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198:, 660–620 BC. Though a Phrygian by origin, Olympus must be reckoned among the Greek musicians; for all the accounts make Greece the scene of his artistic activity, and his subjects Greek; and he had Greek disciples, such as Crates and Hierax. He may, in fact, be considered as having naturalized in Greece the music of the
347:
composed by
Olympus. It is argued by some writers that the inseparable connection between the earliest compositions in music and poetry forbids the supposition that he composed music without words. Without entering into this difficult and extensive question, it is enough to observe that, whatever
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words may have been originally connected with his music, they were superseded by the compositions of later poets. Of the lyric poets who adapted their compositions to the nomes of
Olympus, the chief was
583:
with an
English Translation by Sir James George Frazer, F.B.A., F.R.S. in 2 Volumes, Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1921. ISBN 0-674-99135-4.
138:. Olympus not infrequently appears on works of art, as a boy, sometimes instructed by Marsyas, and sometimes as witnessing and lamenting his fate. After his father was flayed alive,
174:: and on account of his inventions in the art, Plutarch even assigns to him, rather than to Terpander, the honour of being the father of Greek music. With respect to his age, the
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with an
English Translation by W. H. S. Jones, Litt.D., and H. A. Ormerod, M.A., in 4 Volumes. Cambridge, MA, Harvard University Press; London, William Heinemann Ltd. 1918.
158:
The historical
Olympus was a Phrygian, and perhaps belonged to a family of native musicians, since he was said to be descended from the first Olympus. He is placed by
104:, and Olympus, to each of whom the invention of the flute was ascribed, and under whose names we have the mythical representation of the contest between the Phrygian
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music: some writers made him the father (instead of son, or disciple, and favourite) of
Marsyas, but the genealogy given above was that more generally received.
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and purportedly introduced instrumental music into Greece, and one apparently real, who lived in the 7th century BC. Both musicians were connected with the
261:) as well known at Athens under the name of Olympus. But it can hardly be supposed that his music was all mournful; the nome in honour of
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61:. It is possible that the elder and mythical Olympus was invented through some mistake respecting the younger and historical Olympus.
206:; and, accordingly, several new inventions are ascribed to Olympus. The greatest of his inventions was that of the third system, or
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202:, which had previously been almost peculiar to Phrygia. This species of music admitted of much greater variations than that of the
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227:, a mournful and passionate strain, of the rhythm of which we are enabled to form an idea from a passage in the
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Ancient Art and Its
Remains: Or, A Manual of the Archæology of Art, pg. 501–502, retrieved from Google Books.
186:, but this tells us nothing, for these were alternately the names of all the Phrygian kings to the time of
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gave the rest of his body to
Olympus for burial. He was also said to be a student of the mythological god
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126:. The compositions ascribed to him were old melodies appropriated to the worship of particular
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translated and edited by Mary Grant. University of Kansas
Publications in Humanistic Studies.
340:, and the Bacchic foot, though there is some doubt whether the last form was used by Olympus.
265:, at least, must have been of a different character. Some ancient writers ascribe to him the
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Christianity and
Mythology By John M. Robertson, pg. 351, retrieved from Google Books.
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translated by Brookes More (1859–1942). Boston, Cornhill Publishing Co. 1922.
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is equal to two short syllables, and that of the thesis to three, as, in the
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as well as in music. To the two existing species of rhythm, the
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Vincent Katz. trans. Los Angeles. Sun & Moon Press. 1995.
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Hugo Magnus. Gotha (Germany). Friedr. Andr. Perthes. 1892.
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mentions a mournful strain, set to more flutes than one (
237:, which was set to it, as the passage itself tells us. A
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The elder Olympus belongs to the mythical genealogy of
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Dictionary of Greek and Roman Biography and Mythology
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Latin text available at the Perseus Digital Library
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Greek text available at the Perseus Digital Library
78:The Faun Marsyas Teaches Olympus to Play the Flute
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190:. He may have lived after Terpander and before
678:Online version at the Perseus Digital Library.
650:Online version at the Perseus Digital Library.
585:Online version at the Perseus Digital Library.
245:, was said to have been played by Olympus, at
223:) ascribed to him, the most important was the
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588:Greek text available from the same website
118:Olympus was said to have been a native of
602:Online version at the Topos Text Project.
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343:There is no mention of any
328:in which the length of the
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742:Ancient Greek flautists
16:Ancient Greek musicians
654:Publius Ovidius Naso,
486:; Apollodorus, 1.4.2;
397:Collections on Phrygia
379:. Wildside Press LLC.
373:J. M. Edmonds (2007).
146:in the playing of the
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611:Description of Greece
458:Lives of the Sophists
296:are equal (as in the
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49:who lived before the
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629:Graeciae Descriptio.
594:Gaius Julius Hyginus
19:For other uses, see
517:Graeciae Descriptio
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316:(as in the
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736:Categories
571:References
505:Propertius
415:Plutarch,
336:foot, the
212:enharmonic
166:music, as
124:Trojan War
51:Trojan War
607:Pausanias
528:Hyginus,
513:Pausanias
326:hemiolion
306:diplasion
271:Herodotus
235:Euripides
196:Olympiads
182:, son of
168:Terpander
136:Philammon
480:Plutarch
442:On Music
393:On Music
302:Anapaest
269:, which
259:xynaulia
192:Thaletas
160:Plutarch
108:and the
94:Phrygian
80:(1821),
47:mythical
696::
670:Elegies
530:Fabulae
519:10.30.9
509:Elegies
503:6.393;
491:Fabulae
488:Hyginus
484:de Mus.
476:Olympos
460:, 2.5.5
430:, 1.4.2
417:de Mus.
322:Trochee
253:style.
230:Orestes
188:Croesus
184:Gordias
164:auletic
106:auletic
102:Marsyas
98:Hyagnis
59:Phrygia
55:auletic
39:Ὄλυμπος
31:Olympos
27:Olympus
21:Olympus
674:Charm.
632:3 vols
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561:Equit.
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354:Himera
338:paeons
334:cretic
318:Iambus
314:thesis
298:Dactyl
294:thesis
282:rhythm
263:Athena
251:Lydian
247:Delphi
243:Python
140:Apollo
90:Mysian
672:from
511:3.3;
360:Notes
345:poems
330:arsis
310:arsis
290:arsis
275:Arion
239:dirge
220:nomoi
208:genus
200:flute
180:Midas
148:flute
120:Mysia
110:Greek
35:Greek
726:help
615:ISBN
495:Ovid
472:Suda
381:ISBN
320:and
300:and
292:and
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204:lyre
176:Suda
134:and
132:Olen
128:gods
92:and
29:(or
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352:of
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