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623:
816:
251:
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852:
608:
328:
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describes the "mantle and kirtle of white cloth of silver, the mantle of estate with a long train, furred through all with powdered ermines and a mantellace of white silk and gold, a kirtle of the same" and the "kirtle of purple velvet with a train, the train furred with ermines, edged about the skirt ... a mantle of the same called a coronation mantle with a long train". These garments may not have been newly-made for Mary's coronation, as records mention enlarging a gown.
890:
1308:
646:. The women of the household followed, riding in three carriages called "chariots" or on horseback. Although English and Spanish accounts say the women were apparelled with crimson velvet, and their horses "trapped" with the same fabric, Noailles wrote that the ladies and women of the household were all dressed in furred silver and gold gowns, also in the French fashion, and their horse mantles,
769:, with a mount and fountain running with wine. and an actor "flied down a rope" as the queen passed by. At the other end of the street, the Florentine merchants had built an arch with three entries, six actors above welcomed Mary, and on top a statue of an angel dressed in green appeared to play a trumpet. The Florentine pageant included Queen
1347:(a woollen cloth), satin, and crimson velvet. Another narrative says her majesty's ladies in great numbers wore scarlet in the Abbey. An inventory of jewels mentions that twenty pairs of gold billiments (for head dresses), of sundry fashions, were issued to the ladies and gentlewomen, including Mistress Anne Poyntz
265:. The troubles of the human race, Scarcity, Sickness, Feebleness and Deformity, were countered by Reason, Plenty, Verity, Self-Love, and Care. These were probably understood as virtues residing in Mary's court and realm. No text of this morality play has yet been identified. Mary made a warrant for the fabrics to
1295:" of crimson cloth of gold lined with satin and dressed with Venice gold ribbon or gold passamyne lace. The costume change was detailed in a schedule which describes this specially made "coronation mantle" and its lacework overmantle. This second mantle was mentioned in the published Spanish narrative accounts.
37:
1272:
During the ceremony Mary withdrew into a traverse, a curtained space, using for robing and disrobing. There she changed into a purple velvet mantle, and a purple velvet kirtle with a train furred with ermine, assisted by her ladies in waiting. Mary was partly undressed for her anointing, during which
1189:
A Genoese merchant wrote that Lady Jane Grey had worn green and white in July 1553, Tudor colours asserting her right to rule. The variety of sources, and changes of costume made during the ceremony, has led to some confusion over the use of fabrics and colour, and consequent symbolism. Crimson was a
1394:
and Jane
Russell. Further wardrobe records show that Jane Russell (died 1558) was a chamberer at the coronation and was later a gentlewoman of Mary's privy chamber. She was the wife of William Russell, Sergeant of the Wine Cellar, and was to be rewarded for her advocacy of Mary's marriage. Elizabeth
1322:
The ladies of Mary's household were dressed in three kinds of fabric, according to status, having at the Royal Entry crimson damask, satin, and velvet. Noailles explains that these red fabrics were used for their horse mantles or cloths, and their gowns at the entry were silver and gold. The
English
1446:
Some of Mary's gowns remained in
Elizabeth's wardrobe and were detailed in inventories, including purple gowns and one of crimson satin sewed with pearls and garnets. It was not recorded if any of these were used at Mary's coronation. It has been suggested that Mary wore the crimson satin gown with
1224:
on her way to the Abbey. She owned a blue velvet gown at this time. Other accounts say that she wore her
Parliament robes of crimson velvet. A manuscript listing her clothes for the day gives other details, and says that she wore her "common usual apparel" to go to her coronation at Westminster on
1181:
The ambassador
Noailles wrote in August that Mary had put aside a "superstition" of the court of Edward VI and now her women wore brightly coloured clothes and jewellery, with wide sleeves in the French fashion. In 1554, a Venetian diplomat, Giacomo Soranzo, reported that Mary, on state occasions,
1131:
Dymoke's fee was a gold cup, which Mary passed to him filled with wine. He was also given the horse and armour, 18 yards of crimson satin for livery clothes, and the food allowance of a baron. Dymoke made a claim in
November for a few weapons and a pair of gilt spurs which he had not yet received.
748:, with mantles of crimson damask. There were 46 female riders in the procession, and Noailles estimated seventy women in total including the passengers in the litters. Behind them rode the henchmen and their master, dressed in the green and white Tudor colours. These were young men of school age.
1442:
correspond with those in Mary's coronation wardrobe accounts, including the cloth of gold and silver mantle and a matching kirtle trimmed with ermine used at the Royal Entry, and the purple velvet mantle, kirtle and surcoat worn in the Abbey after the anointing. One of the documents from 1553
237:
There was no
English publication describing the coronation ceremony. A narrative description of the coronation was published in Italian and Spanish versions. These texts have many similarities with descriptions produced by diplomats. A Spanish narrative also gave an estimated cost of all the
545:. The windows of houses along the route were decorated with tapestry or cloth of gold and cloth of silver, and the roads were strewn with grass and flowers. There are several accounts of the procession, and these vary in detail, possibly confusing the colour of fabrics used for the
1430:
Several details of Mary's costume, the vocabulary used for fabrics, and the costume changes of Mary's coronation follow closely the order of her parents' coronation in 1509. When
Elizabeth I was crowned in 1559, she reused some of Mary's clothes, which were altered by the tailor
603:
and other diplomats, Elizabeth and Anne were dressed in cloth of silver with robes or gowns in the French fashion. Elizabeth's silver costume, although more elaborate than those of the women of the household, would have marked her status as lower than her elder sister's costume.
1152:
and wafers were served, a final course known as a void. Mary washed her hands, and stood on the step known as the "hault place" with
Elizabeth and Anne of Cleves. The Mayor of London brought a drink in a gold cup, which Mary tasted, and then gave the cup to the Mayor.
940:, on the raised scaffold or mount in sight of the people. The chair was at the centre of the mount, draped with rich fabrics. According to Antonio de Guaras, the chair was placed on a higher platform with ten steps. A diagram of the stage used at the coronation of
134:
in
England, a female ruler in her own right. The ceremony was therefore transformed. Ritual and costume were interlinked. Contemporary records insist the proceedings were performed "according to the precedents", but mostly these were provisions made previously for
1007:. When Mary was to be anointed, according to some accounts, she went into a "traverse" on the right hand side of the high altar and was undressed by ladies of privy chamber. A traverse is usually a space curtained off under a canopy. A Spanish account calls it
1161:
Details of fabrics bought or supplied for the coronation are known from records of the royal wardrobe and Mary's warrants or orders. There is also a list of fabrics and items with the order of ceremony prepared by the wardrobe. Mary ordered velvet from
501:
The wardrobe accounts include sumptuous costume for Mary and her ladies for the reception on the "eve" of the coronation. Mary's robe and mantle were of gold and silver tissue. The phrase refers to a ceremony before the coronation when the
1233:
The route from Westminster Hall into the Abbey was spread with blue velvet or multi-coloured woollen "ray-cloth". The wardrobe account says the blue cloth was used between the hall and the Abbey quire door. The pulpit was draped with red
1298:
Mary paid for the making of these new items furred with ermine and decorated with Venice gold lace, including the coronation mantle, from her own purse. The earls and countesses in attendance wore crimson velvet and gold coronets.
388:, to a rich apparel of "purple velvet French fashion, with sleeves of the same, her kirtle of purple satin all thick set with goldsmith work and great pearl, with her foresleeves of the same set with rich stones". The ambassador
1342:
of the Coronation, and for the Coronation day. Rhys Mansel bequeathed Lady Mansel's crimson velvet gown to her daughter, Mary. At the coronation, according to the French ambassador Noailles, the three grades of cloth worn were
1128:, rode into the hall in full armour. He threw down a glove and offered to challenge any who questioned Mary's right to rule. No one took up the challenge, and he declared Mary "the true and rightful Queen of that Kingdom".
886:. The great bearing sword was refurbished by the cutler John Ailande. Anne of Cleves and Princess Elizabeth attended Mary as she processed into the Abbey. Countesses and noblewomen walked in pairs, holding their coronets.
908:, and the Duchess of Norfolk. The quire of the Abbey was hung with tapestry and the floor was strewn with rushes. When Mary entered the Abbey, the Bishop declared the Queen's pardon for prisoners, excluding those in the
755:, Genoese merchants staged a welcome salutation given by a young actor portraying a girl in a chair or throne suspended in the air. There were four giants. Latin inscriptions on the triumphal arches were recorded by
587:
fabric. She also wore this newly-made circlet to the coronation. Some chronicle accounts mention the weight of the circlet and caul, and that Mary had sometimes to support it with her hand. These comments may imply
1225:
the second day beneath her Parliament robes. Her collar was decorated with passamayne lace of Venice gold. Passamayne was a kind of braid or woven lace, used as edging on garments or on the borders of skirts.
427:, arranged on a specially built stage. John Howes, writing in 1582, relates that when the Queen "came near unto them she cast her eye another way, and never staied nor gave any countenance to them". However,
1249:
on 25 November 1487, spectators rushed to cut pieces of the ray cloth with knives before her ladies had even finished passing by. As the souvenir hunters struggled with each other there were fatalities.
4122:(Palgrave Macmillan, 2010), p. 48: Elizabeth Mazzola, 'Something Old, Something New, Something Borrowed, Something Ermine: Elizabeth I's Coronation Robes and Mothers' Legacies in Early Modern England',
1291:), laced up her clothes, and Mary put on a mantle again. Lace with tags were provided for the kirtles and 24 yards of ribbon for girdles. Walgrave also handed linen gloves to the queen. Her shoes were "
1061:, which had been carried by the Earl of Arundel, and the consort's sceptre which was topped with a dove. She entered the curtained traverse and reappeared in her coronation robe, carrying the
1209:. Described in narratives as gentlemen wearing ducal robes, their presence represented Mary's claim to these territories. At the coronation of Edward VI these roles had been performed by two
654:
velvet. The wardrobe account of Elizabeth I's coronation details similar fabrics for the chariots, and includes equivalent lengths of crimson velvet bought for the women's saddles.
1182:
wore a gown and bodice, with wide hanging sleeves in the French fashion. The wardrobe accounts record that her tailor, Edward Jones, made French-style gowns and kirtles and round
1014:
Mary was dressed in a different costume and, putting aside the mantle, was anointed by Stephen Gardiner within the traverse. Holy oil had been obtained by the Imperial ambassador
392:
described this costume similarly, as violet velvet, with skirts and sleeves embroidered with gold. She was followed by as many as 180 ladies and gentlemen. The French ambassador,
407:. Renard describes around 100 poor children dressed in blue as being at the city gate. One of them asked the Queen to take care of them. The incident appears in the chronicle of
261:
The revels accounts include fabric for costumes for a play to be performed during Mary's coronation feasts, which included a good and a bad angel with a personification of the
807:, wrote that the London streets were full of her supporters, who threw their caps in the air without any hope of recovering them in the crowds, crying 'Long live Queen Mary'.
4542:
1362:
Costumes for gentlewomen and servants were ordered with a royal warrant dated 25 September. Scarlet gowns furred with "lettice" fur were made "against our coronation" for
2646:, vol. 2 (London, 1839), p. 240: Hilary Doda, 'Lady Mary to Queen of England: Transformation, Ritual, and the Wardrobe of the Robes', Sarah Duncan & Valerie Schutte,
4263:
959:
mentioned that Mary sat on a "stone chair covered with brocade" at the banquet after the coronation. The stone had been brought from Scotland as a token of victory, the
944:
shows the chair raised on an octagonal mount with five steps placed on the platform. On the back of the "white chair" were two carved lions on the corner posts and a
506:
made their preparations and bathed, which took place "according to the old usage of England" at the Tower of London on 29 September. In the morning, new knights were
1089:
in the hall and rested her feet on two of her ladies in waiting. This may reflect Renard's understanding of the physical marble king or queen's bench in the hall.
3020:
Michaela Baca, 'Negotiating Queenship: Ritual Practice, Material Evidence, and Mary I's Narrative of Authority', Valerie Schutte & Jessica S. Hower,
214:
describing the legitimacy of Mary's succession. Writers addressed the challenges to rule that Mary had overcome. Thomas Watertoune published a ballad,
165:, who was riding on horseback, was confused by the uproar, and shouted that rumours were untrue. York had to be rescued from the crowd by the Sheriff,
1190:
traditional colour for the coronation of English monarchs. At the height of the ceremony, Mary changed into purple, a colour referenced by the writer
521:
Edward VI's coronation accounts also include payments for a robe and mantle to wear at the creation of the Knights of the Bath. The costume historian
400:. Renard wrote that Noailles was spotted observing some of the proceedings from a window, and he was able to provide a description of the procession.
151:
1540:, 11 (London, 1916), p. 108: Charles Bremont, 'Les Révolutions D'Angleterre en 1553 et 1554 racontées par un fourrier de L'Empereur Charles-Quint',
1026:
and three other barons held silver staves supporting a "paill" or canopy over her during the anointing. The canopy was to be made of gold "cloth of
4295:
1982:
Note of the Order and Manner of the Proceedings in the First Erection Of the Three Royal Hospitals of Christ, Bridewell, and St. Thomas the Apostle
1448:
4256:
380:
Mary rode into London on 3 August 1553, in procession. On this occasion, according to Estienne Perlin, she wore violet velvet, "velours violet".
4222:
Of Crymsen Tissue, The Construction of a Queen: Identity, Legitimacy and the Wardrobe of Mary Tudor, Hilary Doda, MA thesis Dalhousie University
4060:
184:
that conferred royal status on his daughter. She was said to have gladly acknowledged Mary's rights to the crown. A letter or order signed by
1287:
in 1509, or of white "sarsenet", worn over her gown. After the anointing, she put on a purple velvet kirtle. Mistress Walgrave, (the wife of
1109:
1279:
of silk taffeta. The newly made silk garment was described as a "tabard of white tarteryn", like that used at the coronation of her parents
158:. The proclamation was reported to have been well-received, and an Italian observer compared the shouts and applause to a volcano erupting.
970:
Mary showed herself at the four corners of the mount, and Gardiner introduced her as queen, a part of the ceremony known as "recognition".
299:, written for performance at Christmas presented some of issues in 1553 relating to Mary's accession and her relationship with Parliament.
978:, Dauncey and Roger Lyggens, men who served as daily waiters in the queen's household. Norris later compiled a treatise on ceremonial for
4216:
3359:
Hilary Doda, 'Lady Mary to Queen of England: Transformation, Ritual, and the Wardrobe of the Robes', Sarah Duncan & Valerie Schutte,
974:
had been carried to the corners of his dais on a little chair by ushers. The ushers who guarded Mary's chair were Masters George Tyrrel,
4249:
4679:
639:
3202:
Valerie Schutte, 'Anne of Cleves, Survivor Queen', Aidan Norrie, Carolyn Harris, J. L. Laynesmith, Danna R. Messer, Elena Woodacre,
553:
wrote that the number of her female attendants was uncountable and a novel sight, though the procession accorded to ancient custom.
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192:
and all the gentlemen of Sussex declaring Mary to be queen and denouncing Lady Jane Grey as "a quene of new and pretie invencion".
4974:
4358:
4332:
778:
666:
311:
is disputed. In the play, Mary is honoured as "Verity, the daughter of sage old Father Time". This echoes a motto used by Mary,
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4706:
4406:
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871:
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The City of London made a pageant at the Conduit in Cornhill. Aldermen stood at their pageant by the Conduit in Cheap, and the
635:
599:
followed in another litter or "chariot", with a covering "all of coth of silver all white". According to the French ambassador
1054:
set with precious stones and pearls. The noblemen now put on their caps and coronets, which they had carried into the church.
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4808:
4773:
4434:
4424:
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682:
697:, followed by five ladies on horseback. Behind this group followed ten ladies and gentlewomen riding on horseback including
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3377:
1046:, and a crown newly made for Mary. Gardiner crowned Mary three times. He gave her a ring for her "marrying finger" and the
674:
511:
17:
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as she approached. After she alighted, and all was quiet, Mary turned and thanked the Mayor and aldermen in a loud voice.
396:, avoided attending the Entry. According to Renard, Noailles claimed to be busy deciphering letters in his lodging at the
4998:
4416:
1403:
1104:. Mary sat under a cloth of estate. during the feast four swords were held before her. Her first drink was served by Sir
975:
833:
4348:
1352:
1148:, proclaimed Mary as Queen in Latin, French and English. There was a cry of "Largesse". At the conclusion of the meal,
1062:
733:
565:
185:
564:, the bishops, and the Mayor of London. The Earl of Arundel carried the sword, flanked by the Duke of Norfolk and the
5003:
4793:
4365:
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879:
837:
694:
670:
658:
107:
1743:
Alice Hunt, 'Legitimacy, Ceremony and Drama: Mary Tudor’s Coronation and Respublica', Peter Happé & Wim Hüsken,
556:
First on the route were heraldic officers, knights, the justiciary, the secretaries, the treasurer of the household
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4798:
4582:
2202:
777:, leaders who defeated and decapitated their enemies, and seems to have celebrated Mary's recent triumph over the
5052:
4993:
4411:
1418:". It is not clear if costume ordered for Jane at this time was intended for wearing at the coronation. Jane and
1057:
Gardiner and the earls made homage to Mary. Mass was celebrated while Mary remained kneeling. She held the royal
177:
4231:
2946:
866:
to the Abbey in the morning, three naked swords were carried before her. Two of swords, carried by the Earls of
4981:
4327:
3089:
Dale Hoak, 'Coronations and the Transformations of the Tudor Monarchy', Charles S. Knighton, Richard Mortimer,
2175:
Dale Hoak, 'Coronations and the Transformations of the Tudor Monarchy', Charles S. Knighton, Richard Mortimer,
1782:
Paulina Kewes, 'Godly Queens: The Royal Iconographies of Mary and Elizabeth', Alice Hunt & Anna Whitelock,
1023:
690:
424:
162:
1174:. Chronicle accounts and diplomatic dispatches also describe some textiles and costume. The costume historian
862:
On 1 October, Mary arrived by barge at the privy stairs of the Old Palace of Westminster. As Mary walked from
634:
Four ladies in waiting rode on horseback beside the queen's litter, as the "ladies of Estate". These were the
579:, her litter was furbished with cloth of gold, and she was mantled in cloth of silver. On her head was a gold
4659:
4638:
4561:
4507:
1141:
1019:
756:
725:
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4126:, 1 (Fall 2006), pp. 115–136: Alice Hunt, 'The Reformation of Tradition', Alice Hunt & Anna Whitelock,
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2477:
2308:
1795:
Anna Whitelock & Diarmaid MacCulloch, 'Princess Mary's Household and the Succession Crisis, July 1553',
514:, steward of the queen's household. He was given Mary's commission to make knights on this occasion, and to
208:
Oration gratulatory made upon the joyfull proclayming of the most noble Princes Quene Mary Quene of Englande
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Dale Hoak, 'Coronations and the Transformations of the Tudor Monarchy', C. S. Knighton, Richard Mortimer,
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2533:
2492:
2462:
2432:
1859:
803:
Sympathetic reporters of Mary's accession proclamation and royal entry, like the Imperial ambassadors and
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1703:
Meg Twycross, 'The Widow and Nemesis: Costuming Two Allegorical Figures in a Play for Queen Mary Tudor',
1402:
The September warrant also included clothes for Elizabeth, for "our dear and entirely beloved cousin the
1241:
The use of ray cloth on the route of the procession was traditional. The cloth used at the coronation of
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447:
292:. The accounts for making the costumes include a note that the performance was deferred until Christmas.
189:
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or procession through the city on 30 September as a preliminary to her coronation. She gave Elizabeth a
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2506:
2367:(Cambridge, 2008), p. 131: Alice Hunt, 'Reformation of Tradition', in Alice Hunt & Anna Whitelock,
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1390:
and provided a slightly different list of names and ranking, for the riders at the Entry. He includes
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The Collected Works of Richard Edwards: Politics, Poetry and Performance in Sixteenth-Century England
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2881:(London, 1706), p. 337 fn: Arnold (1978), p. 736: British Library Cotton Appendix XXVIII item 24.
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Following behind was a procession, including the women of her household. Princess Elizabeth and
529:
at her coronation, after alterations, and may be depicted in a coronation portrait of Elizabeth.
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416:
1069:. The ceremony in the Abbey was then complete and had lasted until nearly four or five o'clock.
466:
on 28 September 1553. She left with Elizabeth after dinner, or at 3 o'clock in order to "shoot"
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4353:
4236:
4217:'The Iconography of Mary I, England's First Crowned Queen Regnant', Peter Stiffell, Tudor Times
1022:. The stock of oil left over from the Protestant reign of Edward VI was considered unhallowed.
985:
Gardiner asked for the people's assent, and they cried out in one voice "God save Queen Mary".
797:
250:
3206:(Springer, 2022), p. 115: A bill of fare for the banquet, British Library Add. MS 34,320 f.86.
377:. Elizabeth had arrived in London on 29 August, with a large and armed household and retinue.
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1003:
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More noblewomen and gentlewomen with mantles of crimson satin followed on horseback with the
583:, a kind of crown, set with precious stones and pearls, with a jewelled caul or veil made of
542:
1011:, a space apart. It has been suggested that the traverse was located in St Edward's Chapel.
218:, and a ballad by Leonard Stopes compared her bloodless struggle to the biblical stories of
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4615:
4610:
4476:
4471:
3422:
3415:
The Accession, Coronation and Marriage of Mary Tudor related in Manuscripts of the Escorial
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The Accession, Coronation and Marriage of Mary Tudor related in Manuscripts of the Escorial
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The Accession, Coronation and Marriage of Mary Tudor related in Manuscripts of the Escorial
1980:
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were of crimson satin or velvet. The differences between the accounts were first noted by
744:. With the maids, riding behind the three chariots, were the serving gentlewomen known as
576:
549:
of horses and to drape the vehicles with the colours of costume worn by the participants.
8:
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4788:
4674:
4577:
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Jessica S. Hower, 'Her Most Noble Progenitours', Valerie Schutte & Jessica S. Hower,
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Jessica S. Hower, 'Her Most Noble Progenitours', Valerie Schutte & Jessica S. Hower,
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Jessica S. Hower, 'Her Most Noble Progenitours', Valerie Schutte & Jessica S. Hower,
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After the ceremonies, there was a banquet in Westminster Hall. According to the diplomat
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412:
397:
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381:
289:
4168:(Maney, 1988), pp. 52, 255–256: Wardrobe schedule TNA SP 46/8 f.3r-v, (modernised here).
2056:(New York: Columbia University Press, 2009), p. 80: BL Harley 7376, inventory of jewels.
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on 30 September in the afternoon. She came from the Tower in a chariot or litter to the
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4783:
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1452:
1406:", and the "Lady Marquess of Devonshire" (the Marchioness of Exeter), with costumes of
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Two squires of honour at the Entry and coronation wore mantles of crimson velvet, worn
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785:
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Documents relating to the revels at court in the time of King Edward VI and Queen Mary
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Documents relating to the revels at court in the time of King Edward VI and Queen Mary
1030:" lined with silk sarsenet, but crimson satin embroidered with gold was used instead.
169:. In fact, York was placed in the Sheriff's custody as a supporter of Lady Jane Grey.
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Mid Tudor Queenship and Memory: The Making and Re-making of Lady Jane Grey and Mary I
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Mid Tudor Queenship and Memory: The Making and Re-making of Lady Jane Grey and Mary I
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Mid Tudor Queenship and Memory: The Making and Re-making of Lady Jane Grey and Mary I
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Jessica S. Hower, 'Most Serene and Potent', Valerie Schutte & Jessica S. Hower,
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Jessica S. Hower, 'Most Serene and Potent', Valerie Schutte & Jessica S. Hower,
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a warrant for performing a play at the coronation on 26 September, while she was at
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4757:
4227:
Mary's warrant for a coronation play, 26 September 1553, Folger Shakespeare Library
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3670:(London, 1998), no. 20: SP 11/1 f.31v: Alice Hunt, 'The Reformation of Tradition',
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Wardrobe accounts mention crimson velvet and crimson satin gowns for women for the
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
1624:
The Accession of Queen Mary: Being the Contemporary Narrative of Antonio de Guaras
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1201:-wise off the shoulder, and hats of crimson tissue. They represented the Duchy of
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Mary then went to a richly draped chair at the high altar and made her offerings.
3438:
3421:
Cotton Appendix XXVIII item 24: A further list or schedule of fabrics is held by
3418:
2809:(London, 1838), p. 14: Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
2737:
2605:
1344:
1312:
1213:, John Norris and William Rainsford. Their hats and costume, as described at the
1163:
1145:
1101:
1001:
gave a sermon on the theme of obedience. Mary made her oaths, and the choir sang
979:
937:
909:
851:
729:
717:
662:
474:, she was followed by boats trimmed with streamers and banners which carried the
463:
285:
173:
166:
3987:, 120 (1978), pp. 726–741: Valerie Cumming, C. W. Cunnington, P. E. Cunnington,
4880:
4711:
4643:
4497:
3780:(Maney, 1988), p. 58: Janet Arnold 'Coronation Portrait of Queen Elizabeth I',
3096:
2708:
1356:
1086:
960:
774:
596:
432:
428:
304:
270:
219:
155:
4118:
Paulina Kewes, 'Godly Queens: The Royal Iconographies of Mary and Elizabeth',
1769:
Paulina Kewes, 'Godly Queens: The Royal Iconographies of Mary and Elizabeth',
1327:
says the clothes of the riders, gentlewomen and maids, at the Entry and their
1220:
According to a chronicle, Mary wore a gown of blue velvet lined with powdered
560:, lords and barons, the ambassadors and their escorts, representatives of the
5041:
4901:
4859:
4829:
4271:
3733:
Alice Hunt, 'The Reformation of Tradition', Alice Hunt & Anna Whitelock,
3496:
Alice Hunt, 'The Reformation of Tradition', Alice Hunt & Anna Whitelock,
3480:
2446:
2216:
1851:
1592:
Aidan Norrie, 'What Mary did first', Valerie Schutte & Jessica S. Hower,
1484:
Judith M. Richards, 'Mary Tudor as 'Sole Quene'?: Gendering Tudor Monarchy',
607:
557:
467:
136:
131:
3631:(Maney, 1988), p. 58: The National Archives SP 11/1 f.26., and SP 46/8 f.3r.
3506:
Selling the Tudor Monarchy: Authority and Image in Sixteenth-century England
1692:
Selling the Tudor Monarchy: Authority and Image in Sixteenth-century England
327:
2785:
2019:
2011:
1885:
1821:
Judith M. Richards, 'Mary Tudor as Sole Quene?: Gendering Tudor Monarchy',
1674:
1648:
Judith M. Richards, 'Mary Tudor as Sole Quene?: Gendering Tudor Monarchy',
1432:
1375:
1316:
1175:
1097:
1078:
1015:
964:
956:
945:
793:
522:
471:
408:
389:
85:
45:
3707:
Lauren Rose Browne, 'Elizabeth of York: Tudor Trophy Wife', Aidan Norrie,
4844:
4839:
4502:
4492:
4131:
3285:
Mary I: Gender, Power, and Ceremony in the Reign of England's First Queen
3217:
Mary I: Gender, Power, and Ceremony in the Reign of England's First Queen
2813:, 120 (1978), p. 736: TNA SP 46/8 f.3: BL Cotton Appendix XXVIII item 24.
2547:
1836:
Tudor Empire: The Making of Early Modern Britain and the British Atlantic
1473:
Mary I: Gender, Power, and Ceremony in the Reign of England’s First Queen
1411:
1391:
1383:
1262:
1242:
1183:
1043:
941:
741:
698:
615:
538:
526:
443:
385:
370:
350:
339:
331:
889:
431:
wrote that Mary listened appreciatively to an oration made by the young
4849:
4466:
3962:, 3 (Colchester, 1865), p. 187: British Library Harley 7376 f.29v, 32r.
3956:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
3882:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
3841:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
3523:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
3344:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
3259:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
3234:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
3137:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
2640:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
2292:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
2263:
Regal Records: Or, A Chronicle of the Coronations of the Queens Regnant
2231:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I', pp. 727, 738.
1979:(London: Harper Collins, 2005), pp. 222, 513: Septimus Vaughan Morgan,
1415:
1396:
1371:
1280:
913:
721:
706:
657:
The second chariot carried four "ladies of Honour"; Dorothy, the "old"
495:
316:
223:
130:, London, on Sunday 1 October 1553. This was the first coronation of a
4061:"A motley to the view: The clothing of court fools in Tudor England",
2824:
The Marrying of Anne of Cleves: Royal Protocol in Early Modern England
442:
took place on 8 August at Westminster Abbey. Mary would make a formal
36:
4237:
Fragment of a Latin wardrobe account of Mary, BnF Gallica Anglais 176
1387:
1328:
1167:
971:
951:
The "great white chair" was similarly described in an account of the
762:
745:
736:, Mistress Bayneham (perhaps, Cecily Gage, wife of George Baynham of
561:
546:
439:
343:
274:
181:
1722:
Sarah Carpenter, 'Respublica', Thomas Betteridge & Greg Walker,
1370:), Mary Finch, Mistress Jane Russell, Mistress Elizabeth Golbourne,
257:
enthroned by angels depicted on a 1553 plea roll, with flowing hair.
3991:(Bloomsbury, 2010), p. 121: The National Archives, TNA SP 46/8 f.5.
3764:
3193:, vol. 2 (Leyden, 1763), p. 202: BL Cotton Appendix XXVIII item 24.
2879:
A Complete History of England: Life of Queen Mary by Francis Godwin
1170:, Marie Wilkinson, was paid ÂŁ200 in September 1553 by order of the
1149:
1027:
874:, represented Spiritual and Temporal justice. The third sword, the
589:
515:
507:
486:. Trumpets sounded, and minstrels and waits sang to the playing of
374:
3061:
The Drama of Coronation: Medieval Ceremony in Early Modern England
2998:, vol. 3 (London, 1721), p. 36: BL Cotton Appendix XXVIII item 24.
2365:
The Drama of Coronation: Medieval Ceremony in Early Modern England
1620:
The Drama of Coronation: Medieval Ceremony in Early Modern England
1581:
The Drama of Coronation: Medieval Ceremony in Early Modern England
916:. The exceptions included those who had supported Lady Jane Grey.
4726:
4566:
4232:
10 facts about Mary I’s coronation, Mary Tudor: Renaissance Queen
3668:
Calendar of State Papers, Domestic Series, of the reign of Mary I
3425:
SP 46/8 f.3r., with a warrant for household costume SP 46/8 f.5r.
2598:
Calendar of State Papers, Domestic Series, of the reign of Mary I
1307:
1292:
1235:
1206:
1198:
1058:
875:
841:
770:
580:
572:
404:
366:
362:
354:
72:
3521:, 120 (1978), p. 736: TNA SP 46/8 f.3r: James Robinson Planché,
2711:, 'Woman, Warrior, Queen?', in Alice Hunt & Anna Whitelock,
1374:(a former nurse of Edward VI), and Mistress Sydney (a sister of
4778:
1407:
1379:
1125:
1051:
584:
369:
children presented her with a golden heart. She met her sister
227:
147:
68:
1812:(New York: Columbia University Press, 2009), pp. 178–180, 189.
3843:(London, 1838), pp. 18–20: BL Cotton Appendix XXVIII item 24.
3374:
Catalogues codicum MSS qui in collegiis aulisque Oxoniensibus
2659:
Commendone was not present in person, Patrick Fraser Tytler,
1858:(Palgrave Macmillan, 2010), p. 82: William Douglas Hamilton,
1425:
883:
845:
800:, "Peter, a Dutchman", danced with streamers on the steeple.
487:
239:
231:
3100:(London, 1706), pp. 336–337 fn: Janet Arnold (1978), p. 736.
2980:
Religion, Politics, and Society in Sixteenth-Century England
1366:, Mrs Jerningham (Elizabeth Jerningham, or her niece, later
571:
Mary wore a mantle and kirtle of cloth of gold, furred with
3361:
The Birth of a Queen: Essays on the Quincentenary of Mary I
2600:(London, 1998), p. 11 no. 20, SP 11/1 f.30v: David Loades,
2464:
The chronicle of Queen Jane, and of two years of Queen Mary
1422:, a tumbler, had been members of Mary's household in 1542.
4160:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
4075:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3983:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3906:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3793:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3653:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3614:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3590:
The Chronicle of Queen Jane and of Two Years of Queen Mary
3548:
Mary I in Writing: Letters, Literature, and Representation
3517:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3500:(Palgrave Macmillan, 2010), pp. 65, 68: Alexander Samson,
3409:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
3111:
Mary I in Writing: Letters, Literature, and Representation
3022:
Mary I in Writing: Letters, Literature, and Representation
2837:
The Chronicle of Queen Jane and of Two Years of Queen Mary
2648:
The Birth of a Queen: Essay on the Quincentenary of Mary I
2520:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
2337:
The Chronicle of Queen Jane and of Two Years of Queen Mary
2136:
Janet Arnold, 'Coronation Portrait of Queen Elizabeth I',
2121:
Coronation: A History of Kingship and the British Monarchy
1977:
Coronation: A History of Kingship and the British Monarchy
1594:
Mary I in Writing: Letters, Literature, and Representation
1438:
The costume historian Janet Arnold described how items in
4273:
Coronation of the English, Scottish, and British monarchs
3380:
The History of Parliament: the House of Commons 1509-1558
2638:, 3:1 (Oxford, 1822), pp. 53–55: James Robinson Planché,
2449:, 'Dressed to Impress', Alice Hunt & Anna Whitelock,
2127:, pp. 44–45: TNA SP 11/1 & BL Cotton Appendix XXVIII.
928:
by two noblemen. After a short repose, she was joined by
3853:
Holinshed's Chronicles of England, Scotland, and Ireland
3784:, 120 (1978), p. 736: TNA costume schedule SP 46/8 f.3r.
3709:
Tudor and Stuart Consorts: Power, Influence, and Dynasty
3618:, 120 (1978), p. 727 citing TNA LC 5/32 f.219 and f.237.
3204:
Tudor and Stuart Consorts: Power, Influence, and Dynasty
2978:
Fiona Kisby, 'Religious Ceremonial at the Tudor Court',
2761:
Holinshed's Chronicles of England, Scotland, and Ireland
2697:
Holinshed's Chronicles of England, Scotland, and Ireland
1315:
cloth gowns trimmed with "lettice", the winter fur of a
1245:
was described as "blue ray cloth". At the coronation of
759:, a Papal diplomat, and the French ambassador Noailles.
423:, a charity school founded by Protestants following the
180:
went to the hall used by Lady Jane Grey and removed the
3958:(London, 1838), p. 15: Henry King, 'Ancient Wills, 3',
3329:, vol. 1 (London, 1883), p. 126 no. 470: Edmund Lodge,
2221:
Dress at the Court of Henry VIII (Maney, 2007), p. 224.
4057:
Intercultural Explorations and the Court of Henry VIII
4044:
The history and antiquities of the county of Leicester
3923:(Manchester, 2001), p. 232: Edward Phillipps Statham,
2081:
A Chronicle of England During the Reigns of the Tudors
1963:
A Chronicle of England During the Reigns of the Tudors
1861:
A Chronicle of England During the Reigns of the Tudors
1663:
The Politics of Performance in Early Renaissance Drama
518:
knight batchelors on 2 October at Westminster Palace.
4149:
The Queen's Majesty's Passage & Related Documents
3722:
The Language of Space in Court Performance, 1400–1625
3504:(Manchester, 2020), pp. 37, 40, 43: Kevin M. Sharpe,
3095:
A Complete History of England: Life of Queen Mary by
2862:
The Language of Space in Court Performance, 1400-1625
2774:
The Language of Space in Court Performance, 1400–1625
1359:. Her granddaughter Anne Astley joined her at court.
1166:, keeper of the wardrobe at Westminster. The Queen's
3750:(Palgrave Macmillan, 2010), p. 68: TNA SP 46/8 f.3v.
1838:(Palgrave Macmillan, 2020), p. 224: Étienne Perlin,
1253:
525:
proposed that Mary's tissue clothes were re-used by
245:
2963:
The House of Dudley: A New History of Tudor England
2905:
The House of Dudley: A New History of the Tudor Era
2587:
followed by Agnes Strickland and other biographers.
2261:(London, 1892), p. 139 fn: James Robinson Planché,
1840:
Description des Royaulmes d'Angleterre et d'Escosse
1112:sent wild boar meat from Flanders for the banquet.
673:. The third chariot carried six ladies in waiting;
592:criticism of this unprecedented female coronation.
4083:(Longman, 2004), p. 226: Warrant TNA SP 46/8 f.5r.
3926:History of the Family of Maunsell, Mansell, Mansel
3763:(Maney, 2007), p. 44, in 1509 described as like a
3164:, vol. 2 (Leyden, 1763), p. 202: Richard Garnett,
2907:(Simon & Schuster, 2023): John Gough Nichols,
2326:(London, 1955), p. 15 citing BL Add. 46348 p. 439.
1960:(London, 1615), p. 613: William Douglas Hamilton,
1756:Alice Hunt, 'The Monarchical Republic of Mary I',
1707:, 43 (2013), pp. 263, 272–273: Albert Feuillerat,
1622:(Cambridge, 2008), p. 204 fn.37: Richard Garnett,
1497:Alice Hunt, 'The Monarchical Republic of Mary I',
919:
3941:, vol. 2 (Leyden, 1763), p. 199: TNA SP 46/8 f.5.
3939:Ambassades de messieurs de Noailles en Angleterre
3674:(Palgrave Macmillan, 2010), p. 68: John Edwards,
3219:(Palgrave Macmillan, 2012), p. 34: Royall Tyler,
3191:Ambassades de messieurs de Noailles en Angleterre
3162:Ambassades de messieurs de Noailles en Angleterre
2992:Ambassades de messieurs de Noailles en Angleterre
2680:Ambassades de messieurs de Noailles en Angleterre
2369:Tudor Queenship: The Reigns of Mary and Elizabeth
2039:(Palgrave Macmillan, 2010), p. 68: Royall Tyler,
2037:Tudor Queenship: The Reigns of Mary and Elizabeth
5039:
4081:Intrigue and treason: the Tudor court, 1547-1558
3960:Transactions of the Essex Archaeological Society
3954:(Oxford, 1992), p. 355: James Robinson Planché,
3317:, vol. 1 (London: Camden Society, 1852), p. 120.
2790:Intrigue and Treason: The Tudor Court, 1547–1558
2695:(Oxford, 1969), pp. 319–320: Raphael Holinshed,
2642:(London, 1838), pp. 8–9: Patrick Fraser Tytler,
1033:
751:There were pageants with music and speeches. At
284:play was performed at the coronation. Mary gave
2663:, vol. 2 (London, 1839), p. 239: Rawdon Brown,
1311:Some of Mary's gentlewomen and chamberers wore
161:The Italian also wrote that in nearby streets,
3311:Crowns & Coronations: A History of Regalia
2994:, vol. 2 (Leyden, 1763), p. 199: John Strype,
1998:(Ashgate, 2015), pp. 18–19: Richard Simposon,
1730:(London, 1836), pp. 61–62: Albert Feuillerat,
1265:used some of Mary's coronation clothes at her
1072:
1038:The Duke of Norfolk brought the three crowns,
4257:
4004:, vol. 3 (London, 1721), p. 36: John Strype,
2554:, 3:1 (Oxford, 1822), pp. 53–55: Mark Noble,
1958:The Annales, Or Generall Chronicle of England
1302:
315:. The idea was of a "Truth" in opposition to
4147:Germaine Warkentin & John Carmi Parson,
3810:(Manchester, 2020), p. 40: Richard Garnett,
3746:Alice Hunt, 'The Reformation of Tradition',
3346:(London, 1838), pp. 27–8: Brigitte Webster,
3046:Alice Hunt, 'The Reformation of Tradition',
2650:(New York: Palgrave Macmillan, 2016), p. 51.
2621:(London, 1631), p. 616: John Gough Nichols,
2619:Annales, or, a generall chronicle of England
2408:Annales, or, a generall chronicle of England
2351:Annales, or, a generall chronicle of England
2095:Annales, or, a generall chronicle of England
2035:Alice Hunt, 'The Reformation of Tradition',
1903:Rival Ambassadors at the Court of Queen Mary
1217:, were deliberately old-fashioned in style.
462:Mary left St James' Palace by barge for the
4190:Alison J. Carter, 'Mary Tudor's Wardrobe',
3830:(London, 1892), p. 119: TNA SP 46/8 ff.3–4.
3601:Alison J. Carter, 'Mary Tudor's Wardrobe',
3467:Alison J. Carter, 'Mary Tudor's Wardrobe',
3413:, 120 (1978), pp. 726–741: C. V. Malfatti,
3392:Alison J. Carter, 'Mary Tudor's Wardrobe',
2759:(Oxford, 1969), p. 322: Raphael Holinshed,
2757:Spectacle, Pageantry and Early Tudor Policy
2726:Spectacle, Pageantry and Early Tudor Policy
2693:Spectacle, Pageantry and Early Tudor Policy
2339:(London: Camden Society, 1850), pp. 28, 31.
2067:Spectacle, Pageantry and Early Tudor Policy
2016:Spectacle Pageantry, and Early Tudor Policy
1679:Spectacle, Pageantry and Early Tudor Policy
740:), or, according to some sources, Mistress
384:says she changed her clothes in a house in
4264:
4250:
4019:Procceedings of the Society of Antiquaries
2839:(London: Camden Society, 1850), pp. 30–31.
2668:, vol. 5 (London, 1873), p. 430 no. 813 fn
2312:(London, 1892), pp. 70–71, 118–119, 139 fn
1426:Reuse of coronation clothes by Elizabeth I
1178:published some of the wardrobe documents.
510:in the queen's chamber of presence by the
403:On this occasion, she entered the city at
273:. His wife Frances dressed Mary after her
195:
142:
35:
4555:Archbishops and Bishops Assistant of the
4164:, 120 (1978), pp. 735–741: Janet Arnold,
4079:, 120 (1978), pp. 736–738: David Loades,
2909:Literary Remains of King Edward the Sixth
2849:Grafton's Chronicle, A Chronicle at Large
2054:From Heads of Household to Heads of State
2018:(Oxford: Clarendon Press, 1969), p. 318:
1810:From Heads of Household to Heads of State
1323:chronicles mention the red fabrics only,
796:made an oration in Latin and English. At
642:, the Marchioness of Winchester, and the
4680:Queen Elizabeth The Queen Mother's Crown
4059:(Oxford, 2024), pp. 144–45: Zoe Screti,
3737:(Palgrave Macmillan, 2010), p. 77 fn.38.
3348:Eating with the Tudors: Food and Recipes
3313:(London, 1883), p. 125: William Jerdan,
3050:(Palgrave Macmillan, 2010), p. 77 fn.38.
2961:(Routledge, 2003), p. 136: Joanne Paul,
2123:(London: Harper Collins, 2005), p. 214:
1905:(Princeton, 1940), p. 65: Royall Tyler,
1892:(Oxford: Basil Blackwell, 1989), p. 189.
1386:described some members of this group as
1306:
1257:
888:
850:
832:
814:
621:
606:
326:
322:
249:
150:was proclaimed queen on 19 July 1553 by
3817:: The National Archives SP 46/8 ff.3–4.
3563:(London: Camden Society, 1859), p. 162.
2384:(London: HMSO, 1998), pp. 10–11 no. 20.
1395:Golbourne married William Babington of
532:
307:, but its authorship and connection to
14:
5040:
4042:(Oxford, 1992), p. 355: John Nichols,
4021:, vol. 3 (London, 1864), pp. 103–105:
3592:(London: Camden Society, 1850), p. 31.
3363:(Palgrave Macmillan, 2016), pp. 49-68.
2792:(Pearson, 2004), p. 139: John Strype,
2674:(Yale, 2011), p. 125: C. V. Malfatti,
2625:(London: Camden Society, 1850), p. 29.
1935:(London: Camden Society, 1852), p. 82.
1933:Chronicle of the Grey Friars of London
1726:(Oxford, 2012), p. 519: Alfred Kempe,
1514:(London: Camden Society, 1852), p. 80.
1512:Chronicle of the Grey Friars of London
893:Mary was first seated in the Abbey in
630:, rode in the chariot with Lady Lumley
470:at high tide. As Mary passed down the
280:There is some doubt as to whether the
4245:
3221:Calendar of State Papers, Spain, 1553
3126:(London, 1955), pp. 15–16, 268 no. 6.
3091:Westminster Abbey Reformed: 1540–1640
2959:Westminster Abbey Reformed: 1540–1640
2682:, vol. 2 (Leyden, 1763), pp. 198–199.
2395:Calendar of State Papers, Spain, 1553
2177:Westminster Abbey Reformed: 1540–1640
1760:, 52:3 (September 2009), pp. 567–571.
1501:, 52:3 (September 2009), pp. 560–561.
1228:
2965:(Random House, 2022): David Loades,
2892:Calendar State Papers Domestic, Mary
2382:Calendar State Papers Domestic, Mary
2151:Calendar State Papers Domestic, Mary
2108:Calendar State Papers Domestic, Mary
1825:, 40:4 (December 1997), pp. 898–899.
494:. The garrison of the Tower fired a
4814:Queen Consort's Ivory Rod with Dove
4194:, 18 (1984), p. 16: Maria Hayward,
4179:Queen Elizabeth's Wardrobe Unlock'd
4166:Queen Elizabeth's Wardrobe Unlock'd
4130:(Palgrave Macmillan, 2010), p. 69:
3778:Queen Elizabeth's Wardrobe Unlock'd
3678:(Yale, 2011), p. 125: John Strype,
3629:Queen Elizabeth's Wardrobe Unlock'd
3456:Queen Elizabeth's Wardrobe Unlock'd
3443:History of Mary I, Queen of England
2911:, vol. 1 (London, 1857), p. ccxciv.
2894:(London: HMSO, 1998), p. 12 no. 20.
2743:History of Mary I, Queen of England
2715:(Palgrave Macmillan, 2010), p. 176.
1745:Interludes and Early Modern Society
24:
4809:Queen Consort's Sceptre with Cross
3711:(Palgrave Macmillan, 2022), p. 30.
3287:(Palgrave Macmillan, 2012), p. 34.
3246:Calendar State Papers, Spain, 1553
3065:Calendar State Papers, Spain, 1553
2937:(Palgrave Macmillan, 2023), p. 58.
2453:(Palgrave Macmillan, 2010), p. 84.
2371:(Palgrave Macmillan, 2010), p. 68.
2296:Calendar State Papers, Spain, 1553
2246:Calendar State Papers, Spain, 1553
2166:(Palgrave Macmillan, 2023), p. 57.
2153:(London: HMSO, 1998), nos. 19, 20.
2110:(London: HMSO, 1998), p. 9 no. 20.
1863:, vol. 2 (London, 1877), pp. 93–95
1786:(Palgrave Macmillan, 2010), p. 49.
1773:(Palgrave Macmillan, 2010), p. 55.
1724:The Oxford Handbook of Tudor Drama
1570:(Palgrave Macmillan, 2023), p. 51.
1527:, 11 (London, 1916), pp. 104, 108.
575:, or, according to the account of
342:into London in a 1910 painting by
25:
5084:
4205:
3989:The Dictionary of Fashion History
3437:, vol. 2 (Leyden, 1763), p. 104:
3378:'STOURTON, Arthur (by 1525-58)',
3223:, vol. 11 (London, 1916), p. 262.
3009:Mary Tudor: England's First Queen
2397:, vol. 11 (London, 1916), p. 261.
2281:, XXVIII, (1984) pp. 227, 275–76.
2277:, 'Vita Mariae Angliae Reginae',
1907:Calendar State Papers Spain, 1553
1254:Anointing and a change of costume
838:Edward Stanley, 3rd Earl of Derby
457:
303:has sometimes been attributed to
246:Plays and drama at the coronation
152:William Herbert, Earl of Pembroke
4196:Dress at the Court of Henry VIII
4184:
4171:
4154:
4141:
4134:, 'Female dress', Erin Griffey,
4112:
4107:Dress at the Court of Henry VIII
4099:
4094:Dress at the Court of Henry VIII
4086:
4069:
4049:
4032:
4011:
3994:
3977:
3974:, vol. 1 (London, 1741), p. 456.
3965:
3944:
3932:
3913:
3900:
3888:
3873:
3858:
3846:
3833:
3820:
3800:
3787:
3770:
3761:Dress at the Court of Henry VIII
3753:
3740:
3727:
3714:
3701:
3685:
3676:Mary I: England's Catholic Queen
3660:
3647:
3634:
3621:
3608:
3595:
3582:
3566:
3553:
3540:
3528:
3511:
3490:
3485:Dress at the Court of Henry VIII
3474:
3461:
3448:
3428:
3403:
3386:
3366:
3353:
3336:
3331:Illustrations of British History
3320:
3303:
3290:
3277:
3264:
3251:
3239:
3226:
3209:
3196:
3184:
3171:
3155:
3142:
3129:
3116:
3103:
3083:
3070:
3053:
3040:
3027:
3014:
3001:
2985:
2972:
2969:(Basil Blackwell, 1989), p. 191.
2951:
2922:Calendar State Papers Spain 1553
2851:, vol. 2 (London, 1809), p. 536.
2763:, vol 4 (London, 1808), pp. 6–7.
2672:Mary I: England's Catholic Queen
2556:A History of the College of Arms
2242:Mary I: England's Catholic Queen
2190:Calendar State Papers Spain 1553
2041:Calendar State Papers Spain 1553
2026:(Basil Blackwell, 1989), p. 194.
1996:Edmund Campion: A Scholarly Life
1799:, 50:2 (June 2007), pp. 265–287.
1583:(Cambridge, 2008), pp. 114, 120.
1555:Calendar State Papers Spain 1553
1538:Calendar State Papers Spain 1553
1525:Calendar State Papers Spain 1553
1355:and the widow of John Poyntz of
900:Mary's train was carried by the
5068:Coronations of English monarchs
3179:Jewels and Plate of Elizabeth I
3124:Jewels and Plate of Elizabeth I
2940:
2927:
2914:
2897:
2884:
2867:
2854:
2842:
2829:
2816:
2799:
2779:
2766:
2749:
2731:
2718:
2702:
2685:
2653:
2628:
2611:
2608:Cotton Appendix XXVIII item 24.
2590:
2585:, 3:1 (Oxford, 1822), pp. 53–55
2574:
2561:
2541:
2527:
2514:
2500:
2485:
2470:
2456:
2440:
2425:
2413:
2400:
2387:
2374:
2357:
2342:
2329:
2324:Jewels and plate of Elizabeth I
2316:
2301:
2284:
2268:
2251:
2234:
2225:
2210:
2195:
2182:
2169:
2156:
2143:
2130:
2113:
2100:
2087:
2083:, vol. 2 (London, 1877), p. 103
2072:
2059:
2046:
2029:
2005:
1988:
1969:
1950:
1938:
1925:
1912:
1895:
1879:
1867:
1845:
1828:
1815:
1802:
1789:
1776:
1763:
1750:
1737:
1716:
1705:The Yearbook of English Studies
1697:
1684:
1668:
1655:
1652:, 40:4 (December 1997), p. 902.
1642:
1629:
1612:
1609:(Manchester, 2020), pp. 12, 37.
1599:
1586:
1488:, 40:4 (December 1997), p. 900.
1135:
1115:
988:
920:The mount and St Edward's chair
4794:Sovereign's Sceptre with Cross
4027:Lives of the Queens of England
3417:(Barcelona, 1956), pp. 31–34:
3350:(Pen and Sword, 2023), p. 191.
3139:(London, 1838), pp. 83, 85–86.
2947:Coronations: Westminster Abbey
1965:, vol. 2 (London, 1877), p. 94
1639:(Manchester, 2020), pp. 42–43.
1596:(Springer, 2022), pp. 114–115.
1573:
1560:
1547:
1530:
1517:
1504:
1491:
1478:
1465:
1399:and continued as a chamberer.
1096:, and the Earl of Norfolk, as
1024:William Paget, 1st Baron Paget
454:, perhaps to wear on the day.
425:dissolution of the monasteries
295:An anonymously authored play,
154:, setting aside the claims of
13:
1:
4799:Sovereign's Sceptre with Dove
4562:Garter Principal King of Arms
4508:Chapel Royal, Stirling Castle
4046:, 3:2 (London, 1804), p. 967.
3855:, vol 4 (London, 1808), p. 6.
3693:'Coronation of Anne Boleyn',
3574:'Coronation of Anne Boleyn',
3561:Narratives of the Reformation
3333:, vol. 1 (1838), pp. 229–231.
2699:, vol 4 (London, 1808), p. 6.
2248:(London: HMSO, 1916), p. 262.
2206:, 2 (London, 1906), pp. 66–68
1909:(London, 1916), pp. 152, 173.
1734:(Louvain, 1914), pp. 149–151.
1458:
1034:Three crowns and two sceptres
810:
757:Giovanni Francesco Commendone
614:rode in a chariot during the
238:coronation events at 100,000
4660:Mary of Modena's State Crown
4639:George IV's Coronation Crown
4008:, 3:1 (Oxford, 1822), p. 55.
3682:, 3:1 (Oxford, 1822), p. 55.
3376:, 1 (Oxford, 1852), p. 117:
3181:(London, 1955), pp. 14, 268.
3168:(London, 1892), pp. 73, 121.
2924:, 11 (London, 1916), p. 262.
2796:, 3:1 (Oxford, 1822), p. 55.
2728:(Oxford, 1969), pp. 321–321.
2666:Calendar State Papers Venice
2265:(London, 1838), pp. 7, 9 fn.
2192:, 11 (London, 1916), p. 260.
2043:, 11 (London, 1916), p. 262.
1945:Calendar State Papers, Spain
1874:Calendar State Papers, Spain
1712:(Louvain, 1914), pp. 289–290
1681:(Oxford, 1969), pp. 340–341.
1557:, 11 (London, 1916), p. 113.
612:Jane Lumley, Baroness Lumley
216:An Invective against Treason
7:
3897:, 2 (Leyden, 1763), p. 197.
3884:(London, 1838), pp. 7, 9 fn
3869:, 3:1 (Oxford, 1822), p. 55
3400:, 4 (London, 1892), p. 350.
3093:(Routledge, 2003), p. 119:
3063:(Cambridge, 2008), p. 129:
2481:(London, 1892), pp. 71, 119
2422:, 2 (Leyden, 1763), p. 197.
2000:Edmund Campion: A Biography
1747:(Brill, 2007), pp. 331–351.
1475:(Palgrave Macmillan, 2012).
1073:Banquet in Westminster Hall
415:, who mention a pageant at
10:
5089:
4722:Sword of Spiritual Justice
4138:(Routledge, 2022), p. 397.
4136:Early Modern Court Culture
4109:(Maney, 2007), pp. 44, 46.
4063:Midlands Historical Review
3797:, 120 (1978), pp. 735–736.
3644:(London, 2019), pp. 13–14.
3261:(London, 1838), pp. 23–28.
3152:(Manchester, 2020), p. 36.
3080:(Manchester, 2020), p. 36.
2826:(Cambridge, 2000), p. 253.
2678:(Barcelona, 1956), p. 32:
2510:, 2 (Leyden, 1763), p. 197
2179:(Routledge, 2003), p. 120.
2078:William Douglas Hamilton,
1922:, 3 (London, 1721), p. 17.
1665:(Cambridge, 1998), p. 169.
1303:Gentlewomen and chamberers
1156:
419:involving the children of
210:, a pamphlet published by
167:William Garrett or Garrard
5012:
4962:
4916:
4893:
4868:
4822:
4766:
4745:
4717:Sword of Temporal Justice
4699:
4692:
4652:
4624:
4603:
4596:
4541:
4521:
4485:
4454:
4447:
4374:
4341:
4288:
4279:
4212:Mary I, Westminster Abbey
3724:(Cambridge, 2010), p. 45.
3642:Fringe, Frog & Tassel
3550:(Springer, 2022), p. 139.
3398:Acts of the Privy Council
3236:(London, 1838), pp. 23–4.
3113:(Springer, 2022), p. 139.
2864:(Cambridge, 2010), p. 38.
2776:(Cambridge, 2010), p. 46.
2571:(Barcelona, 1956), p. 31.
2294:(London, 1838), pp. 4―6:
1215:coronation of Anne Boleyn
78:
60:
52:
34:
4407:Edward VII and Alexandra
4387:George III and Charlotte
4301:Henry VIII and Catherine
4151:(Toronto, 2004), p. 115.
4006:Ecclesiastical Memorials
4002:Ecclesiastical Memorials
3879:James Robinson Planché,
3867:Ecclesiastical Memorials
3839:James Robinson Planché,
3680:Ecclesiastical Memorials
3382:, ed. S.T. Bindoff, 1982
3342:James Robinson Planché,
3257:James Robinson Planché,
3232:James Robinson Planché,
3135:James Robinson Planché,
3024:(Springer, 2022), p. 44.
2996:Ecclesiastical Memorials
2982:(Cambridge, 2003), p. 7.
2877:(London, 1892), p. 120:
2805:James Robinson Planché,
2794:Ecclesiastical Memorials
2636:Ecclesiastical Memorials
2604:(Oxford, 1992), p. 355:
2583:Ecclesiastical Memorials
2552:Ecclesiastical Memorials
2491:James Robinson Planché,
2431:James Robinson Planché,
2290:James Robinson Planché,
2002:(London, 1896), pp. 2–4.
1920:Ecclesiastical Memorials
1854:, 'Dressed to Impress',
1100:, rode into the hall on
1048:Master of the Jewelhouse
826:carry Mary's train into
182:canopy or cloth of state
44:depicted crowned on her
4670:Queen Alexandra's Crown
4551:Great Officers of State
4513:Church of the Holy Rude
4435:Charles III and Camilla
4425:George VI and Elizabeth
4397:William IV and Adelaide
3605:, 18 (1984), pp. 24–25.
3471:, 18 (1984), pp. 12–26.
3445:(London, 1901), p. 247.
3300:(London, 1892), p. 122.
3274:(London, 1892), p. 122.
2875:Accession of Queen Mary
2623:Chronicle of Queen Jane
2558:(London, 1805), p. 116,
2410:(London, 1631), p. 616.
2097:(London, 1631), p. 616.
2069:(Oxford, 1969), p. 319.
1947:(London, 1916), p. 151.
1094:High Steward of England
953:Coronation of Edward VI
188:and others was sent to
143:Proclamation on 19 July
5053:16th century in London
4665:Queen Adelaide's Crown
4634:George I's State Crown
4382:George II and Caroline
4181:(Maney, 1988), p. 254.
4096:(Maney, 2007), p. 312.
3928:(London, 1917), p. 336
3815:(London, 1892), p. 121
3487:(Maney, 2007), p. 213.
3458:(Maney, 2008), p. 113.
3327:HMC Salisbury Hatfield
3037:(London, 1892), p. 73.
2745:(London, 1901), p. 501
2353:(London, 1631), p. 616
2244:(Yale, 2011), p. 125:
2204:The Knights of England
1842:(Paris, 1558), p. 15v.
1823:The Historical Journal
1797:The Historical Journal
1758:The Historical Journal
1650:The Historical Journal
1544:, 110:1 (1912), p. 66.
1499:The Historical Journal
1486:The Historical Journal
1319:
1269:
1092:The Earl of Derby, as
897:
859:
848:
830:
779:Duke of Northumberland
765:made their pageant at
667:Countess of Shrewsbury
631:
619:
346:
313:Veritas Filia Temporis
258:
4573:Mistress of the Robes
4296:William I and Matilda
4198:(Maney, 2007), p. 52.
3910:, 120 (1978), p. 738.
3697:(London, 1903), p. 18
3657:, 120 (1978), p. 736.
3578:(London, 1903), p. 14
3525:(London, 1838), p. 5.
3508:(Yale, 2009), p. 257.
3372:Henry Octavius Coxe,
2524:, 120 (1978), p. 737.
2466:(London, 1850), p. 28
2140:, 120 (1978), p. 738.
1984:(London, 1904), p. 64
1694:(Yale, 2009), p. 287.
1440:Elizabeth's inventory
1378:). Lettice is a grey
1310:
1261:
1004:Veni Creator Spiritus
948:topping the centre.
892:
878:, was carried by the
854:
836:
818:
709:, and "Mrs Sturley" (
640:Marchioness of Exeter
625:
618:, then aged around 16
610:
543:Palace of Westminster
330:
323:Royal Entry to London
253:
4804:Queen Consort's Ring
4700:Processional objects
4625:Specific crowns worn
4616:Imperial State Crown
4477:Gloucester Cathedral
4472:Winchester Cathedral
3588:John Gough Nichols,
3559:John Gough Nichols,
3423:The National Archive
3396:, 18 (1984), p. 25:
2835:John Gough Nichols,
2567:Cesare V. Malfatti,
2537:(London, 1838), p. 8
2496:(London, 1838), p. 8
2436:(London, 1838), p. 7
2335:John Gough Nichols,
1931:John Gough Nichols,
1901:E. Harris Harbison,
1510:John Gough Nichols,
1416:Jane our woman foole
999:Bishop of Chichester
934:Bishop of Winchester
855:Mary was crowned by
533:The coronation entry
417:St Botolph's Aldgate
91:Bishop of Winchester
30:Coronation of Mary I
18:Coronation of Mary I
4578:Master of the Robes
4162:Burlington Magazine
4077:Burlington Magazine
4055:Nadia T. van Pelt,
3985:Burlington Magazine
3908:Burlington Magazine
3795:Burlington Magazine
3782:Burlington Magazine
3655:Burlington Magazine
3616:Burlington Magazine
3537:, 2 (1763), p. 197.
3519:Burlington Magazine
3411:Burlington Magazine
3011:(Bloomsbury, 2010).
2822:Retha M. Warnicke,
2811:Burlington Magazine
2522:Burlington Magazine
2275:Diarmaid MacCulloch
2138:Burlington Magazine
1728:Loseley Manuscripts
1382:fur. The historian
1353:mother of the maids
1335:, writing in 1838.
1285:Catherine of Aragon
926:King Edward's chair
895:King Edward's chair
840:carried the sword "
805:Charles Wriothesley
798:St Paul's Cathedral
734:Mother of the Maids
711:Frideswide Strelley
701:, Elizabeth Kempe,
699:Cecily, Lady Mansel
644:Countess of Arundel
601:Antoine de Noailles
504:Knights of the Bath
450:on 23 September at
413:Charles Wriothesley
394:Antoine de Noailles
198:Oration gratulatory
31:
5020:Coronation chicken
4675:Queen Mary's Crown
4124:Early Modern Women
4040:Mary Tudor: A Life
3972:English Baronetage
3952:Mary Tudor: A Life
3806:Alexander Samson,
3148:Alexander Samson,
3076:Alexander Samson,
2602:Mary Tudor: A Life
2052:Jeri L. McIntosh,
1890:Mary Tudor: A Life
1808:Jeri L. McIntosh,
1635:Alexander Samson,
1605:Alexander Samson,
1449:Winchester wedding
1351:Sibelles. She was
1320:
1270:
1267:coronation in 1559
1229:Blue and ray cloth
1081:, Mary sat in the
963:(now displayed at
898:
860:
849:
831:
824:Duchess of Norfolk
788:gave a speech. By
786:Recorder of London
767:Gracechurch Corner
663:Countess of Oxford
659:Countess of Oxford
636:Duchess of Norfolk
632:
620:
371:Princess Elizabeth
347:
340:Princess Elizabeth
259:
96:Peers of the Realm
29:
5063:Westminster Abbey
5058:Mary I of England
5035:
5034:
5026:Coronation quiche
4889:
4888:
4835:Colobium sindonis
4746:Anointing objects
4737:St Edward's Staff
4732:Sword of Offering
4688:
4687:
4611:St Edward's Crown
4557:Church of England
4537:
4536:
4529:Westminster Abbey
4462:Westminster Abbey
4443:
4442:
4412:George V and Mary
4333:James II and Mary
3826:Richard Garnett,
3640:Annabel Westman,
3296:Richard Garnett,
3270:Richard Garnett,
3033:Richard Garnett,
2873:Richard Garnett,
2476:Richard Garnett,
2307:Richard Garnett,
2279:Camden Miscellany
2257:Richard Garnett,
1690:Kevin M. Sharpe,
1364:Susan Clarencieux
1289:Edward Waldegrave
1276:Colobium Sindonis
1247:Elizabeth of York
1186:for her in 1553.
1052:pair of bracelets
1040:St Edward's Crown
1009:un lugar apartado
955:. The ambassador
828:Westminster Abbey
703:Susan Clarencieux
671:Countess of Derby
577:Antonio de Guarás
452:St James's Palace
421:Christ's Hospital
349:Mary had been at
267:Edward Waldegrave
255:Mary I of England
128:Westminster Abbey
104:
103:
65:Westminster Abbey
42:Mary I of England
16:(Redirected from
5080:
4876:Coronation Chair
4855:Coronation glove
4789:Sovereign's Ring
4758:Coronation Spoon
4707:Ceremonial maces
4697:
4696:
4604:Principal crowns
4601:
4600:
4452:
4451:
4328:James I and Anne
4286:
4285:
4266:
4259:
4252:
4243:
4242:
4199:
4188:
4182:
4175:
4169:
4158:
4152:
4145:
4139:
4116:
4110:
4103:
4097:
4090:
4084:
4073:
4067:
4053:
4047:
4036:
4030:
4023:Agnes Strickland
4015:
4009:
3998:
3992:
3981:
3975:
3969:
3963:
3948:
3942:
3936:
3930:
3917:
3911:
3904:
3898:
3892:
3886:
3877:
3871:
3862:
3856:
3850:
3844:
3837:
3831:
3824:
3818:
3804:
3798:
3791:
3785:
3774:
3768:
3757:
3751:
3744:
3738:
3731:
3725:
3720:Janette Dillon,
3718:
3712:
3705:
3699:
3689:
3683:
3666:C. S. Knighton,
3664:
3658:
3651:
3645:
3638:
3632:
3625:
3619:
3612:
3606:
3599:
3593:
3586:
3580:
3570:
3564:
3557:
3551:
3544:
3538:
3532:
3526:
3515:
3509:
3494:
3488:
3478:
3472:
3465:
3459:
3452:
3446:
3432:
3426:
3407:
3401:
3390:
3384:
3370:
3364:
3357:
3351:
3340:
3334:
3324:
3318:
3307:
3301:
3294:
3288:
3281:
3275:
3268:
3262:
3255:
3249:
3243:
3237:
3230:
3224:
3213:
3207:
3200:
3194:
3188:
3182:
3177:Arthur Collins,
3175:
3169:
3159:
3153:
3146:
3140:
3133:
3127:
3122:Arthur Collins,
3120:
3114:
3107:
3101:
3087:
3081:
3074:
3068:
3057:
3051:
3044:
3038:
3031:
3025:
3018:
3012:
3007:Anna Whitelock,
3005:
2999:
2989:
2983:
2976:
2970:
2955:
2949:
2944:
2938:
2931:
2925:
2918:
2912:
2901:
2895:
2890:C. S. Knighton,
2888:
2882:
2871:
2865:
2860:Janette Dillon,
2858:
2852:
2846:
2840:
2833:
2827:
2820:
2814:
2803:
2797:
2783:
2777:
2772:Janette Dillon,
2770:
2764:
2753:
2747:
2735:
2729:
2722:
2716:
2706:
2700:
2689:
2683:
2670:: John Edwards,
2657:
2651:
2632:
2626:
2615:
2609:
2596:C. S. Knighton,
2594:
2588:
2578:
2572:
2565:
2559:
2545:
2539:
2531:
2525:
2518:
2512:
2504:
2498:
2489:
2483:
2474:
2468:
2460:
2454:
2444:
2438:
2429:
2423:
2417:
2411:
2404:
2398:
2391:
2385:
2380:C. S. Knighton,
2378:
2372:
2361:
2355:
2346:
2340:
2333:
2327:
2320:
2314:
2305:
2299:
2288:
2282:
2272:
2266:
2255:
2249:
2238:
2232:
2229:
2223:
2214:
2208:
2199:
2193:
2186:
2180:
2173:
2167:
2160:
2154:
2149:C. S. Knighton,
2147:
2141:
2134:
2128:
2117:
2111:
2106:C. S. Knighton,
2104:
2098:
2091:
2085:
2076:
2070:
2063:
2057:
2050:
2044:
2033:
2027:
2009:
2003:
1992:
1986:
1973:
1967:
1954:
1948:
1942:
1936:
1929:
1923:
1916:
1910:
1899:
1893:
1883:
1877:
1871:
1865:
1849:
1843:
1832:
1826:
1819:
1813:
1806:
1800:
1793:
1787:
1780:
1774:
1767:
1761:
1754:
1748:
1741:
1735:
1720:
1714:
1701:
1695:
1688:
1682:
1672:
1666:
1659:
1653:
1646:
1640:
1633:
1627:
1616:
1610:
1603:
1597:
1590:
1584:
1577:
1571:
1564:
1558:
1551:
1545:
1542:Revue Historique
1534:
1528:
1521:
1515:
1508:
1502:
1495:
1489:
1482:
1476:
1469:
1211:Gentleman Ushers
1122:Queen's Champion
1083:Coronation Chair
980:gentlemen ushers
930:Stephen Gardiner
924:Mary was led to
912:and some in the
902:Lord Chamberlain
882:and represented
864:Westminster Hall
857:Stephen Gardiner
790:St Paul's school
753:Fenchurch Street
551:Robert Wingfield
448:number of jewels
290:St James' Palace
269:, Master of the
204:Richard Taverner
39:
32:
28:
21:
5088:
5087:
5083:
5082:
5081:
5079:
5078:
5077:
5048:1553 in England
5038:
5037:
5036:
5031:
5008:
4958:
4912:
4908:Coronation Oath
4885:
4864:
4818:
4784:Sovereign's Orb
4762:
4741:
4684:
4648:
4626:
4620:
4592:
4588:King's Champion
4583:Court of Claims
4533:
4517:
4481:
4439:
4370:
4337:
4275:
4270:
4208:
4203:
4202:
4189:
4185:
4176:
4172:
4159:
4155:
4146:
4142:
4128:Tudor Queenship
4120:Tudor Queenship
4117:
4113:
4105:Maria Hayward,
4104:
4100:
4092:Maria Hayward,
4091:
4087:
4074:
4070:
4054:
4050:
4037:
4033:
4016:
4012:
3999:
3995:
3982:
3978:
3970:
3966:
3949:
3945:
3937:
3933:
3918:
3914:
3905:
3901:
3893:
3889:
3878:
3874:
3863:
3859:
3851:
3847:
3838:
3834:
3825:
3821:
3808:Mary and Philip
3805:
3801:
3792:
3788:
3775:
3771:
3759:Maria Hayward,
3758:
3754:
3748:Tudor Queenship
3745:
3741:
3735:Tudor Queenship
3732:
3728:
3719:
3715:
3706:
3702:
3691:A. F. Pollard,
3690:
3686:
3672:Tudor Queenship
3665:
3661:
3652:
3648:
3639:
3635:
3626:
3622:
3613:
3609:
3600:
3596:
3587:
3583:
3572:A. F. Pollard,
3571:
3567:
3558:
3554:
3545:
3541:
3533:
3529:
3516:
3512:
3502:Mary and Philip
3498:Tudor Queenship
3495:
3491:
3479:
3475:
3466:
3462:
3453:
3449:
3439:Mary Jean Stone
3433:
3429:
3419:British Library
3408:
3404:
3391:
3387:
3371:
3367:
3358:
3354:
3341:
3337:
3325:
3321:
3309:William Jones,
3308:
3304:
3295:
3291:
3282:
3278:
3269:
3265:
3256:
3252:
3244:
3240:
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3227:
3214:
3210:
3201:
3197:
3189:
3185:
3176:
3172:
3160:
3156:
3150:Mary and Philip
3147:
3143:
3134:
3130:
3121:
3117:
3108:
3104:
3088:
3084:
3078:Mary and Philip
3075:
3071:
3058:
3054:
3048:Tudor Queenship
3045:
3041:
3032:
3028:
3019:
3015:
3006:
3002:
2990:
2986:
2977:
2973:
2956:
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2800:
2784:
2780:
2771:
2767:
2754:
2750:
2738:Mary Jean Stone
2736:
2732:
2723:
2719:
2713:Tudor Queenship
2707:
2703:
2690:
2686:
2661:Edward and Mary
2658:
2654:
2644:Edward and Mary
2633:
2629:
2616:
2612:
2606:British Library
2595:
2591:
2579:
2575:
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2528:
2519:
2515:
2505:
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2490:
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2451:Tudor Queenship
2445:
2441:
2430:
2426:
2418:
2414:
2405:
2401:
2392:
2388:
2379:
2375:
2362:
2358:
2347:
2343:
2334:
2330:
2322:A. J. Collins,
2321:
2317:
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2302:
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2118:
2114:
2105:
2101:
2092:
2088:
2077:
2073:
2064:
2060:
2051:
2047:
2034:
2030:
2010:
2006:
1994:Gerard Kilroy,
1993:
1989:
1974:
1970:
1955:
1951:
1943:
1939:
1930:
1926:
1917:
1913:
1900:
1896:
1884:
1880:
1872:
1868:
1856:Tudor Queenship
1850:
1846:
1834:Jessica Hower,
1833:
1829:
1820:
1816:
1807:
1803:
1794:
1790:
1784:Tudor Queenship
1781:
1777:
1771:Tudor Queenship
1768:
1764:
1755:
1751:
1742:
1738:
1721:
1717:
1702:
1698:
1689:
1685:
1673:
1669:
1660:
1656:
1647:
1643:
1637:Mary and Philip
1634:
1630:
1626:(London, 1892).
1617:
1613:
1607:Mary and Philip
1604:
1600:
1591:
1587:
1578:
1574:
1565:
1561:
1552:
1548:
1535:
1531:
1522:
1518:
1509:
1505:
1496:
1492:
1483:
1479:
1470:
1466:
1461:
1453:Philip of Spain
1428:
1305:
1256:
1231:
1164:Arthur Stourton
1159:
1146:Gilbert Dethick
1138:
1118:
1110:Mary of Hungary
1075:
1036:
1020:Bishop of Arras
991:
938:Lord Chancellor
922:
910:Tower of London
813:
763:Hanse merchants
718:maids of honour
535:
512:Earl of Arundel
464:Tower of London
460:
438:The funeral of
325:
286:Thomas Cawarden
248:
201:
190:Nicholas Pelham
178:Duke of Suffolk
174:Tower of London
145:
100:
48:
23:
22:
15:
12:
11:
5:
5086:
5076:
5075:
5070:
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4911:
4910:
4905:
4897:
4895:
4891:
4890:
4887:
4886:
4884:
4883:
4881:Stone of Scone
4878:
4872:
4870:
4866:
4865:
4863:
4862:
4857:
4852:
4847:
4842:
4837:
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4761:
4760:
4755:
4749:
4747:
4743:
4742:
4740:
4739:
4734:
4729:
4727:Sword of Mercy
4724:
4719:
4714:
4712:Sword of State
4709:
4703:
4701:
4694:
4690:
4689:
4686:
4685:
4683:
4682:
4677:
4672:
4667:
4662:
4656:
4654:
4653:Consort crowns
4650:
4649:
4647:
4646:
4644:Diamond Diadem
4641:
4636:
4630:
4628:
4622:
4621:
4619:
4618:
4613:
4607:
4605:
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4594:
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4532:
4531:
4525:
4523:
4519:
4518:
4516:
4515:
4510:
4505:
4500:
4498:Holyrood Abbey
4495:
4489:
4487:
4483:
4482:
4480:
4479:
4474:
4469:
4464:
4458:
4456:
4449:
4445:
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4422:
4414:
4409:
4404:
4399:
4394:
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4330:
4325:
4320:
4315:
4310:
4309:
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4292:
4290:
4283:
4277:
4276:
4269:
4268:
4261:
4254:
4246:
4240:
4239:
4234:
4229:
4224:
4219:
4214:
4207:
4206:External links
4204:
4201:
4200:
4183:
4177:Janet Arnold,
4170:
4153:
4140:
4111:
4098:
4085:
4068:
4048:
4038:David Loades,
4031:
4010:
3993:
3976:
3964:
3950:David Loades,
3943:
3931:
3912:
3899:
3887:
3872:
3857:
3845:
3832:
3819:
3799:
3786:
3776:Janet Arnold,
3769:
3752:
3739:
3726:
3713:
3700:
3684:
3659:
3646:
3633:
3627:Janet Arnold,
3620:
3607:
3594:
3581:
3565:
3552:
3539:
3527:
3510:
3489:
3473:
3460:
3454:Janet Arnold,
3447:
3427:
3402:
3385:
3365:
3352:
3335:
3319:
3315:Rutland Papers
3302:
3289:
3283:Sarah Duncan,
3276:
3263:
3250:
3238:
3225:
3215:Sarah Duncan,
3208:
3195:
3183:
3170:
3154:
3141:
3128:
3115:
3102:
3097:Francis Godwin
3082:
3069:
3052:
3039:
3026:
3013:
3000:
2984:
2971:
2950:
2939:
2926:
2920:Royall Tyler,
2913:
2896:
2883:
2866:
2853:
2841:
2828:
2815:
2798:
2778:
2765:
2755:Sydney Anglo,
2748:
2730:
2724:Sydney Anglo,
2717:
2709:Anna Whitelock
2701:
2691:Sydney Anglo,
2684:
2652:
2627:
2610:
2589:
2573:
2560:
2540:
2526:
2513:
2499:
2484:
2469:
2455:
2439:
2424:
2412:
2399:
2393:Royall Tyler,
2386:
2373:
2356:
2341:
2328:
2315:
2300:
2283:
2267:
2250:
2240:John Edwards,
2233:
2224:
2209:
2194:
2188:Royall Tyler,
2181:
2168:
2155:
2142:
2129:
2125:Machyn's Diary
2112:
2099:
2086:
2071:
2065:Sydney Anglo,
2058:
2045:
2028:
2004:
1987:
1968:
1956:Edmund Howes,
1949:
1937:
1924:
1911:
1894:
1878:
1866:
1844:
1827:
1814:
1801:
1788:
1775:
1762:
1749:
1736:
1715:
1696:
1683:
1667:
1654:
1641:
1628:
1611:
1598:
1585:
1572:
1559:
1553:Royall Tyler,
1546:
1536:Royall Tyler,
1529:
1523:Royall Tyler,
1516:
1503:
1490:
1477:
1471:Sarah Duncan,
1463:
1462:
1460:
1457:
1447:pearls at her
1427:
1424:
1368:Mary Southwell
1357:North Ockendon
1304:
1301:
1255:
1252:
1230:
1227:
1158:
1155:
1137:
1134:
1117:
1114:
1106:Giles Alington
1102:courser horses
1087:Stone of Scone
1074:
1071:
1044:Imperial crown
1035:
1032:
990:
987:
961:Stone of Scone
921:
918:
844:" symbolic of
812:
809:
683:Lady Wentworth
650:, were of red
597:Anne of Cleves
537:Mary made her
534:
531:
459:
458:Coronation eve
456:
433:Edmund Campion
429:Robert Persons
324:
321:
305:Nicholas Udall
271:Royal Wardrobe
247:
244:
200:
194:
156:Lady Jane Grey
144:
141:
137:queens consort
126:took place at
102:
101:
99:
98:
93:
88:
82:
80:
76:
75:
62:
58:
57:
56:1 October 1553
54:
50:
49:
40:
9:
6:
4:
3:
2:
5085:
5074:
5071:
5069:
5066:
5064:
5061:
5059:
5056:
5054:
5051:
5049:
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5045:
5043:
5027:
5024:
5021:
5018:
5017:
5015:
5011:
5005:
5002:
5000:
4997:
4995:
4992:
4988:
4985:
4984:
4983:
4980:
4976:
4973:
4972:
4971:
4968:
4967:
4965:
4961:
4955:
4952:
4950:
4947:
4945:
4942:
4940:
4937:
4935:
4932:
4930:
4927:
4925:
4922:
4921:
4919:
4915:
4909:
4906:
4904:
4903:
4902:Liber Regalis
4899:
4898:
4896:
4892:
4882:
4879:
4877:
4874:
4873:
4871:
4867:
4861:
4860:Imperial Robe
4858:
4856:
4853:
4851:
4848:
4846:
4843:
4841:
4838:
4836:
4833:
4831:
4830:Robe of State
4828:
4827:
4825:
4821:
4815:
4812:
4810:
4807:
4805:
4802:
4800:
4797:
4795:
4792:
4790:
4787:
4785:
4782:
4780:
4777:
4775:
4772:
4771:
4769:
4765:
4759:
4756:
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4751:
4750:
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4738:
4735:
4733:
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4718:
4715:
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4710:
4708:
4705:
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4698:
4695:
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4681:
4678:
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4673:
4671:
4668:
4666:
4663:
4661:
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4651:
4645:
4642:
4640:
4637:
4635:
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4617:
4614:
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4609:
4608:
4606:
4602:
4599:
4595:
4589:
4586:
4584:
4581:
4579:
4576:
4574:
4571:
4568:
4565:
4563:
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4558:
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4552:
4549:
4548:
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4514:
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4509:
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4504:
4501:
4499:
4496:
4494:
4491:
4490:
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4470:
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4450:
4446:
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4360:
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4299:
4297:
4294:
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4125:
4121:
4115:
4108:
4102:
4095:
4089:
4082:
4078:
4072:
4066:
4064:
4058:
4052:
4045:
4041:
4035:
4028:
4024:
4020:
4017:E. Estcourt,
4014:
4007:
4003:
4000:John Strype,
3997:
3990:
3986:
3980:
3973:
3968:
3961:
3957:
3953:
3947:
3940:
3935:
3929:
3927:
3922:
3916:
3909:
3903:
3896:
3891:
3885:
3883:
3876:
3870:
3868:
3864:John Strype,
3861:
3854:
3849:
3842:
3836:
3829:
3823:
3816:
3814:
3809:
3803:
3796:
3790:
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3756:
3749:
3743:
3736:
3730:
3723:
3717:
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3698:
3696:
3688:
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3677:
3673:
3669:
3663:
3656:
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3630:
3624:
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3611:
3604:
3598:
3591:
3585:
3579:
3577:
3569:
3562:
3556:
3549:
3543:
3536:
3531:
3524:
3520:
3514:
3507:
3503:
3499:
3493:
3486:
3482:
3481:Maria Hayward
3477:
3470:
3464:
3457:
3451:
3444:
3440:
3436:
3431:
3424:
3420:
3416:
3412:
3406:
3399:
3395:
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3375:
3369:
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3356:
3349:
3345:
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3332:
3328:
3323:
3316:
3312:
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3293:
3286:
3280:
3273:
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3260:
3254:
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3235:
3229:
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3218:
3212:
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3187:
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3145:
3138:
3132:
3125:
3119:
3112:
3106:
3099:
3098:
3092:
3086:
3079:
3073:
3066:
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3056:
3049:
3043:
3036:
3030:
3023:
3017:
3010:
3004:
2997:
2993:
2988:
2981:
2975:
2968:
2964:
2960:
2954:
2948:
2943:
2936:
2930:
2923:
2917:
2910:
2906:
2903:Joanne Paul,
2900:
2893:
2887:
2880:
2876:
2870:
2863:
2857:
2850:
2845:
2838:
2832:
2825:
2819:
2812:
2808:
2807:Regal Records
2802:
2795:
2791:
2787:
2782:
2775:
2769:
2762:
2758:
2752:
2746:
2744:
2739:
2734:
2727:
2721:
2714:
2710:
2705:
2698:
2694:
2688:
2681:
2677:
2673:
2669:
2667:
2662:
2656:
2649:
2645:
2641:
2637:
2634:John Strype,
2631:
2624:
2620:
2614:
2607:
2603:
2599:
2593:
2586:
2584:
2580:John Strype,
2577:
2570:
2564:
2557:
2553:
2549:
2544:
2538:
2536:
2535:Regal Records
2530:
2523:
2517:
2511:
2509:
2503:
2497:
2495:
2494:Regal Records
2488:
2482:
2480:
2473:
2467:
2465:
2459:
2452:
2448:
2447:Maria Hayward
2443:
2437:
2435:
2434:Regal Records
2428:
2421:
2416:
2409:
2403:
2396:
2390:
2383:
2377:
2370:
2366:
2360:
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2280:
2276:
2271:
2264:
2260:
2254:
2247:
2243:
2237:
2228:
2222:
2218:
2217:Maria Hayward
2213:
2207:
2205:
2198:
2191:
2185:
2178:
2172:
2165:
2159:
2152:
2146:
2139:
2133:
2126:
2122:
2116:
2109:
2103:
2096:
2090:
2084:
2082:
2075:
2068:
2062:
2055:
2049:
2042:
2038:
2032:
2025:
2021:
2017:
2013:
2008:
2001:
1997:
1991:
1985:
1983:
1978:
1972:
1966:
1964:
1959:
1953:
1946:
1941:
1934:
1928:
1921:
1918:John Strype,
1915:
1908:
1904:
1898:
1891:
1887:
1882:
1875:
1870:
1864:
1862:
1857:
1853:
1852:Maria Hayward
1848:
1841:
1837:
1831:
1824:
1818:
1811:
1805:
1798:
1792:
1785:
1779:
1772:
1766:
1759:
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1746:
1740:
1733:
1729:
1725:
1719:
1713:
1711:
1706:
1700:
1693:
1687:
1680:
1676:
1671:
1664:
1661:Greg Walker,
1658:
1651:
1645:
1638:
1632:
1625:
1621:
1615:
1608:
1602:
1595:
1589:
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1494:
1487:
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1474:
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1450:
1444:
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1436:
1434:
1423:
1421:
1417:
1413:
1409:
1405:
1404:Lady Clifford
1400:
1398:
1393:
1389:
1385:
1381:
1377:
1373:
1372:Sibilla Penne
1369:
1365:
1360:
1358:
1354:
1350:
1346:
1341:
1336:
1334:
1333:James Planché
1330:
1326:
1318:
1314:
1309:
1300:
1296:
1294:
1290:
1286:
1282:
1278:
1277:
1273:she wore the
1268:
1264:
1260:
1251:
1248:
1244:
1239:
1237:
1226:
1223:
1218:
1216:
1212:
1208:
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1200:
1195:
1193:
1187:
1185:
1179:
1177:
1173:
1172:Privy Council
1169:
1165:
1154:
1151:
1147:
1143:
1142:Garter Herald
1133:
1129:
1127:
1126:Edward Dymoke
1123:
1113:
1111:
1107:
1103:
1099:
1095:
1090:
1088:
1084:
1080:
1070:
1068:
1066:
1060:
1055:
1053:
1049:
1045:
1041:
1031:
1029:
1025:
1021:
1017:
1012:
1010:
1006:
1005:
1000:
996:
986:
983:
981:
977:
973:
968:
966:
962:
958:
954:
949:
947:
943:
939:
935:
931:
927:
917:
915:
911:
907:
903:
896:
891:
887:
885:
881:
880:Earl of Derby
877:
873:
869:
865:
858:
853:
847:
843:
839:
835:
829:
825:
821:
817:
808:
806:
801:
799:
795:
791:
787:
782:
780:
776:
772:
768:
764:
760:
758:
754:
749:
747:
743:
739:
735:
731:
727:
723:
719:
714:
712:
708:
704:
700:
696:
695:Lady Mordaunt
692:
688:
684:
680:
676:
675:Lady Stourton
672:
668:
664:
660:
655:
653:
649:
645:
641:
637:
629:
624:
617:
613:
609:
605:
602:
598:
593:
591:
586:
582:
578:
574:
569:
567:
563:
559:
558:Thomas Cheney
554:
552:
548:
544:
540:
530:
528:
524:
519:
517:
513:
509:
505:
499:
497:
493:
489:
485:
481:
477:
473:
469:
468:London Bridge
465:
455:
453:
449:
445:
441:
436:
434:
430:
426:
422:
418:
414:
410:
406:
401:
399:
395:
391:
387:
383:
378:
376:
372:
368:
364:
360:
356:
352:
345:
341:
337:
333:
329:
320:
318:
314:
310:
306:
302:
298:
293:
291:
287:
283:
282:Genus Humanum
278:
276:
272:
268:
264:
263:Genus Humanum
256:
252:
243:
241:
235:
233:
229:
225:
221:
217:
213:
209:
205:
199:
193:
191:
187:
183:
179:
175:
170:
168:
164:
163:Sir John York
159:
157:
153:
149:
140:
138:
133:
132:queen regnant
129:
125:
121:
117:
113:
109:
97:
94:
92:
89:
87:
84:
83:
81:
77:
74:
70:
66:
63:
59:
55:
51:
47:
43:
38:
33:
27:
19:
4999:Elizabeth II
4987:Police Medal
4975:Police Medal
4900:
4569:of the Realm
4543:Participants
4430:Elizabeth II
4419:
4317:
4195:
4191:
4186:
4178:
4173:
4165:
4161:
4156:
4148:
4143:
4135:
4127:
4123:
4119:
4114:
4106:
4101:
4093:
4088:
4080:
4076:
4071:
4062:
4056:
4051:
4043:
4039:
4034:
4026:
4018:
4013:
4005:
4001:
3996:
3988:
3984:
3979:
3971:
3967:
3959:
3955:
3951:
3946:
3938:
3934:
3925:
3920:
3915:
3907:
3902:
3894:
3890:
3881:
3875:
3866:
3860:
3852:
3848:
3840:
3835:
3827:
3822:
3812:
3807:
3802:
3794:
3789:
3781:
3777:
3772:
3760:
3755:
3747:
3742:
3734:
3729:
3721:
3716:
3708:
3703:
3695:Tudor Tracts
3694:
3687:
3679:
3675:
3671:
3667:
3662:
3654:
3649:
3641:
3636:
3628:
3623:
3615:
3610:
3602:
3597:
3589:
3584:
3576:Tudor Tracts
3575:
3568:
3560:
3555:
3547:
3542:
3534:
3530:
3522:
3518:
3513:
3505:
3501:
3497:
3492:
3484:
3476:
3468:
3463:
3455:
3450:
3442:
3434:
3430:
3414:
3410:
3405:
3397:
3393:
3388:
3379:
3373:
3368:
3360:
3355:
3347:
3343:
3338:
3330:
3326:
3322:
3314:
3310:
3305:
3297:
3292:
3284:
3279:
3271:
3266:
3258:
3253:
3245:
3241:
3233:
3228:
3220:
3216:
3211:
3203:
3198:
3190:
3186:
3178:
3173:
3165:
3161:
3157:
3149:
3144:
3136:
3131:
3123:
3118:
3110:
3105:
3094:
3090:
3085:
3077:
3072:
3064:
3060:
3059:Alice Hunt,
3055:
3047:
3042:
3034:
3029:
3021:
3016:
3008:
3003:
2995:
2991:
2987:
2979:
2974:
2966:
2962:
2958:
2953:
2942:
2934:
2929:
2921:
2916:
2908:
2904:
2899:
2891:
2886:
2878:
2874:
2869:
2861:
2856:
2848:
2844:
2836:
2831:
2823:
2818:
2810:
2806:
2801:
2793:
2789:
2786:David Loades
2781:
2773:
2768:
2760:
2756:
2751:
2742:
2733:
2725:
2720:
2712:
2704:
2696:
2692:
2687:
2679:
2675:
2671:
2665:
2660:
2655:
2647:
2643:
2639:
2635:
2630:
2622:
2618:
2613:
2601:
2597:
2592:
2582:
2576:
2568:
2563:
2555:
2551:
2543:
2534:
2529:
2521:
2516:
2507:
2502:
2493:
2487:
2478:
2472:
2463:
2458:
2450:
2442:
2433:
2427:
2419:
2415:
2407:
2402:
2394:
2389:
2381:
2376:
2368:
2364:
2363:Alice Hunt,
2359:
2350:
2344:
2336:
2331:
2323:
2318:
2309:
2303:
2295:
2291:
2286:
2278:
2270:
2262:
2258:
2253:
2245:
2241:
2236:
2227:
2220:
2212:
2203:
2201:W. A. Shaw,
2197:
2189:
2184:
2176:
2171:
2163:
2158:
2150:
2145:
2137:
2132:
2124:
2120:
2119:Roy Strong,
2115:
2107:
2102:
2094:
2089:
2080:
2074:
2066:
2061:
2053:
2048:
2040:
2036:
2031:
2023:
2020:David Loades
2015:
2012:Sydney Anglo
2007:
1999:
1995:
1990:
1981:
1976:
1975:Roy Strong,
1971:
1962:
1957:
1952:
1944:
1940:
1932:
1927:
1919:
1914:
1906:
1902:
1897:
1889:
1886:David Loades
1881:
1873:
1869:
1860:
1855:
1847:
1839:
1835:
1830:
1822:
1817:
1809:
1804:
1796:
1791:
1783:
1778:
1770:
1765:
1757:
1752:
1744:
1739:
1731:
1727:
1723:
1718:
1709:
1704:
1699:
1691:
1686:
1678:
1675:Sydney Anglo
1670:
1662:
1657:
1649:
1644:
1636:
1631:
1623:
1619:
1618:Alice Hunt,
1614:
1606:
1601:
1593:
1588:
1580:
1579:Alice Hunt,
1575:
1567:
1562:
1554:
1549:
1541:
1537:
1532:
1524:
1519:
1511:
1506:
1498:
1493:
1485:
1480:
1472:
1467:
1445:
1437:
1433:Walter Fyshe
1429:
1401:
1376:Henry Sidney
1361:
1348:
1339:
1337:
1321:
1297:
1274:
1271:
1240:
1232:
1219:
1196:
1188:
1184:farthingales
1180:
1176:Janet Arnold
1160:
1139:
1136:Proclamation
1130:
1119:
1116:The champion
1098:Earl Marshal
1091:
1079:Simon Renard
1076:
1064:
1063:sceptre and
1056:
1037:
1016:Simon Renard
1013:
1008:
1002:
992:
989:The traverse
984:
969:
965:Perth Museum
957:Simon Renard
950:
946:fleur-de-lis
923:
899:
861:
802:
794:John Heywood
783:
761:
750:
720:, including
715:
656:
651:
647:
633:
594:
590:misogynistic
570:
566:Earl Marshal
555:
536:
523:Janet Arnold
520:
500:
480:Thomas White
461:
437:
409:Edmund Howes
402:
398:Charterhouse
390:Simon Renard
379:
348:
336:Queen Mary I
312:
309:court revels
300:
296:
294:
281:
279:
262:
260:
236:
215:
207:
202:
197:
186:Henry Nevill
171:
160:
146:
105:
86:Queen Mary I
79:Participants
26:
5004:Charles III
4845:Stole Royal
4840:Supertunica
4627:by monarchs
4503:Kelso Abbey
4493:Scone Abbey
4420:(abandoned)
4417:Edward VIII
4323:Elizabeth I
4132:Jemma Field
2617:John Stow,
2548:John Strype
2406:John Stow,
2348:John Stow,
2093:John Stow,
1412:Will Somers
1392:Jane Dormer
1384:John Strype
1263:Elizabeth I
1243:Anne Boleyn
976:John Norris
942:Elizabeth I
868:Westmorland
822:helped the
742:Anne Poyntz
730:Anne Dormer
726:Anne Basset
679:Lady Lumley
626:Elizabeth,
616:Royal Entry
539:royal entry
527:Elizabeth I
444:Royal Entry
386:Whitechapel
382:Wriothesley
359:Framlingham
351:Kenninghall
332:Royal Entry
319:reformers.
5073:1553 plays
5042:Categories
4970:Edward VII
4850:Robe Royal
4467:Bath Abbey
4366:Charles II
3919:Ros King,
3895:Ambassades
3535:Ambassades
3435:Ambassades
2967:Mary Tudor
2508:Ambassades
2420:Ambassades
2024:Mary Tudor
1459:References
1397:Kiddington
1388:chamberers
1329:caparisons
1281:Henry VIII
1192:John Seton
1050:brought a
995:George Day
914:Marshalsea
872:Cumberland
811:Coronation
746:chamberers
732:, and the
722:Anne Bacon
707:Mary Finch
691:Lady Paget
669:; and the
547:caparisons
496:gun salute
482:, and the
317:Protestant
301:Respublica
297:Respublica
277:as queen.
224:Holofernes
108:coronation
4994:George VI
4767:Ornaments
4448:Locations
4392:George IV
4313:Edward VI
4065:, 2, 2018
4029:, p. 240.
3248:, p. 275.
3067:, p. 231.
2298:, p. 259.
1876:, p. 151.
1325:Holinshed
1168:silkwoman
1085:with the
1018:from the
972:Edward VI
906:John Gage
820:John Gage
738:Clearwell
687:Lady Rich
648:couvertes
628:Lady Rich
562:Steelyard
440:Edward VI
344:Byam Shaw
275:anointing
206:wrote an
4982:George V
4823:Garments
4486:Scottish
4402:Victoria
4354:James VI
4342:Scottish
4281:Monarchs
3765:dalmatic
1420:Lucretia
1293:sabatons
1150:hypocras
1028:baudekin
652:cramoisy
484:Aldermen
375:Wanstead
212:John Day
61:Location
4917:Honours
4894:Rituals
4779:Armills
4753:Ampulla
4522:British
4455:English
4375:British
4289:English
4192:Costume
3603:Costume
3469:Costume
3394:Costume
1345:scarlet
1313:scarlet
1236:worsted
1207:Guyenne
1203:Gascony
1199:baldric
1157:Costume
1059:sceptre
876:curtana
842:curtana
771:Tomyris
581:circlet
573:miniver
405:Aldgate
367:Ipswich
363:Suffolk
355:Norfolk
172:In the
124:Ireland
120:England
73:England
5028:(2023)
5022:(1953)
5013:Dishes
4963:Medals
4597:Crowns
4349:Mary I
4318:Mary I
1408:tinsel
1380:weasel
1317:weasel
1222:ermine
1067:or orb
1042:, the
775:Judith
693:, and
665:; the
661:, the
638:, the
585:tinsel
508:dubbed
492:regals
488:shawms
472:Thames
240:ducats
228:Esther
220:Judith
176:, the
148:Mary I
112:Mary I
69:London
4869:Seats
4774:Spurs
4693:Items
4567:Peers
1414:and "
1065:monde
884:Mercy
846:Mercy
476:Mayor
365:. At
338:with
232:Haman
116:Queen
46:Groat
4954:1953
4949:1937
4944:1911
4939:1902
4934:1838
4929:1831
4924:1821
4359:Anne
4306:Anne
1410:for
1283:and
1205:and
1140:The
1120:The
936:and
870:and
773:and
490:and
411:and
357:and
230:and
226:and
222:and
196:The
122:and
106:The
53:Date
1451:to
1349:née
1340:eve
967:).
713:).
516:dub
373:at
361:in
353:in
334:of
118:of
114:as
110:of
5044::
4025:,
3483:,
3441:,
2788:,
2740:,
2550:,
2219:,
2022:,
2014:,
1888:,
1677:,
1455:.
1435:.
1238:.
1194:.
1144:,
1124:,
1108:.
997:,
982:.
932:,
904:,
792:,
781:.
728:,
724:,
705:,
689:,
685:,
681:,
677:,
568:.
478:,
435:.
242:.
234:.
139:.
71:,
67:,
4265:e
4258:t
4251:v
3767:.
20:)
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