John Stalker, and initials "IM" painted at
1830:
1816:
Michael Bath, 'Was there a Guise Palace in Edinburgh?', in Robert Gowing and Robyn Pender, eds.,
1456:
493:
on Edinburgh's Royal Mile in 1999. After restoration the whole building was pledged as a gift to
422:
Other ceilings remain in private buildings, and a number of ceilings were salvaged and stored by
404:
76:
853:
814:
606:
538:
187:
135:
made from waste kid leather or parchment called "skrowis", with chalk and pigments, including
2069:
810:
763:
163:. The designs seem to have been painted freehand, excepting only motifs on ceiling boards at
1902:
849:
admired the contribution of the Stenhouse Conservation Centre as antiquarian and romantic.
830:
826:
680:
594:
399:, two examples in churches, are painted on the thin lining boards of wooden barrel vaults.
328:
8:
590:
463:
451:
360:
332:
320:, known at the Monk's Tower was updated with symbols from the zodiac and the heraldry of
223:
105:
26:
1818:
All Manner of Murals: The History, Techniques and Conservation of Secular Wall Paintings
1551:
268:
ornament including symbolic emblems. A gallery in a demolished building on Edinburgh's
1862:
Ailsa Murray, "Scottish Renaissance Painting Ceilings and the Stirling Heads Project",
1140:
90:
53:
509:
1878:
1855:
1792:
1144:
743:
669:
638:
634:
572:
494:
423:
297:
164:
125:
1999:
459:
379:
and Sailor's Walk, Kirkcaldy, carry proverbial and biblical admonitions, written in
1995:
1932:
1904:
Scottish Renaissance Interiors: Facings and adhesives for sizeâtempera painted wood
1842:
1132:
696:
602:
542:
467:
392:
340:
293:
37:
1136:
1010:
1076:
894:
806:
747:
700:
489:. A ceiling with grotesques and scrollwork "of exceptional quality" was found at
486:
415:
356:
199:
183:
160:
109:
81:
1958:
Medieval Art, Architecture and Archaeology in the Dioceses of Aberdeen and Moray
1512:
688:
661:
645:
614:
580:
546:
514:
455:
431:
400:
376:
364:
301:
281:
195:
176:
65:
2022:"Kinneil House and the Power of Women: Arran's wall paintings", Michael Pearce
2011:
1967:
The Dendrochronology and Art History of 16th and 17th century Painted Ceilings
1936:
1846:
1307:
The Dendrochronology and Art History of 16th and 17th century Painted Ceilings
938:
The Dendrochronology and Art History of 16th and 17th century Painted Ceilings
2043:
1973:
Michael Pearce, 'Painted Decoration, Making and Context', Jennifer Melville,
1336:
1105:
Michael Pearce, 'Painted Decoration, Making and Context', Jennifer Melville,
767:
708:
598:
550:
490:
384:
368:
348:
1410:
254:
802:
537:. These were very much part of elite culture in Scotland, in 1584 the poet
447:
427:
380:
313:
250:
292:. Ceilings painted with rows of heraldic shields included; the gallery at
1535:
T. Etherington Cook, 'Notice of heraldic ceiling found in Linlithgow' in
751:
518:
498:
262:
191:
49:
1948:"Philostratus comes to Scotland a new source for the pictures at Pinkie"
434:, Burntisland, Fife, and a screen from Wester Livilands, near Stirling.
1895:"Andrew Bairhum, Giovanni Ferrerio and the 'lighter style of painting'"
731:
475:
388:
305:
285:
273:
239:
179:
assaulted an outsider, David Warkman, who had been painting a ceiling.
124:
Ceiling with cherub's heads and an Imperial eagle and thistle motif at
1777:, Generalitat Valenciana (1991), 159â172, detailing a Spanish ceiling.
1689:"Two painted ceilings from Mary Somerville's House, Burntisland, Fife"
605:
who died in 1593. Other ornaments were taken from 17 engravings after
343:
was painted by James Anderson to commemorate the fiftieth birthday of
626:
534:
387:'s House, Aberdeen, is similar in format to the Castlehill painting,
265:
207:
172:
140:
57:
1555:, vol. 22, (1887â88), 10-23, 'Notice of the Gallery at Pinkie House'
902:
770:
and commented on ceilings, still decorated with "history-painting".
2012:
John Lowrey: Law's Close Kirkcaldy, History and Building Tour, SHBT
1353:
754:
medium is applied to consolidate the delicate and fragile paintwork
699:, (London, 1586). The tiny engravings made by the French goldsmith
471:
344:
156:
144:
167:
which seemed to have been traced, perhaps by "pouncing" patterns.
1977:(Edinburgh: National Trust for Scotland, 2018), pp. 256â288.
1620:, this pdf concludes with a newspaper cutting re. Old Gala House.
672:
combined with a thistle, perhaps to commemorate the visit of the
656:
were used, again with ornamental detail from Vredeman de Vries's
653:
618:
555:
553:, and Fowler later noted that the king had taught him poetry and
1026:
Extracts from the records of the Burgh of Edinburgh 1528 - 1557
898:
327:
Several surviving examples can be seen in Edinburgh; including
258:
155:
made an equivalent use of "sweet varnish" to enhance imitation
148:
132:
94:
41:
1081:
Extracts from the Records of the Burgh of Edinburgh, 1589-1603
829:
in 1965 to specialise in the conservation of these paintings.
288:
skyline viewed from Fife. Fragments survive in storage at the
1728:"Two painted ceilings from Rossend Castle, Burntisland, Fife"
597:
a copy of this book, and there was another in the library of
396:
372:
136:
45:
1674:'Provost Skeneâs House in Aberdeen and its Catholic Chapel,'
852:
More recently, Michael Bath, emeritus professor of English,
108:
was hidden in the same manner until it was revealed by the
1762:
Painters in Scotland, 1301-1700: a biographical dictionary
1109:(Edinburgh: National Trust for Scotland, 2018), pp. 260-3.
430:. The National Museum of Scotland displays a ceiling from
2017:
Investigating 16th and 17th Century Painted Ceilings, AOC
976:
Karen Dundas, 'Scottish Renaissance Painted Decoration',
935:
Anne Crone, in Michael Bath, Anne Crone, Michael Pearce,
796:
Proceedings of the Society of Antiquaries, Scotland, PSAS
68:, dating from 1597 and 1602 are probably the best known.
1559:
William Dobie, The Skelmorlie Aisle, (repr. from 1847),
833:
Ian Hodkinson and Rab Snowden, and Michael R. Apted, an
1757:
1570â1650, National Galleries of Scotland (1975), 42-49
988:(Edinburgh: National Trust for Scotland, 2018), p. 264.
721:
355:, who employed Walter Binning on some of his projects.
1547:, vol. iii, 1880â82, coloured print of Culross Palace.
1438:
Painted ceilings from 16th and 17th century properties
1912:
Journal of Architectural Heritage Society of Scotland
1831:"Ben Jonson, William Fowler & the Pinkie Ceiling"
1561:
Archaeological Collections ... Ayrshire and Galloway
1553:
Proceedings of the Society of Antiquaries of Scotland
1528:
Proceedings of the Society of Antiquaries of Scotland
1519:
Proceedings of the Society of Antiquaries of Scotland
1310:(Historic Environment Scotland, 2017), pp. 14, 19-20.
1263:
Journal of Architectural Heritage Society of Scotland
746:, Edinburgh, in 2015. The ceiling is "faced up" with
210:, a ship painted above a fireplace may represent the
1744:"Four 'drollities' from Prestongrange, East Lothian"
1705:"Sir George Skene's House in the Guestrow, Aberdeen"
1399:
A Kindly Place? Living in Sixteenth-Century Scotland
999:
Architectural Colour in British Interiors, 1615-1840
652:), emblems by Claude Paradin, Gabriele Simeoni and
414:Fragments of painted pine boards from a ceiling at
1633:J.S. Richardson, 'Mural Decorations at Kinneil,',
1537:Proceedings of the Society of Antiquaries Scotland
1517:'Poetical Maxims from an old house at Culross' in
1118:
1083:(Edinburgh: Oliver & Boyd, 1927), pp. 17, 330.
714:, Antwerp (1607), and Denis de Lebey de Batilly's
1853:Ailsa Murray, eConservation Magazine, 10, (2009)
967:(John Donald, Edinburgh, 2010), pp. 92-3, 96, 99.
660:, with devices of European princes. A ceiling at
16:Decorated ceilings in Scottish houses and castles
2041:
1575:Proceedings of the Society of Antiquaries (PSAS)
1543:Thomas Bonnar & George Waterston junior, in
1526:Jervise, Andrew, 'Painted Room at Earlshall' in
1440:(Historic Environment Scotland: Edinburgh, 2017)
940:(Historic Environment Scotland, 2017), pp. 9, 33
182:Walter Binning painted the new north gallery of
2035:, (1565), source for paintings at Prestongrange
1809:"Restoring the magic to Law's Close, Kirkcaldy"
1323:, vol. 9 (London, 1895), p. 247: Henry Meikle,
1211:JS Richardson, 'Mural Decorations at Kinneil,',
843:Painters in Scotland: A Biographical Dictionary
359:, Fife, has one of latest ceilings c.1633, and
238:Death bed scene from the ceiling of St Mary's,
1856:"Scottish Renaissance Timber Painted Ceilings"
1545:Edinburgh Architectural Association Sketchbook
1475:A Journey Through Part of England and Scotland
1455:, 32:3 (May 2015), pp. 315-342: Ian Campbell,
1327:, vol. 3 (STS, Edinburgh, 1940), p. xix fn. 4.
1292:"Scotsman on Sunday newspaper, 22 August 2010"
36:are decorated ceilings in Scottish houses and
1413:- two editions of Paradin are available here.
1050:Michael Apted, 'Mary Somerville's House', in
825:and the Ministry of Works set up a centre at
351:, dating from the 1550s, and painted for the
1371:(Edinburgh, 2003), pp. 116-8: G. F. Warner,
1321:Transactions of the Royal Historical Society
897:and later examples at Saint Cornely Church,
870:Domestic furnishing in early modern Scotland
1964:Michael Bath, Anne Crone, Michael Pearce,
1648:"The Painted Ceiling in Grandtully Church"
1436:Michael Bath, Anne Crone, Michael Pearce,
1304:Michael Bath, Anne Crone, Michael Pearce,
1041:, vol. 13 (Edinburgh, 1978), pp. 162, 166.
963:Michael Pearce, 'Paint' in Moses Jenkins,
216:James VI and Anne Denmark home in May 1590
1921:Historic Environment: Policy and Practice
980:(Icomos, 2020), pp. 180-1: Karen Dundas,
633:. This ceiling was moved to the tower of
533:Some of the ceilings include pictures or
504:
214:which was part of the fleet that brought
1991:Scottish Archaeological Internet Reports
1982:Emblems in Scotland: Motifs and Meanings
1813:re-published by buildingConservation.com
1737:Michael Apted & W Norman Robertson,
1721:Michael Apted & W Norman Robertson,
1568:Memorials of Edinburgh in the Olden Time
1094:Scottish Archaeological Internet Reports
1013:Scottish Archaeological Internet Reports
737:
725:
508:
444:Alexander Seton, 1st Earl of Dunfermline
409:
233:
119:
75:
20:
2090:Visual and material culture of Scotland
1506:
1343:, vol. 11 (Edinburgh, 1936), pp. 377-8.
920:Proceedings of the Hampshire Field Club
535:emblems based on European printed books
2042:
1970:(Historic Environment Scotland, 2017).
1354:"Les songes drolatiques de Pantagruel"
809:sought advice from the expert chemist
529:with emblems taken from Claude Paradin
1760:Michael Apted & Susan Hannabuss,
1426:, 12:4 (July/August 2012), pp. 20-27.
687:) with Biblical proverbs. Emblems at
436:Stirling Smith Museum and Art Gallery
253:at the top of buildings incorporated
115:
34:Scottish renaissance painted ceilings
2033:Les Songes Drolatiques de Pantagruel
1917:Fiona Allardyce & Karen Dundas,
1828:
1784:, Country Life, 6 January 1994, 34-6
1039:Accounts of the Treasurer: 1574-1580
978:Wooden Heritage Conservation: Bilboa
778:and Rev. Sime rescued a part of the
722:Conservation and critical literature
586:Les songes drolatiques de Pantagruel
571:Prestongrange's ceiling painted for
229:
80:The 17th-century painted ceiling at
1943:Journal of the Northern Renaissance
1890:Journal of the Northern Renaissance
1804:The Building Conservation Directory
1188:, vol. 4 (Edinburgh, 1806), p. 281.
901:Brittany and Peter und Paul Kirche
805:the supervising architect from the
527:Sir Robert Melville of Murdocairney
284:, with a backdrop of the Edinburgh
13:
1789:Renaissance decoration in Scotland
875:Scottish Royal tapestry collection
742:Conservation of 1590s painting at
71:
14:
2101:
2005:
683:(possibly via the English author
363:the earliest c.1540. Ceilings at
1716:The painted ceilings of Scotland
1422:M. Pearce, 'Riddle's Court', in
1386:Renaissance Painting in Scotland
1369:Renaissance Painting in Scotland
1127:(2): 10 citing research for the
483:George Keith, 5th Earl Marischal
462:, Edinburgh, and a ceiling from
322:George Hay, 1st Earl of Kinnoull
131:The paint used employed protein
2000:10.9750/issn.2056-7421.2023.102
1914:, 22 (EUP 2012) pp. 19â36.
1741:, vol. 106 (1974â75), 158â160,
1725:, vol. 104 (1971â72), 222â235,
1493:
1481:
1466:
1445:
1429:
1416:
1404:
1391:
1378:
1361:
1346:
1330:
1313:
1298:
1283:
1268:
1255:
1246:
1237:
1228:
1219:
1204:
1191:
1178:
1169:
1160:
1151:
1112:
1099:
1086:
1070:
1057:
1044:
1031:
579:in 1581 has comic figures from
559:at the same time. In July 1593
1771:, Moubray House NTS/HHA (1987)
1769:Scottish Renaissance Interiors
1686:, vol. 91 (1957â58), 144â176,
1645:, vol. 77 (1942â43), 147â154,
1613:"Tempera painting in Scotland"
1610:, vol. 38 (1903â04), 151â172,
1577:, vol. 33 (1898â99), 387â403,
1341:Calendar State Papers Scotland
1243:Apted (1971/2): Thomson (1975)
1019:
1004:
991:
970:
957:
944:
929:
908:
887:
835:inspector of ancient monuments
760:John Lauder, Lord Fountainhall
1:
1775:Palau de l'Almirall, Valencia
1679:, vol.5 pt.2, (1954) 119â124.
1637:, vol. 75, (1940â41), 184-204
1593:, vol. 35, (1900â01), 109â11,
1388:(Edinburgh, 2003), pp. 116-8.
1215:, vol. 75, (1940â41), 184-204
1137:10.1080/00794236.2017.1377978
954:(Edinburgh, 1890), pp. 11-12.
880:
858:Historic Environment Scotland
790:described the ceiling in his
784:Historic Environment Scotland
62:Historic Environment Scotland
1931:, 31:2 (2012), pp. 195â218.
1869:Michael Pearce, 'Paint', in
1866:(London, 2010), pp. 177â192.
1580:"Sibyls at Wester Livilands"
1539:, vol. 7, (1866â68), 409-413
1521:, vol. 2, (1854â57), 339-344
1488:National Records of Scotland
1375:(Edinburgh, 1893), p. lxiii.
290:National Museums of Scotland
102:Sir Thomas Hope of Craighall
52:. An example in England, at
7:
1907:, (Historic Scotland, 2011)
1820:, (Archetype, London, 2007)
1628:, vol. 44 (1909â10), 237-59
1596:"Montgomery Aisle at Largs"
1530:, vol. 4, (1860â62), 387-91
1279:, Lifestyle, 24 August 2012
1129:National Trust for Scotland
863:
823:National Trust for Scotland
650:National Museum of Scotland
523:National Museum of Scotland
29:, the ceiling is dated 1581
10:
2106:
1782:Three decades of discovery
1397:Sanderson, Margaret H.B.,
1265:, 22 (EUP, 2012) pp. 19-36
776:Charles Kirkpatrick Sharpe
440:Robert Drummond of Carnock
375:. As at Crathes, beams at
1937:10.1017/S0034193200013571
1847:10.3366/arch.2007.18.1.73
1827:, Edinburgh, 18, (2007),
1570:, vol. i, (1891), 194-201
1463:, 67:1 (2016), pp. 31-54.
1424:History Scotland Magazine
1411:French Emblems at Glasgow
1201:, John Donald (2010), 95.
1121:Post-Medieval Archaeology
561:William Dundas of Fingask
337:Canongate Tolbooth museum
188:Workman or Warkman family
2055:17th century in Scotland
2050:16th century in Scotland
1993:, 102 (2023), pp. 43â52
1453:British Catholic History
1401:(Tuckwell, 2002), p. 93.
1037:Charles Thorpe McInnes,
1001:(Yale, 1996), pp. 2, 11.
893:See Palau de l'Almirall
730:Painted wooden vault at
621:(1565â71), and from the
563:wrote from Edinburgh to
541:told a German traveller
278:Christ asleep in a storm
100:The house of the lawyer
2080:Renaissance in Scotland
1477:(London, 1747), p. 184.
1325:Works of William Fowler
1234:Jervise, Andrew, (1854)
405:George Bruce of Carnock
367:are decorated with the
1984:(Brill: Leiden, 2018).
1835:Architectural Heritage
1829:Bath, Michael (2007).
1825:Architectural Heritage
1563:, vi, Edinburgh (1889)
1157:Wilson (1891), 194-201
1065:eConservation Magazine
854:Strathclyde University
815:Heriot-Watt University
792:Memorials of Edinburgh
766:, viewed the ruins of
755:
735:
607:Hans Vredeman de Vries
530:
505:Sources of the designs
442:'s house. A room from
419:
389:St. Mary's, Grandtully
261:scenes. Others employ
246:
128:
85:
30:
1901:ChantalâHelen Thuer,
1702:, vol. 92 (1958â59),
1499:Cornforth (1994), 34.
1197:Jenkins, Moses, ed.,
1096:, 102 (2023), p. 43.
811:Arthur Pillans Laurie
741:
729:
664:in Edinburgh has the
545:that he was teaching
512:
454:. Painted beams from
413:
237:
186:in 1577. Some of the
123:
79:
24:
1923:, 2 (2011), pp. 5-20
1755:Painting in Scotland
1507:Bibliography by date
1274:Bath (2003), p.245:
1186:Beauties of Scotland
1175:Cook (1868), 409-13.
1166:Bath (2003), 239-241
1015:, 102 (2023), p. 45
681:Gaius Musonius Rufus
450:is displayed at the
2085:Castles in Scotland
1892:2.1 (Spring 2010),
1877:, pp. 91â103,
1875:(John Donald, 2010)
1767:Sheila MacKay ed.,
1373:Library of James VI
952:Anent Old Edinburgh
950:Alison Hay Dunlop,
845:published in 1978.
712:Emblemata Horatiana
693:A Choice of Emblems
591:Nicolas Elphinstone
464:Prestongrange House
452:Museum of Edinburgh
438:has a ceiling from
426:including two from
361:Huntingtower Castle
339:. The birthroom at
106:Huntingtower Castle
64:. The paintings at
27:Prestongrange House
2075:Scottish paintings
1945:5 (Spring 2013),
1277:Scotsman Newspaper
914:Chinnery, Victor,
756:
736:
691:were adapted from
531:
420:
308:High Street, and
272:had scenes of the
247:
220:James of Kirkcaldy
212:Angel of Kirkcaldy
129:
116:Paint and painters
86:
31:
1960:(Routledge, 2016)
1883:978-0-85976-710-1
1873:Building Scotland
1823:Michael Bath, in
1672:David McRoberts,
1225:Meldrum, (1958/9)
1199:Building Scotland
965:Building Scotland
819:Ministry of Works
670:Holy Roman Empire
639:Napier University
635:Merchiston Castle
495:Historic Scotland
424:Historic Scotland
329:John Knox's House
298:Collairnie Castle
257:with biblical or
230:Types of patterns
147:often mixed with
2097:
2060:Painted ceilings
1975:Gladstone's Land
1951:
1929:Recusant History
1898:
1859:
1850:
1812:
1802:William Kay, in
1780:John Cornforth,
1753:Duncan Thomson,
1750:
1748:
1734:
1732:
1711:
1709:
1698:Edward Meldrum,
1695:
1693:
1669:
1667:
1665:
1659:
1653:. Archived from
1652:
1619:
1617:
1606:Andrew S Lyons,
1603:Skelmorlie Aisle
1602:
1600:
1589:Andrew S Lyons,
1586:
1584:
1500:
1497:
1491:
1485:
1479:
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1464:
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1208:
1202:
1195:
1189:
1184:Robert Forsyth,
1182:
1176:
1173:
1167:
1164:
1158:
1155:
1149:
1148:
1116:
1110:
1107:Gladstone's Land
1103:
1097:
1090:
1084:
1074:
1068:
1061:
1055:
1048:
1042:
1035:
1029:
1023:
1017:
1008:
1002:
997:Ian C. Bristow,
995:
989:
986:Gladstone's Land
974:
968:
961:
955:
948:
942:
933:
927:
912:
906:
891:
674:Duke of Holstein
603:Bishop of Orkney
589:, Paris (1565).
565:Sir Robert Cecil
543:Lupold von Wedel
474:building on the
468:Merchiston Tower
393:Skelmorlie Aisle
341:Edinburgh Castle
333:Gladstone's Land
294:Earlshall Castle
224:Gladstone's Land
190:were settled at
175:painters led by
2105:
2104:
2100:
2099:
2098:
2096:
2095:
2094:
2065:Renaissance art
2040:
2039:
2008:
1946:
1893:
1871:Moses Jenkins,
1864:Polychrome Wood
1854:
1807:
1791:, NMS, (2003),
1746:
1742:
1730:
1726:
1714:Michael Apted,
1707:
1703:
1691:
1687:
1682:Michael Apted,
1663:
1661:
1657:
1650:
1646:
1615:
1611:
1598:
1594:
1582:
1578:
1566:Daniel Wilson,
1550:Seton, George,
1513:Jervise, Andrew
1509:
1504:
1503:
1498:
1494:
1486:
1482:
1471:
1467:
1450:
1446:
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1161:
1156:
1152:
1117:
1113:
1104:
1100:
1091:
1087:
1077:Marguerite Wood
1075:
1071:
1063:Murray, Ailsa,
1062:
1058:
1054:(1974), p. 228.
1049:
1045:
1036:
1032:
1024:
1020:
1009:
1005:
996:
992:
975:
971:
962:
958:
949:
945:
934:
930:
913:
909:
895:Valencia, Spain
892:
888:
883:
866:
807:Office of Works
748:Japanese tissue
724:
709:Otto van Veen's
701:Etienne Delaune
697:Geffrey Whitney
685:William Baldwin
507:
487:Keith Marischal
416:Keith Marischal
403:, built by Sir
383:. A gallery at
357:Aberdour Castle
304:, a ceiling at
244:William Stewart
232:
200:Delgatie Castle
184:Holyrood Palace
161:Oatlands Palace
118:
110:Office of Works
82:Aberdour Castle
74:
72:Imported timber
17:
12:
11:
5:
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2093:
2092:
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2082:
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2072:
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2057:
2052:
2038:
2037:
2029:
2024:
2019:
2014:
2007:
2006:External links
2004:
2003:
2002:
1987:Karen Dundas,
1985:
1980:Michael Bath,
1978:
1971:
1962:
1952:
1941:Michael Bath,
1939:
1925:
1915:
1908:
1899:
1888:Michael Bath,
1886:
1867:
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1851:
1821:
1814:
1800:
1787:Michael Bath,
1785:
1778:
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1765:
1758:
1751:
1735:
1719:
1718:, HMS0, (1966)
1712:
1696:
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1660:on 23 May 2012
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1442:, pp. 8, 18-9.
1428:
1415:
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1390:
1384:Michael Bath,
1377:
1367:Michael Bath,
1360:
1345:
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847:John Cornforth
744:Riddle's Court
723:
720:
689:Culross Palace
662:Riddle's Court
646:Rossend Castle
615:Gerard de Jode
581:Richard Breton
547:James VI and I
539:William Fowler
525:, painted for
515:Rossend Castle
506:
503:
458:were moved to
456:Midhope Castle
432:Rossend Castle
418:, East Lothian
401:Culross Palace
377:Traquair House
365:Crathes Castle
282:Firth of Forth
231:
228:
177:Walter Binning
165:Riddle's Court
137:natural ochres
126:Riddle's Court
117:
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91:DenmarkâNorway
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66:Crathes Castle
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1872:
1863:
1838:
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1803:
1788:
1781:
1774:
1768:
1764:, SRS (1978)
1761:
1754:
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1722:
1715:
1699:
1683:
1677:Innes Review
1676:
1662:. Retrieved
1655:the original
1642:
1634:
1625:
1607:
1590:
1574:
1567:
1560:
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1544:
1536:
1527:
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1474:
1468:
1461:Innes Review
1460:
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1067:, 10 (2009).
1064:
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1033:
1028:, pp. 194-5.
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831:Conservators
803:Frank Baines
800:
795:
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772:
757:
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704:
692:
678:
657:
648:(now in the
643:
622:
610:
584:
577:Helen Leslie
570:
554:
532:
480:
460:Abbey Strand
448:Pinkie House
428:Dysart, Fife
421:
381:Middle Scots
353:Regent Arran
326:
318:Gowrie House
314:East Lothian
310:Nunraw House
277:
248:
242:painted for
219:
211:
205:
181:
169:
130:
99:
87:
33:
32:
25:Figure from
18:
1954:Fern Insh,
1641:A. Graham,
1472:James Ray,
1289:ShĂąn Ross,
926:no.MWC4723.
705:Perspectiva
631:Esmé Stuart
609:called the
519:Burntisland
499:Clement Cor
485:survive at
263:Renaissance
192:Burntisland
50:Scandinavia
2044:Categories
1664:7 December
1490:, MW1/501.
881:References
780:Apocalypse
732:Grandtully
707:, (1605),
629:gifted by
623:Caryatidum
476:Lawnmarket
391:, and the
335:, and the
306:Linlithgow
286:Royal Mile
274:Apocalypse
270:Castlehill
259:emblematic
240:Grandtully
1841:: 73â86.
1145:165747264
827:Stenhouse
764:James Ray
716:Emblemata
676:in 1598.
658:Grottesco
627:sideboard
611:Grottesco
573:Mark Kerr
521:, in the
266:grotesque
255:vignettes
251:galleries
218:, or the
208:Kirkcaldy
173:Edinburgh
141:vermilion
112:in 1912.
58:Hampshire
1806:(2006),
864:See also
750:and new
595:James VI
472:tenement
371:and the
345:James VI
145:orpiment
1358:(1565).
668:of the
654:Alciato
619:Antwerp
556:imprese
54:Wickham
38:castles
1881:
1795:
1143:
903:Köngen
899:Carnac
821:. The
734:Chapel
466:is at
149:indigo
143:, and
95:Sweden
84:, Fife
42:France
1747:(PDF)
1731:(PDF)
1708:(PDF)
1692:(PDF)
1658:(PDF)
1651:(PDF)
1616:(PDF)
1599:(PDF)
1583:(PDF)
1141:S2CID
666:eagle
593:gave
397:Largs
373:Muses
46:Spain
1879:ISBN
1793:ISBN
1739:PSAS
1723:PSAS
1700:PSAS
1684:PSAS
1666:2011
1643:PSAS
1635:PSAS
1626:PSAS
1608:PSAS
1591:PSAS
1213:PSAS
1052:PSAS
982:SAIR
839:PSAS
752:size
637:for
575:and
549:the
302:Fife
296:and
276:and
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