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Faria, Francisco (1980), “Algumas notas sobre os
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Kastner, Macario
Santiago (1950), “Los manuscritos musicales n.º 48 y 242 de la Biblioteca General de la Universidad de Coimbra”, Anuário Musical, Barcelona, CSIC, vol. V, pp. 78–96.
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Faria, Francisco (1984), “O canto em Santa Cruz de
Coimbra”, in Cruz, António (coord.), Santa Cruz de Coimbra: Do Séc. XI ao Séc. XX, Coimbra, pp. 209–214.
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Mazza, José (1944-1945), Dicionário Biográfico de Músicos
Portugueses, ed. e notas de José Augusto Alegria, Ocidente, Lisboa, Tipografia da Editorial Império.
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Faria, Francisco (1974), “O estilo concertante em
Coimbra”, Separata da revista Bracara Augusta, vol. XXVIII, Fasc. 65-66 (77-78), Braga, Livraria da Cruz.
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Cruz, António e
Pimentel, Carlos F. (1937), Inventário dos Inéditos e Impressos Musicais: Subsídios para um Catálogo, prefácio de M. S. Kastner, Coimbra.
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Faria, Francisco (1982), “A Música em
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Valença, Manuel (1990), A Arte Organística em
Portugal: c. 1326–1750, volume I, Braga, Província Portuguesa da Ordem Franciscana, pp. 106–107.
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Pinho, Ernesto Gonçalves de (1981), Santa Cruz de
Coimbra: Centro de Actividade Musical nos Sécs. XVI e XVII, Lisboa, Fundação Calouste Gulbenkian.
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Bernardes, J. M. R. e
Bernardes, I. R. S. (2003), Uma Discografia de Cds da Composição Musical em Portugal: Do Século XIII aos Nossos Dias, INCM. .
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Rees, Owen (1995), Polyphony in Portugal c. 1530-1620: Sources from the Monastery of Santa Cruz, Coimbra, New York and London, Garland Publishing.
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languages, and he was a good philosopher and theologian. As a musician, he played several instruments with skill and he was an esteemed singer.
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Ribeiro, Mário de Sampaio (1940), “Os Manuscritos Musicais de Coimbra e a sua Catalogação”, Lisboa, Ocidente, vol. XI, nº 31, pp. 137–138.
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Vieira, Ernesto (2007/1900), Diccionario Biographico de Musicos Portuguezes, Lisboa, Lambertini, Edição Facsimilada de Arquimedes Livros.
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Ribeiro, Mário de Sampaio (1941), Os MM n.º 6 e 12 da BGUC: Contribuição para um Catálogo Definitivo, Coimbra, Imprensa da Universidade.
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Paiva's work can be found in the music manuscripts of the Monastery of Santa Cruz de Coimbra (now kept at the library of the
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Nery, Rui Vieira (1984), A Música no Ciclo da Bibliotheca Lusitana, Lisboa, Fundação Calouste Gulbenkian, pp. 183–184.
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Vasconcelos, Joaquim de (1870), Os Músicos Portuguezes: Biografia, Bibliografia, 2 volumes, Porto, Imprensa Portugueza.
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Ribeiro, Mário de Sampaio (1939), A Música em Coimbra, Separata de Biblos, Vol. XV, Coimbra, Coimbra Universidade.
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but, as he was excessively humble, he did not sign his works, which makes it more difficult to identify them.
120:(date unknown). He studied at the Monastery of Santa Cruz de Coimbra, where he took the holy orders as an
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Rees, Owen (2001), “Paiva, Heliodoro de”, The New Grove Dictionary of Music and Musicians, 2ª Edição.
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Machado, Diogo Barbosa (1965-1967), Biblioteca Lusitana, 4 volumes, Coimbra, Atlântida Editora.
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