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Quatrain

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form is from Fourth Century China, consisting of regular five-character lines, with each quatrain formed from a pair of rhymed couplets. The person matter involves the personal thoughts and feelings of a courtesan during the four seasons, into which the quatrains are individually
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poetry. This type of quatrain uses a seven-character line length. Both rhyme and rhythm are key elements, although the former is not restricted to falling at the end of the phrase.
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starts and ends a poem with little change of wording, although this term is also used on stanzas that have a symmetrical rhyme scheme of ABBA.
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meter (The examples from "The Unquiet Grave" and "The Wife of Usher's Well" are both examples of ballad meter.)
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reflects the plural. One of FitzGerald's verses may serve to illustrate:
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from the poetic traditions of various ancient civilizations including
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Existing in a variety of forms, the quatrain appears in
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form; an important faction of the vast repertoire of
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This form of poetry has been continually popular in
775:. From the creators of SparkNotes, something better 498:was a particularly widespread verse form: the form 60:. Unsourced material may be challenged and removed. 657: 1105: 209:) used the quatrain form to deliver his famous " 859: 507:Come, fill the Cup, and in the fire of Spring 305:And leaves the world to darkness and to me. 287:An example can be found in the following of 668:"Definition and Examples of Literary Terms" 866: 852: 299:The curfew tolls the knell of parting day, 220:, but the most traditional and common are 744:"The Oxford Dictionary of Literary Terms" 724:. The Editors of Encyclopaedia Britannica 303:The plowman homeward plods his weary way, 301:The lowing herd wind slowly o'er the lea, 120:Learn how and when to remove this message 513:To flutter—and the Bird is on the Wing. 509:Your Winter garment of Repentance fling: 464:Pale warriors, death-pale were they all; 314:consists of alternating rhymes with the 243: 801:. Literary Devices, Terms, and Elements 477:form of rhymed quatrain was favored by 14: 1106: 375:The dead man touch’d me from the past, 847: 511:The Bird of Time has but a little way 379:The living soul was flash’d on mine. 293:Elegy Written in a Country Churchyard 466:They cried—‘La Belle Dame sans Merci 202:writing poetry only in this format. 58:adding citations to reliable sources 29: 592:employ specific forms, such as the 24: 373:So word by word, and line by line, 338:O, my luve’s like a red, red rose, 258:Under the portrait, a quatrain by 190:poetry, with famous poets such as 25: 1125: 462:I saw pale kings and princes too, 440:with a rhyme scheme of ABCB (see 414:Could frame thy fearful symmetry? 377:And all at once it seem’d at last 873: 532:The Knight in the Panther's Skin 424:Dare frame thy fearful symmetry 34: 344:That's sweetly played in tune. 45:needs additional citations for 813: 787: 761: 736: 710: 685: 322:, with a rhyme scheme of ABCB. 182:since the medieval period, as 13: 1: 832: 718:"Prosody, In Memoriam Stanza" 342:O, my luve’s like the melodie 1042:Perfect and imperfect rhymes 450:An example can be found in “ 420:In the forests of the night: 410:In the forests of the night; 408:Tyger Tyger, burning bright, 340:That's newly sprung in June; 7: 623: 418:Tyger Tyger burning bright, 396:An example can be found in 361:An example can be found in 357:and a rhyme scheme of ABBA. 326:An example can be found in 216:There are fifteen possible 10: 1130: 619:are arranged in quatrains. 422:What immortal hand or eye, 412:What immortal hand or eye, 1004: 881: 650: 607:In the Malay tradition, 544:Classical Chinese poetry 491:Rubaiyat of Omar Khayyam 452:La Belle Dame sans Merci 239: 27:Four-line poem or stanza 213:" in the 16th century. 795:"Definition of Ballad" 468:Thee hath in thrall!’ 263: 205:Michel de Nostredame ( 824:version at Wikisource 560:Decasyllabic quatrain 520:Midnight Songs poetry 247: 144:, consisting of four 363:Alfred Lord Tennyson 54:improve this article 487:Edward FitzGerald's 1060:Off-centered rhyme 446:for more details). 367:In Memoriam A.H.H. 264: 1101: 1100: 697:Poetry foundation 693:"A Red, Red Rose" 388:is when the same 355:iambic tetrameter 320:iambic tetrameter 277:iambic pentameter 130: 129: 122: 104: 16:(Redirected from 1121: 868: 861: 854: 845: 844: 826: 817: 811: 810: 808: 806: 799:Literary Devices 791: 785: 784: 782: 780: 765: 759: 758: 756: 754: 748:Oxford Reference 740: 734: 733: 731: 729: 714: 708: 707: 705: 703: 689: 683: 682: 680: 678: 672:Literary Devices 664: 574:William Davenant 479:Persian-language 433:consists of the 353:consists of the 275:consists of the 140:, or a complete 125: 118: 114: 111: 105: 103: 62: 38: 30: 21: 1129: 1128: 1124: 1123: 1122: 1120: 1119: 1118: 1104: 1103: 1102: 1097: 1094:Weak/Unaccented 1000: 991:Verse paragraph 877: 872: 835: 830: 829: 819:Verse VII, see 818: 814: 804: 802: 793: 792: 788: 778: 776: 767: 766: 762: 752: 750: 742: 741: 737: 727: 725: 716: 715: 711: 701: 699: 691: 690: 686: 676: 674: 666: 665: 658: 653: 626: 569:Annus Mirabilis 540:Shichigon-zekku 515: 512: 510: 508: 470: 467: 465: 463: 426: 423: 421: 419: 417: 415: 413: 411: 409: 386:envelope stanza 381: 378: 376: 374: 351:memoriam stanza 346: 343: 341: 339: 332:A Red, Red Rose 316:iambic trimeter 307: 304: 302: 300: 257: 250:Henric Piccardt 242: 196:Mahsati Ganjavi 126: 115: 109: 106: 63: 61: 51: 39: 28: 23: 22: 15: 12: 11: 5: 1127: 1117: 1116: 1099: 1098: 1096: 1095: 1092: 1087: 1084: 1079: 1074: 1069: 1064: 1063: 1062: 1055:Internal rhyme 1052: 1051:Imperfect/Near 1049: 1044: 1039: 1038:Forced/Oblique 1036: 1031: 1026: 1021: 1016: 1010: 1008: 1002: 1001: 999: 998: 993: 988: 983: 978: 973: 968: 963: 958: 953: 951:Sapphic stanza 948: 943: 938: 933: 928: 923: 918: 913: 908: 903: 898: 893: 887: 885: 879: 878: 871: 870: 863: 856: 848: 842: 841: 834: 831: 828: 827: 812: 786: 760: 735: 709: 684: 655: 654: 652: 649: 648: 647: 642: 640:Enclosed rhyme 637: 632: 625: 622: 621: 620: 605: 586: 557: 551: 536: 524: 505: 504: 503: 460: 448: 447: 406: 394: 393: 371: 359: 358: 336: 324: 323: 297: 285: 284: 273:elegiac stanza 241: 238: 165:Ancient Greece 128: 127: 42: 40: 33: 26: 9: 6: 4: 3: 2: 1126: 1115: 1114:Stanzaic form 1112: 1111: 1109: 1093: 1091: 1088: 1085: 1083: 1080: 1078: 1077:Perfect rhyme 1075: 1073: 1070: 1068: 1065: 1061: 1058: 1057: 1056: 1053: 1050: 1048: 1045: 1043: 1040: 1037: 1035: 1032: 1030: 1027: 1025: 1022: 1020: 1017: 1015: 1012: 1011: 1009: 1007: 1003: 997: 994: 992: 989: 987: 984: 982: 979: 977: 974: 972: 969: 967: 964: 962: 959: 957: 954: 952: 949: 947: 944: 942: 939: 937: 934: 932: 929: 927: 924: 922: 919: 917: 914: 912: 909: 907: 904: 902: 899: 897: 896:Ballad stanza 894: 892: 891:Alcaic stanza 889: 888: 886: 884: 880: 876: 869: 864: 862: 857: 855: 850: 849: 846: 840: 837: 836: 825: 823: 816: 800: 796: 790: 774: 770: 764: 749: 745: 739: 723: 719: 713: 698: 694: 688: 673: 669: 663: 661: 656: 646: 643: 641: 638: 636: 633: 631: 628: 627: 618: 614: 610: 606: 603: 599: 595: 591: 587: 585: 581: 580: 575: 571: 570: 565: 561: 558: 555: 552: 549: 545: 542:form used on 541: 537: 534: 533: 528: 525: 521: 517: 516: 514: 501: 497: 493: 492: 488: 484: 480: 476: 472: 471: 469: 459: 457: 453: 445: 444: 443:ballad stanza 439: 436: 432: 431:ballad stanza 428: 427: 425: 405: 403: 399: 398:William Blake 391: 387: 383: 382: 380: 370: 368: 364: 356: 352: 348: 347: 345: 335: 333: 329: 321: 317: 313: 312:hymnal stanza 309: 308: 306: 296: 294: 290: 282: 278: 274: 270: 269:heroic stanza 266: 265: 261: 255: 254:Nicolaes Maes 251: 246: 237: 235: 231: 227: 223: 219: 218:rhyme schemes 214: 212: 208: 203: 201: 200:Seljuk Persia 197: 193: 189: 185: 181: 176: 174: 170: 166: 162: 161:Ancient India 158: 154: 149: 147: 143: 139: 136:is a type of 135: 124: 121: 113: 110:February 2016 102: 99: 95: 92: 88: 85: 81: 78: 74: 71: –  70: 66: 65:Find sources: 59: 55: 49: 48: 43:This article 41: 37: 32: 31: 19: 1082:Rhyme scheme 1024:Broken rhyme 1014:Alliteration 935: 906:Burns stanza 875:Poetic forms 821: 815: 803:. 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Retrieved 671: 645:Rhyme scheme 601: 597: 594:common meter 593: 577: 567: 530: 506: 499: 495: 489: 483:Omar Khayyám 461: 449: 441: 430: 407: 395: 385: 372: 360: 350: 337: 328:Robert Burns 325: 311: 298: 286: 281:rhyme scheme 272: 268: 248:Portrait of 215: 204: 192:Omar Khayyam 177: 169:Ancient Rome 150: 133: 131: 116: 107: 97: 90: 83: 76: 64: 52:Please help 47:verification 44: 1034:Cross rhyme 946:Rhyme royal 635:Combination 630:Bell number 602:short meter 584:Thomas Gray 564:John Dryden 289:Thomas Gray 279:, with the 207:Nostradamus 1029:Consonance 996:Villanelle 986:Terza rima 971:Tail rhyme 931:Quatorzain 833:References 805:2 December 779:2 December 753:2 December 728:2 December 722:Britannica 702:2 December 677:2 December 598:long meter 456:John Keats 438:tetrameter 211:prophecies 80:newspapers 69:"Quatrain" 1086:Semirhyme 1072:Pararhyme 1067:Monorhyme 1019:Assonance 773:Litcharts 579:Gondibert 523:assigned. 402:The Tyger 260:Guy Patin 18:Quatrains 1108:Category 1090:Syllabic 1047:Holorime 941:Quintain 936:Quatrain 916:Cinquain 911:Chaubola 839:Quatrain 822:Rubaiyat 769:"Ballad" 624:See also 588:Various 562:used by 548:Japanese 500:rubaiyat 318:and the 283:of ABAB. 134:quatrain 981:Triolet 956:Sestain 921:Couplet 883:Stanzas 617:pantoum 188:Persian 184:Ruba'is 94:scholar 1006:Rhymes 976:Tercet 966:Sonnet 961:Sestet 926:Ghazal 901:Biolet 613:pantun 600:, and 582:, and 554:Ballad 527:Shairi 496:ruba'i 494:. The 475:Ruba'i 435:iambic 390:stanza 232:, and 171:, and 157:Persia 138:stanza 96:  89:  82:  75:  67:  651:Notes 609:syair 590:hymns 481:poet 454:” by 240:Forms 173:China 153:poems 146:lines 101:JSTOR 87:books 807:2020 781:2020 755:2020 730:2020 704:2020 679:2020 615:and 546:and 538:The 518:The 473:The 429:The 400:'s " 365:'s " 349:The 310:The 291:'s " 267:The 234:ABBA 230:ABAB 226:AAAA 222:ABAA 194:and 180:Iran 142:poem 73:news 576:in 566:in 416:... 384:An 369:". 334:". 330:, " 295:". 271:or 198:of 56:by 1110:: 797:. 771:. 746:. 720:. 695:. 670:. 659:^ 611:, 596:, 572:, 458:. 236:. 228:, 224:, 167:, 163:, 159:, 148:. 132:A 867:e 860:t 853:v 809:. 783:. 757:. 732:. 706:. 681:. 604:. 535:. 262:. 256:. 123:) 117:( 112:) 108:( 98:· 91:· 84:· 77:· 50:. 20:)

Index

Quatrains

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