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Shirin Neshat

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360: 31: 3546: 588:, for "the degree to which world events have more than met the artist in making her art chronically relevant to an increasingly global culture," for reflecting "the ideological war being waged between Islam and the secular world over matters of gender, religion, and democracy," and because "the impact of her work far transcends the realms of art in reflecting the most vital and far-reaching struggle to assert human rights." 315:'s death. "It was probably one of the most shocking experiences that I have ever had. The difference between what I had remembered from the Iranian culture and what I was witnessing was enormous. The change was both frightening and exciting; I had never been in a country that was so ideologically based. Most noticeable, of course, was the change in people's physical appearance and public behavior." 456:, a video and still-photography piece, was displayed between September 3 and October 3 at the Gladstone Gallery in Brussels before moving in November to the Galerie Jérôme de Noirmont in Paris. The film, which is based in Laos, centers on a small group of elderly people who sing folk songs with sexual lyrics - a practice which had been nearing obsolescence. 307:
During this time, Neshat made a few attempts at creating art, which was subsequently destroyed. She was intimidated by the New York art scene and believed her art was not substantial. She states, "Those ten years I made practically no art, and the art I did make I was dissatisfied with and eventually
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in north-western Iran under a "very warm, supportive Muslim family environment", where she learned traditional religious values through her maternal grandparents. Neshat's father was a physician and her mother a homemaker. Neshat said that her father "fantasized about the west, romanticized the west,
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societies and the complexity of certain oppositions, such as man and woman. Neshat often emphasizes this theme by showing two or more coordinated films concurrently, creating stark visual contrasts through motifs such as light and dark, black and white, male and female. Neshat has also made more
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singing the main character. Asked by the festival organizers about the particular challenge for an Iranian woman to stage a play that deals with the threats of political obedience and religion to private life and love, Neshat said, "Sometimes the boundaries between Aida and myself are blurred."
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The work of Neshat addresses the social, political and psychological dimensions of women's experience in contemporary Islamic societies. Although Neshat actively resists stereotypical representations of Islam, her artistic objectives are not explicitly polemical. Rather, her work recognizes the
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magazine in 2000, Neshat revealed: "Music becomes the soul, the personal, the intuitive, and neutralizes the sociopolitical aspects of the work. This combination of image and music is meant to create an experience that moves the audience." In 2011, Neshat created her second live performance,
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Since the Storefront ran like a cultural laboratory, Neshat was exposed to creators — artists, architects, and philosophers; she asserts Storefront eventually helped reignite her interest in art. In 1993 Neshat began earnestly to make art again, starting with photography.
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Neshat was enrolled in a Catholic boarding school in Tehran. According to Neshat, her father encouraged his daughters to "be an individual, to take risks, to learn, to see the world". He sent his daughters, as well as his sons to college to receive higher education.
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in London. In this collaboration and her other projects that incorporate music, Neshat uses sound to help create an emotionally evocative and beautiful piece that will resonate with viewers of both Eastern and Western cultures. In an interview with
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complex intellectual and religious forces shaping the identity of Muslim women throughout the world. Using Persian poetry and calligraphy, she examined concepts such as martyrdom, the space of exile, the issues of identity and femininity.
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and militancy in her home country. As a way of coping with the discrepancy between the culture that she was experiencing and that of the pre-revolution Iran in which she was raised, she began her first mature body of work, the
212:, known primarily for her work in film, video and photography. Her artwork centers on the contrasts between Islam and the West, femininity and masculinity, public life and private life, antiquity and 575:, one of the richest prizes in the arts, given annually to "a man or woman who has made an outstanding contribution to the beauty of the world and mankind's enjoyment and understanding of life." 300:. Neshat graduated from UC Berkeley in 1983, and soon moved to New York City. She quickly realized that making art wasn't her profession then. After meeting her future husband, who ran the 269:
and slowly rejected all of his own values; both her parents did. What happened, I think, was that their identity slowly dissolved, they exchanged it for comfort. It served their class".
1537: 444:, a project involving almost 250 extras and produced by the Galerie Jérôme de Noirmont which met with critical and public success after its worldwide avant-première at the 3378: 2333: 2291:
Mohammed Afkhami, Sussan Babaie, Venetia Porter, Natasha Morris. "Honar: The Afkhami Collection of Modern and Contemporary Iranian Art." Phaidon Press, 2017.
3355: 3238: 383:. The full-length multimedia production premiered at the Lincoln Center Summer Festival in 2002 and toured to the Walker Art Institute in Minneapolis and 3603: 3598: 3044: 1433: 3693: 3217: 1875: 3230: 3613: 3426: 3006: 227:. Although I don’t consider myself an activist, I believe my art – regardless of its nature – is an expression of protest, a cry for humanity.” 3225: 2842: 2101: 1867: 1728: 1420: 3533: 1170: 1364: 3703: 3698: 3688: 3593: 3588: 1188: 933: 3583: 3578: 3251: 2326: 3663: 3400: 3668: 3405: 2893: 2030: 481:
The film examines the 1953 British-American backed coup, which supplanted Iran's democratically elected government with a monarchy.
1500: 536: 452:, Neshat tried for the first time to make pure photography with the intent of creating an aesthetic, poetic, and emotional shock. 1668: 1584: 3713: 3653: 3648: 3421: 2928: 2319: 1796: 954: 3678: 3628: 3079: 2867: 2296: 2231: 1011: 815: 1308: 3683: 3510: 3490: 2862: 1749: 2589: 1649: 979: 822: 489: 301: 3325: 3024: 2835: 2188: 1605: 1237: 1140: 842: 829: 572: 359: 277: 80: 36: 1772: 2260: 2221: 2173: 2124: 1347: 1114: 524: 3515: 3029: 432:(1999). Neshat's recognition became more international in 1999, when she won the International Award of the XLVIII 1073: 3608: 3039: 402: 3708: 3673: 3633: 3485: 3019: 2981: 2205: 2149: 1214: 1286: 3549: 3500: 2828: 1842: 736: 469: 140: 3442: 2898: 2062: 3658: 3638: 3618: 3034: 2941: 568: 485: 3452: 3623: 3505: 2996: 2433: 1485: 887: 560: 3643: 3134: 2956: 2946: 1538:"Shirin Neshat joins protests against Iran's worsening human rights situation with new digital works" 1095: 520: 1725: 479:"This has been a labour of love for six years. ... This film speaks to the world and to my country." 3373: 2971: 2784: 2699: 445: 2004: 1815:"Video Installation : 'Turbulent' (1998) by Shirin Neshat (Iran / U.S.A): Red Line Art Works" 3395: 3144: 2991: 2986: 2951: 2709: 2582: 836: 772: 1434:"Guns, veils and unflinching stares: the banned work about the heroes of Iran's 1979 revolution" 1196: 787: 3573: 3523: 3174: 3109: 950: 848: 764: 336: 1630: 1480: 264:
Neshat is the fourth of five children of wealthy parents, brought up in the religious city of
3385: 3360: 2961: 2909: 2606: 2368: 2456: 1814: 1650:"Review: Shirin Neshat show at the Broad wrings power, pain and poetry from black-and-white" 1562: 3568: 3495: 2966: 2888: 2851: 2684: 2468: 1031: 871: 665: 540: 496: 464: 239: 224: 185: 1925: 1051: 8: 3154: 3094: 3059: 2496: 2480: 1242: 580: 289: 244: 113: 97: 304:, an alternative space in Manhattan, she dedicated ten years to working with him there. 3295: 3169: 2804: 2664: 2644: 2575: 2474: 2385: 2095: 1673: 1036: 877: 681: 474: 408:
When Neshat first came to use film, she was influenced by the work of Iranian director
397: 312: 253: 220: 1631:"Shirin Neshat Brings the Nostalgia and Rage of Her Immigrant Experience to the Broad" 3480: 3310: 3119: 3099: 2306: 2292: 2284: 2266: 2256: 2227: 2169: 2145: 2120: 2038: 1902: 1736: 1678: 1592: 1581: 1343: 1007: 608: 504: 1946: 3365: 3335: 3290: 3164: 3124: 2749: 2531: 861:
Silver Lion Award for Best Director, 66th Venice International Film Festival (2009)
808: 596: 409: 380: 281: 201: 156: 85: 30: 3315: 3285: 3243: 3204: 3199: 3189: 3139: 3129: 2903: 2764: 2619: 2543: 2508: 2415: 2356: 1971: 1732: 1588: 1316: 925: 801: 592: 585: 433: 390: 249: 231: 223:, she has said that she has "gravitated toward making art that is concerned with 208:; born March 26, 1957) is an Iranian photographer and visual artist who lives in 189: 3390: 2311: 1006:(Taschen's 25th anniversary special ed.). Köln: Taschen. pp. 416–421. 949:
Documentary by Jörg Neumeister-Jung and Ralf Raimo Jung, originally produced by
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in New York in 1993. A major retrospective of Neshat's work, organized by the
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Neshat has been recognized for winning the International Award of the XLVIII
209: 1365:"Shirin Neshat on Her Path from Art School Outcast to Contemporary Art Icon" 1148: 3475: 3179: 2976: 2794: 2769: 2744: 2734: 2719: 2659: 2639: 2634: 2614: 2555: 2537: 2462: 2391: 1219: 855: 722:, 2008. Color video/audio installation based on Shahrnush Parsipur's novel 712:, 2008. Color video/audio installation based on Shahrnush Parsipur's novel 293: 523:, opened 2013. In 2014, she had an exhibition titled "Afterwards", at the 2936: 2883: 2799: 2674: 2654: 2342: 1896: 1407:
Excerpt from interview between the artist and Linda Weintraub, author of
1256: 929: 777: 535:. In 2022, Neshat participated in the group exhibition "Eyes on Iran" at 460: 297: 235: 174: 117: 109: 2031:"Shirin Neshat and Mikhail Baryshnikov Among Praemium Imperiale Winners" 1702: 1388: 1386: 1384: 3300: 2820: 2789: 2754: 2679: 2649: 2409: 2302: 2285:
Shirin Neshat: Investigating Cultural Identity Through Powerful Imagery
957:, Princeton, NJ, 2004. Online: Films Media Group, New York, N.Y., 2005. 768:, 2013. Short film commissioned by Dior and featuring Natalie Portman. 652:, 1999. Color video/audio installation with artist as the protagonist. 3446: 2669: 2598: 1381: 564: 548: 528: 344:
series, portraits of women entirely overlaid by Persian calligraphy.
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Cinema for Peace Special Award, Hessischer Filmpreis, Germany (2009)
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Shoja Azari, Shirin Neshat and Babak Payami at Tirgan Festival, 2013
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in 2001. In 2004, she was awarded an honorary professorship at the
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in Los Angeles presented a 30-year retrospective of Neshat's work:
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In July 2009, Neshat took part in a three-day hunger strike at the
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Shirin Neshat: The Book of Kings, January 13 – February 11, 2012
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in Los Angeles, 2019–2020, was her largest exhibition to date.
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Her work refers to the social, cultural and religious codes of
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After the Revolution: Women Who Transformed Contemporary Art
335:(1993–97) series, which explore notions of femininity about 616: 1393:
Danto, Arthur Coleman (15 October 2000). "Shirin Neshat".
252:. Neshat is a critic in the photography department at the 740:, 2009. Feature film based on Shahrnush Parsipur's novel 225:
tyranny, dictatorship, oppression and political injustice
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Review: Anna Netrebko Sings Her First ‘Aida’ in Salzburg
1703:"Shirin Neshat: I Will Greet the Sun Again | The Broad" 2251:
Grosenick, Uta; Riemschneider, Burkhard, eds. (2005).
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Lamag - Culture, Food, Fashion, News & Los Angeles
680:, 2002. Two channel video/audio installation based on 327:
Neshat's earliest works were photographs, such as the
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The Art Newspaper - International art news and events
1475: 1473: 1471: 1309:"Between two worlds: an interview with Shirin Neshat" 477:'s novel of the same name. She said about the movie: 1409:
In the Making: Creative Options for Contemporary Art
1517: 1076:. International Center of Photography. 2 March 2016 732:, 2009. Black & white video/audio installation. 1468: 578:In 2010, Neshat was named Artist of the Decade by 379:, which was produced by curator and art historian 216:, and bridging the spaces between these subjects. 3356:September–October 2022 attacks on Iraqi Kurdistan 2341: 591:In 2015, Neshat was selected and photographed by 539:, Roosevelt Island, New York; in response to the 311:In 1990, Neshat returned to Iran, one year after 3560: 1112: 1032:"A Minimalist Loft, Accessorized Like Its Owner" 706:, 2005. Single channel video/audio installation. 694:, 2003. Single channel video/audio installation. 242:in 2009, to being named Artist of the Decade by 3427:Death sentences during the Mahsa Amini protests 1284: 1186: 700:, 2004. Three channel video/audio installation. 16:Iranian artist, film director, and photographer 537:Franklin D. Roosevelt Four Freedoms State Park 2836: 2583: 2327: 1414: 1212: 658:, 2000. Two channel video/audio installation. 646:, 1999. Two channel video/audio installation. 640:, 1998. Two channel video/audio installation. 416:(1996) and, projected on two opposing walls: 1029: 947:Expressing the Inexpressible: Shirin Neshat. 940: 756:, 2011. Two channel short film. Part of the 371:In 2001–02, Neshat collaborated with singer 1498: 997: 995: 412:. She directed several videos, among them 352:traditional narrative short films, such as 259: 3401:Iranian schoolgirls mass poisoning reports 2843: 2829: 2590: 2576: 2334: 2320: 2100:: CS1 maint: location missing publisher ( 1770: 1726:Shirin Neshat, 1 October - 4 December 2005 1518:Sabina Castelfranco (September 13, 2009). 292:degrees. In college she studied art under 276:In 1975, Neshat left Iran to study art at 29: 3604:21st-century American women photographers 3599:20th-century American women photographers 2894:Iranian protests against compulsory hijab 1306: 1001: 559:Neshat was an artist in residence at the 545:Shirin Neshat: I Will Greet the Sun Again 533:Shirin Neshat: I Will Greet the Sun Again 3694:Venice Best Director Silver Lion winners 2850: 2219: 1999: 1997: 1995: 1993: 1991: 1843:"OverRuled Performance by Shirin Neshat" 1840: 1666: 1337: 992: 953:in 2000. Video, 42 minutes, color. DVD: 899: 880:, United States Artists, New York (2016) 358: 1920: 1918: 1916: 1914: 1912: 1910: 1648:Knight, Christopher (6 December 2019). 1307:MacDonald, Scott (September 22, 2004). 1115:"Shirin Neshat's Performa Contribution" 955:Films for the Humanities & Sciences 495:In 2022, she joined protests about the 3614:Iranian emigrants to the United States 3561: 3422:Deaths during the Mahsa Amini protests 2139: 2114: 2085: 1841:Heartney, Eleanor (10 December 2011). 1647: 1628: 1182: 1180: 1178: 1113:Claudia La Rocco (November 14, 2011). 1054:. THE SOLOMON R. GUGGENHEIM FOUNDATION 851:Media Arts Fellowship, New York (2008) 515:Neshat's first solo exhibition was at 2824: 2571: 2315: 1988: 1836: 1834: 1622: 1465:, Fall 2000. Retrieved June 27, 2012. 1392: 1362: 1342:. Munich: Prestel. pp. 230–231. 1302: 1300: 1238:"Shirin Neshat: Artist of the Decade" 1232: 1230: 1215:"Shirin Neshat: A long way from home" 1208: 1206: 1025: 1023: 918:, Barbara Gladstone Gallery, New York 816:Edinburgh International Film Festival 3511:Iranian demonstrations in Strasbourg 3491:Neighbourhood Youth Alliance of Iran 2028: 1907: 1750:"The Dorothy and Lillian Gish Prize" 1280: 1278: 1276: 3704:American artists of Iranian descent 3699:American writers of Iranian descent 3689:Screenwriters from New York (state) 3594:21st-century American photographers 3589:20th-century American photographers 2055: 2005:"Shirin Neshat - Gladstone Gallery" 1951:International Center of Photography 1773:"The 2016 Pirelli Calendar is Here" 1660: 1629:Stuart, Gwynedd (16 October 2019). 1606:"Shirin Neshat: Afterwards | Artsy" 1501:"Women Without Men's Shirin Neshat" 1175: 980:Iranian modern and contemporary art 823:International Center of Photography 776:, 2017.Feature film co-directed by 571:, Berlin. In 2006, she was awarded 302:Storefront for Art and Architecture 205: 13: 3584:21st-century Iranian women artists 3579:20th-century Iranian women artists 2244: 1878:from the original on June 19, 2011 1831: 1771:Rutherford, Chrissy (2015-11-30). 1563:"Shirin Neshat - Franklin Furnace" 1297: 1227: 1203: 1187:Susan Horsburgh (March 26, 2001). 1138: 1044: 1020: 843:The Dorothy and Lillian Gish Prize 573:The Dorothy and Lillian Gish Prize 490:2009 Iranian presidential election 278:University of California, Berkeley 81:University of California, Berkeley 14: 3725: 3664:Film directors from New York City 2278: 1795:New York Times (August 7, 2017), 1285:Suzie Mackenzie (July 22, 2000). 1273: 1030:Elaine Louie (January 28, 2009). 835:Hiroshima Freedom Prize from the 800:First International Prize at the 525:Mathaf: Arab Museum of Modern Art 238:as the best director at the 66th 3669:Photographers from New York City 3545: 3544: 1499:Livia Bloom (January 23, 2010). 674:, 2002. Multi-media performance. 2213: 2199: 2182: 2158: 2133: 2108: 2079: 2022: 1964: 1939: 1890: 1860: 1807: 1789: 1764: 1742: 1719: 1695: 1641: 1598: 1575: 1555: 1530: 1511: 1492: 1451: 1426: 1401: 1356: 1331: 1249: 1213:Homa Khaleeli (June 13, 2010). 1169:The Guardian, 25 November 2019 894: 883:Praemium Imperiale Award (2017) 3486:Human Rights Activists in Iran 2119:. Wexner Center for the Arts. 2029:Chow, Andrew R. (2017-09-12). 1163: 1132: 1106: 1088: 1066: 554: 510: 488:in New York in protest of the 463:for best director at the 66th 1: 3714:Muslims from New York (state) 3654:American women film directors 3649:American contemporary artists 3501:Woman, Life, Freedom movement 2899:Dress code in Iran since 1979 2597: 2343:Silver Lion for Best Director 1868:"THE SEASONS | SHIRIN NESHAT" 1667:Heinrich, Will (2022-12-08). 1145:Shirin Neshat artist portrait 1096:"The Woman Behind the Screen" 985: 830:Universität der Künste Berlin 507:, and Pendry West Hollywood. 3679:Iranian contemporary artists 3629:Iranian women film directors 2210:on Films Media Group website 2207:Expressing the Inexpressible 2190:Expressing the Inexpressible 1004:100 Contemporary Artists A-Z 854:Cultural Achievement Award, 7: 3684:Iranian women photographers 2166:I Know Something About Love 1363:Cohen, Alina (2019-03-01). 1002:Holzwarth, Hans W. (2009). 968: 922:I Know Something About Love 886:Honorary Fellowship of the 874:, Davos, Switzerland (2014) 486:United Nations Headquarters 10: 3730: 3506:Suicide of Mohammad Moradi 2434:Aleksei Alekseivich German 1947:"2002 Infinity Award: Art" 1338:Heartney, Eleanor (2007). 888:Royal Photographic Society 814:Visual Art Award from the 631: 561:Wexner Center for the Arts 467:for her directorial debut 3542: 3461: 3435: 3414: 3348: 3271: 3135:Faezeh Hashemi Rafsanjani 3078: 3005: 2927: 2920: 2876: 2858: 2605: 2524: 2449: 2378: 2349: 941:Other literature and film 794: 521:Detroit Institute of Arts 180: 170: 162: 152: 123: 105: 76: 68: 43: 28: 21: 2785:Steina and Woody Vasulka 2220:Hirahara, Naomi (2022). 2142:Shirin Neshat: 2002-2005 2009:www.gladstonegallery.com 1139:Müller, Katrin Bettina. 916:Shirin Neshat: 2002-2005 821:Infinity Award from the 602: 446:Art Institute of Chicago 322: 260:Early life and education 130:The Shadow under the Web 63:, Imperial State of Iran 3396:2023 Iran drone attacks 3256:Mohammad Ali Kamfirouzi 3145:Mohammadreza Jalaeipour 2710:Virginia Lee Montgomery 2140:Neshat, Shirin (2005). 2115:Neshat, Shirin (2000). 2086:Neshat, Shirin (1997). 1819:www.redlineartworks.org 1731:9 November 2013 at the 837:Hiroshima Museum of Art 828:ZeroOne Award from the 773:Looking for Oum Kulthum 765:Illusions & Mirrors 3609:Iranian film directors 3524:2023 Nobel Peace Prize 3175:Amir Reza Nasr Azadani 3110:Golrokh Ebrahimi Iraee 1756:. 2006. Archived from 1587:June 27, 2012, at the 1423:Guggenheim Collection. 951:Westdeutscher Rundfunk 849:Rockefeller Foundation 569:Universität der Künste 499:, by showing her work 364: 337:Islamic fundamentalism 3709:Calligraffiti artists 3674:Iranian screenwriters 3634:Iranian photographers 3386:Attack on Izeh market 3361:2022 Zahedan massacre 3025:Mohammad Mehdi Karami 2982:Mohammad Reza Sarvari 2910:Rage Against the Veil 2063:"Honorary Fellowship" 900:Exhibition catalogues 459:In 2009, she won the 362: 166:Kyong Park (divorced) 3496:Woman, Life, Freedom 3370:Shah Cheragh attack 3274:and artists involved 2889:Death of Mahsa Amini 2852:Mahsa Amini protests 2469:Paul Thomas Anderson 1481:"Snapshot of a Song" 1246:, December 20, 2010. 872:World Economic Forum 788:Jean-Claude Carrière 750:, 2011. Performance. 682:Shahrnush Parsipur's 668:/audio installation. 666:Single channel video 595:as part of the 43rd 541:Mahsa Amini protests 497:Death of Mahsa Amini 465:Venice Film Festival 418:Shadow under the Web 240:Venice Film Festival 186:Venice Film Festival 3391:Khomeini house fire 3155:Amir Emad Mirmirani 3095:Hamidreza Aliasgari 3060:Mohammad Boroughani 3030:Majidreza Rahnavard 3009:and death sentences 2497:Andrei Konchalovsky 2481:Andrei Konchalovsky 1243:The Huffington Post 1199:on January 9, 2012. 1102:. October 22, 2007. 114:video installations 3659:American feminists 3639:People from Qazvin 3619:Iranian dissidents 3519:Heroes of the Year 3296:Shabnam Farshadjoo 3239:Eshragh Najafabadi 3170:Farideh Moradkhani 3040:Mohammad Ghobadlou 2942:Sarina Esmailzadeh 2805:Krzysztof Wodiczko 2645:Doris Totten Chase 2475:Alexandros Avranas 2457:Álex de la Iglesia 2386:Buddhadeb Dasgupta 2035:The New York Times 1953:. 23 February 2016 1872:The New York Times 1674:The New York Times 1261:Yale School of Art 1236:Denson, G. Roger, 1189:"The Great Divide" 1119:The New York Times 1037:The New York Times 878:Rockefeller Fellow 807:Grand Prix at the 672:Logic of the Birds 611:, Neshat directed 501:Woman Life Freedom 475:Shahrnush Parsipur 448:in May 1999. With 377:Logic of the Birds 365: 313:Ayatollah Khomeini 280:and completed her 254:Yale School of Art 221:Islamic Revolution 3624:Iranian feminists 3556: 3555: 3481:Iran Human Rights 3453:Tenney resolution 3344: 3343: 3311:Arghavan Khosravi 3214:Soheila Golestani 3120:Hengameh Ghaziani 3100:Taraneh Alidoosti 3020:Mohammad Hosseini 2913:(anti-hijab book) 2818: 2817: 2565: 2564: 2297:978-0-7148-7352-7 2233:978-0-7624-7965-8 2226:. Running Press. 2144:. Milan: Charta. 2117:Two Installations 1874:. June 18, 2011. 1847:The Brooklyn Rail 1737:Hamburger Bahnhof 1654:Los Angeles Times 1593:Gladstone Gallery 1457:Danto, Arthur C. 1013:978-3-8365-1490-3 960:Hirahara, Naomi. 911:Two Installations 858:, New York (2008) 845:, New York (2006) 825:, New York (2002) 742:Women Without Men 737:Women Without Men 724:Women Without Men 714:Women Without Men 686:Women Without Men 623:as conductor and 609:Salzburg Festival 505:Piccadilly Circus 470:Women Without Men 234:in 1999, and the 195: 194: 141:Women without Men 3721: 3644:Feminist artists 3548: 3547: 3366:Evin Prison fire 3336:Sheida Soleimani 3291:Hamed Esmaeilion 3165:Elaheh Mohammadi 3125:Shervin Hajipour 3082:former detainees 3045:Saleh Mirhashemi 2957:Ghazaleh Chalabi 2925: 2924: 2845: 2838: 2831: 2822: 2821: 2750:Raymond Pettibon 2592: 2585: 2578: 2569: 2568: 2532:Kiyoshi Kurosawa 2336: 2329: 2322: 2313: 2312: 2274: 2238: 2237: 2217: 2211: 2203: 2197: 2186: 2180: 2179: 2162: 2156: 2155: 2137: 2131: 2130: 2112: 2106: 2105: 2099: 2091: 2090:. 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Archived from 1184: 1173: 1171:amnesty art sale 1167: 1161: 1160: 1158: 1156: 1151:on March 3, 2016 1147:. 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Index


Viennale 2009
Qazvin
University of California, Berkeley
BA
MA
MFA
Mixed media
video installations
photography
Women without Men
Contemporary art
Shoja Azari
Venice Film Festival
Venice Biennale
Persian
New York City
modernity
Islamic Revolution
tyranny, dictatorship, oppression and political injustice
Venice Biennale
Silver Lion
Venice Film Festival
Huffington Post
G. Roger Denson
Yale School of Art
Qazvin
University of California, Berkeley
BA
MA

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