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326:, who had the complete cultural portfolio among all his other responsibilities as Don Felipe's First Minister. To judge from the general stylistic influence in terms of grand scenic effects, and from some specific musical borrowings, Traetta had access in Parma to copies and reports of Rameau's operas. To their influence, Traetta added some ingredients of his own, especially a feeling for dramatic colour, in the shape of his melodies and his use of the orchestra. The result was a combination of Italian, French, and German elements, which even expected the
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in 1777. According to the
Traetta Association in Bitonto, he had left Saint Petersburg under threat of assassination by the empress—it seems he was enraged that she insisted on a happy ending for Antigona, and in revenge put music for Polish independence into the final chaconne. He left in time, but
369:. Frugoni kept certain key French elements: the five-act structure as against the customary three; the occasional opportunities for French-style spectacle and effects and, in particular, the dances and divertissements that end each of those five acts; and more elaborate use of the
322:, that Traetta ran into some fresh air from France. In Parma in 1759, he found several noteworthy collaborators, and he was fortunate in finding that the man in charge of opera there was a highly cultivated Paris-trained Frenchman,
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of Russia, to which he moved. Still, opera seria was what her imperial majesty commanded. Traetta's first operas for
Catherine the Great seem to have been largely revivals and revisions of his earlier works. In 1772 came
420:. In 1783, sometime after Traetta's departure, she ordered it to be closed and a new one built. Traetta departed Saint Petersburg in 1775, and resumed the opera composer's life, even writing two works for London:
392:) unceasingly. There was a clutch of comedies as well, and sacred music composed to imperial order. For Traetta served from 1768 to 1775 as music director for
311:, his 1772 opera for Saint Petersburg, was amongst his most forward-looking, the closest he approached the famous reform ideals usually associated with
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in Parma, completely reworked the original French version by abbé Pellegrin, which itself had been based on
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Through the following decade, the 1760s, Tommaso
Traetta composed music (including
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It was in Parma that
Traetta's operas first moved in new directions. As a result,
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The first fruit of this
Francophilia was the opera Traetta wrote in 1759.
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244:, he was responsible for certain operatic reforms including reducing the
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578:"Tommaso Traetta, Italian composer working in St. Petersburg"
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performed in a theatre close to her apartments inside of the
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Tommaso
Traetta: i Libretti della Riforma – Parma 1759–61
467:(Naples) vocal score, Idea Press, Port St. Lucie, 2017,
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owes a lot to Rameau's great tragédie lyrique of 1733,
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movement to flourish a few years later, further North.
272:. He was a student of a composer, singer, and teacher
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in 1751. Around this time, he came into contact with
228:(30 March 1727 – 6 April 1779), was an Italian
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347:. But Traetta's is no mere translation of Rameau.
276:in Naples, and found early success with his opera
493:, vocal score, Idea Press, Port St. Lucie, 2015,
480:, vocal score, Idea Press, Port St. Lucie, 2015,
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635:, Edizioni S. Marco dei Giustiniani, Genova 2006
647:Armida – Traetta, Salieri and Righini in Vienna
633:Tommaso Traetta: Maestro di cappella napoletano
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519:(Munich), Idea Press, Port St. Lucie, 2015,
628:, FacoltĂ di Lettere di Trento, Trento 2005
432:Traetta was shortly married and had a son,
236:. Along with other composers mainly in the
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640:Le Feste d'Imeneo, Tommaso Traetta a Parma
248:of style and the primacy of star singers.
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664:International Music Score Library Project
412:itself, created by the Italian architect
226:Tommaso Michele Francesco Saverio Traetta
159:Tommaso Michele Francesco Saverio Traetta
124:Learn how and when to remove this message
69:Learn how and when to remove this message
32:This article includes a list of general
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965:Musicians from the Kingdom of Naples
638:Fabrizio Cassoni, Gianfranco Spada,
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970:18th-century Italian male musicians
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318:It was at the court of the Duke of
295:had married the eldest daughter of
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975:Italian Classical-period composers
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454:Category:Operas by Tommaso Traetta
96:tone or style may not reflect the
38:it lacks sufficient corresponding
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450:List of operas by Tommaso Traetta
990:Italian male classical composers
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106:guide to writing better articles
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985:18th-century Italian composers
675:Free scores by Tommaso Traetta
670:Operone list of Traetta operas
660:Free scores by Tommaso Traetta
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570:
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414:Francesco Bartolomeo Rastrelli
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429:his librettist was poisoned.
1000:Italian male opera composers
679:Choral Public Domain Library
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980:Neapolitan school composers
835:Giovanni Battista Pergolesi
556:Andrea Della Corta (1937).
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649:, Traettiana, London 2011
642:, Traettiana, London 2010
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582:www.saint-petersburg.com
503:Messa in Do, vocal score
995:Italian opera composers
607:Encyclopædia Britannica
373:than, for instance, in
349:Carlo Innocenzo Frugoni
53:more precise citations.
865:Gian Francesco de Majo
563:Encyclopedia Italiana
293:Philip, Duke of Parma
850:Alessandro Scarlatti
840:Francesco Provenzale
491:Il Cavaliere Errante
291:The ruler of Parma,
256:Traetta was born in
1005:People from Bitonto
895:Johann Adolph Hasse
762:Ifigenia in Tauride
685:Traetta.com website
406:Catherine the Great
404:The Court Opera of
394:Catherine the Great
344:Hippolyte et Aricie
324:Guillaume du Tillot
900:Domenico Scarlatti
885:Giovanni Paisiello
746:Ippolito ed Aricia
558:"Traetta, Tommaso"
338:Ippolito ed Aricia
199:Republic of Venice
908:
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890:Domenico Cimarosa
825:Francesco Durante
814:Neapolitan School
780:
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602:"Tommaso Traetta"
525:978-0-9721243-2-4
511:978-0-9984873-0-4
499:978-0-9721243-3-1
486:978-0-9721243-5-5
473:978-0-9984873-9-7
238:Holy Roman Empire
234:Neapolitan School
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177:Kingdom of Naples
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424:in 1776 and
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189:(1779-04-06)
187:6 April 1779
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114:October 2020
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59:October 2020
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960:1779 deaths
955:1727 births
390:opera seria
301:Versailles.
206:Nationality
51:introducing
949:Categories
587:2023-06-28
543:References
448:See also:
362:Hippolytus
353:librettist
278:Il Farnace
268:region of
246:ornateness
214:Occupation
165:1727-03-30
34:references
927:Biography
418:Hermitage
367:Euripides
288:in 1759.
252:Biography
770:Antigona
531:See also
478:Miserere
426:Telemaco
422:Germondo
399:Antigona
383:Jommelli
308:Antigona
297:Louis XV
230:composer
218:Composer
913:Portals
677:in the
666:(IMSLP)
662:at the
264:in the
258:Bitonto
232:of the
209:Italian
173:Bitonto
47:improve
773:(1772)
765:(1763)
757:(1766)
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729:Operas
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444:Operas
438:Venice
371:chorus
357:Racine
266:Apulia
242:France
195:Venice
36:, but
939:Opera
379:Graun
375:Hasse
313:Gluck
286:Parma
270:Italy
521:ISBN
507:ISBN
495:ISBN
482:ISBN
469:ISBN
452:and
381:and
377:and
262:Bari
240:and
184:Died
155:Born
365:of
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