2311:
337:
153:
36:
180:"folk" styles. Galicia is nowadays a strong player on the international Celtic folk scene. As a result, elements of the pre-industrial Galician tradition have become integrated into the modern Celtic folk repertoire and style. Many, however, claim that the "Celtic" appellation is merely a marketing tag; the well known Galician bagpipe player
348:, honest displays of folk life were appropriated for politicised spectacles of patriotism, causing a sharp decline in the popularity of the traditional styles in favour of modern music. When Franco's regime ended in 1975, Galician and Asturian music experienced a strong revival and recordings flourished. The establishment of the
1076:
The finger-holes include three for the left hand and four for the right, as well as one at the back for the left thumb. The chanter's tonic is played with the top six holes and the thumb hole covered by fingers. Starting at the bottom and (in the
Galician fingering pattern) progressively opening
163:
It has long been thought that
Galician and Asturian music might owe their roots to the ancient Celtic history of the region, in which it was presumed that some of this ancient influence had survived despite the long evolution of the local musical traditions since then, including centuries of Roman
413:
was also the name of their debut album released in 1993. Its mixture of tradition and modernity led BBC to choose the music of this album as the soundtrack of the TV program that broadcast the
Galician image to Europe in the 1993 Xacobeo Celebration (Santiago de Compostela's Holy Year).
1085:
can be created. With extra pressure on the bag, the reed can be played in a second octave, thus giving range of an octave and a half from tonic to top note. It is also possible to close the tone hole with the little finger of the right hand, thus creating a semitone below the tonic.
232:
when the
Suebian kingdom fell apart. Galicia came under the control of the Moors after they defeated the Visigoths in 717 but Moorish rule was little more than a short lived military occupation, although an indirect Moorish musical influence arrived later, through Christian
885:
Records show that the gaita was already common in the 13th century but suffered a decline in popularity in the 17th and 18th centuries until the 19th century renaissance of the instrument. The early 20th century saw another decline. Then, beginning in about the 1970s, a
507:
helped to bring attention to
Asturian folk music both within Asturias itself, and in the wider realm of the "Celtic" and world music scenes. Musicians from Asturias have become increasingly prominent at events such as the Festival Interceltique de Lorient in France.
516:
In current times, the most traditional forms of traditional music have their audience, as well as the variations that emerged in the 80s and 90s. In recent years, new trends have also emerged that mix traditional
Galician music with electronics. The first
988:. Its repertoire covers both traditional Galician music as well as music from other Celtic countries. It is the source of some controversy in Galacian music, as the blowpipe bagpipes employed by the band are felt by critics to be too similar to
223:
people conquered the northwest but the poor documentation from the period has left their cultural impact on the region unclear. In the 6th century, a final small Celtic influx arrived from
Britain; the Britons were granted their own diocese,
849:
in different areas of Spain and
Portugal, but in Galicia it refers to bagpipes, with the bag inflated with bellows or by a blowpipe. Outside of Galicia and Asturias, bagpipes are also traditionally played in other parts of Spain, including
973:
188:-speaking music of Spain that has a significant audience beyond the country's borders. Some Galicians and Asturians have complained that the "Celtic boom" was the final death blow to once highly distinctive musical traditions.
203:, came to gradually supplant nearly all the earlier languages of the peninsula, including all Celtic languages, and is the ancestor of most of the current languages of Spain and Portugal other than Basque, including
1145:
usually-instrumental tune, most often in 2/4, though sometimes 3/4, and is characterized by a series of descending turning phrases. It is used to begin a day's celebrations, and is played at sunrise. Russian
480:. Seivane is especially notable as the first major female player, paving the way for many more women in a previously male-dominated field. Galicia's most popular singers are also mostly female, including
199:, which they called Hispania. The Celtic regions put up a long and fierce struggle to maintain their independence but were eventually subdued. In the centuries that followed, the language of the Romans,
1202:
that has been associated with
Galician nationalism. They share characteristics with those of Castile as well as the Celtic nations. Their origin is shrouded in mystery, with some scholars asserting
992:
rather than traditional
Galacian giatas. The drums are modern and not in a Galacian tradition, and the band marches military-style in parades which is also not a tradition in Galacian gaita music.
619:. The instrument has seen a revival in the second half of the 20th century and the beginning of the 21st century, finding a place in traditional music ensembles. Other wind instruments include
349:
677:
has a long tradition in the area, common since the early 20th century, when blind fiddlers traveled to fairs to play traditional and self-composed songs, as well as pieces by composers like
930:
1057:) is situated on the player's left shoulder and is pitched two octaves below the key note of the chanter; it has a single reed. Some bagpipes have up to two more drones, including the
279:
Like the earlier periods, little is known about musical traditions from this era. Just a few manuscripts from the time are known, such as those by the 13th-century poet and musician
383:
In the 1980s and 1990s, some Galician and Asturian performers began to win fame within Spain and the international Celtic folk scene. Galician musicians of this period included
607:, literally (Galician) shepherd's whistle. Despite the similarity in name, this instrument belongs to a different family than the Cantabrian pitu montañés, namely that of the
373:
807:
consists of a pole with a frame on the top adorned with tambourine rattles; it is played by rubbing a string along the pole with a stick. Other percussion instruments are
268:. This is assumed to have had a significant effect on the folk culture of the area, as the pilgrims brought with them musical instruments and styles from as far afield as
428:
1473:
896:
423:
713:
used the instrument to accompany his compositions. Modern harpists have been encouraged by the use of the Celtic harp in Scotland, Ireland and Brittany, and include
2310:
922:
473:
104:
522:
76:
17:
365:
393:
926:
83:
1354:
1009:
690:
669:
are common throughout Spain and Portugal, but they were proscribed in Galician or Asturian commercial folk music until recent years. Modern guitarists like
1399:
1387:
1336:
573:
318:
918:
694:
1393:
184:, said "I think a label, in order to sell more. What we make is Galician music". In any case, due to the Celtic brand, Galician music is the only non-
977:
737:
that hangs from the player's belt and is played with two sticks. It is small, natural-skinned and features snares made usually of gut. Along with the
718:
714:
670:
90:
1140:
485:
441:
1528:
530:
489:
1411:
939:
906:
702:
326:
306:
586:
369:
526:
361:
72:
1498:
410:
406:
53:
2757:
1305:
653:
1366:
943:
was a landmark recording that smashes record sales and became the darling of the Spanish music media. Other modern performers and bands include
793:
191:
Celtic culture is known to have extended over a large part of the Iberian Peninsula as early as 600BC. During the 2nd and 1st centuries BC, the
948:
985:
1348:
353:
1279:
1360:
1264:
1129:
1105:
773:
710:
357:
1123:
1111:
809:
803:
1300:
388:
1342:
1318:
1312:
595:
283:, which indicate that some of the distinctive elements of today's music, such as the bagpipes and flutes, were common at the time. The
1194:
237:. Moorish rule ended after two decades when their garrison was driven out by a rebellion in 739. The region was incorporated into the
1483:
1176:
689:) has been played in the area for many centuries, but had mostly died out by the middle of the 20th century before being revived by
97:
2365:
1946:
1715:
1695:
1685:
1550:
1523:
1488:
621:
534:
427:
sold more than 100,000 copies and saw major media buzz, partially due to the collaboration with well-known foreign musicians like
1273:
1239:
interludes. Melodies are based on a continuous drone and are almost always diatonic. Over time, alalas have adapted to include
46:
890:
heralded another rebirth. The folk revival may have peaked in the late 1990s, with the release of acclaimed albums by Galician
1623:
466:
1103:, found in both Asturias and Galicia, a sprightly 6/8 rhythm. Other 6/8 Galician tunes use different steps; they include the
521:
that mixes Galician traditional music with electronics dates back to 1978, when the group Son Lalín launched their version of
57:
409:, (that means "Spin in the spinning wheel") was undoubtedly one of the key events of the Galician musical scene in the 90's.
1025:
The player inflates the bag using his mouth through a tube fitted with a non-return valve. Air is driven into the chanter (
2437:
2432:
1403:(dances with decorated arches) a hallmark of Cantabrian folk tradition. Other popular dance songs in the area include the
2447:
1094:
Tunes using the gaita are usually songs, with the voice either accompanying the instrumentation or taking turns with it.
995:
Galician bagpipes come in three main varieties, though there are exceptions and unique instruments. These include the
164:
and Germanic influences. Whether or not this is the case, much modern commercial Galician and Asturian traditional and
1749:
1596:
879:
1555:
495:
A revival of traditional Asturian music also occurred during this period. Artists such as the popular bagpiper
61:
2221:
2375:
2335:
838:
616:
1939:
2767:
2345:
1041:) with the left arm controlling the pressure inside the bag. The chanter has a double reed similar to a
128:
is a traditional highly distinctive folk style, located along Spain's north-west Atlantic coast, mostly
2772:
1616:
960:
739:
352:(1977), which helped establish some Galician bands. Aspiring performers began working with bands like
2607:
1468:
891:
875:
581:
with seven holes in the front and one in the back, which is played in a similar manner to the bagpipe
547:
418:
2762:
2452:
2350:
600:
1732:
2547:
2261:
1932:
1725:
1150:
603:. It is usually in G, or sometimes a high C. Traditional Galician wind instruments include the
284:
1973:
1705:
257:
2777:
2532:
1609:
556:
249:
1017:). Asturian bagpipes usually have only one drone and follow a different fingering pattern.
2360:
2236:
1827:
1700:
1575:
241:
and, after surviving the assaults of the Moors and Vikings, became the springboard for the
8:
2522:
2216:
1742:
1250:
and rhythms (most typically in 2/4 or 3/4 time) to the tradition. A distinct feature of
666:
288:
238:
1231:, and based on a single, short theme that repeats the melody, separated by instrumental
771:. It usually contains some beans that rattle inside. It is often played alongside the
2552:
2396:
2355:
2325:
2276:
2171:
1908:
1832:
1163:
981:
462:
329:, who inspired many of the revivalist performers, and played in influential bands like
229:
2517:
859:
2527:
2497:
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1737:
1710:
1690:
1592:
1214:
1034:
1026:
989:
917:
In the 18th century, an important teaching school was opened in Asturias, created by
867:
585:. While it was traditionally made in E-flat, the instrument has been revitalized by
454:
204:
196:
1258:
that fades into a sustained and undefined sound. In contrast to the typically slow
1228:
2716:
2691:
2676:
2625:
2266:
2246:
2003:
1759:
1720:
345:
208:
185:
980:, uses blowpipe bagpipes in B flat, bagpipes with bellows tuned in F sharp, and a
545:
Traditional instruments in Galicia, Asturias and Cantabria include the well-known
2686:
2681:
2645:
2615:
2406:
2370:
2330:
2296:
2131:
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1203:
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560:
313:
player. The first commercial recording of Galician music had come in 1904, by a
253:
216:
129:
2109:
336:
280:
2671:
2630:
2542:
2241:
2161:
1955:
1847:
1842:
1822:
1812:
1754:
1538:
1513:
1440:
871:
829:
504:
477:
432:
300:
181:
2056:
1503:
1478:
421:, however, who has done the most to popularize Galician traditions. His 1996
152:
2751:
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2640:
2620:
2597:
2487:
2442:
2411:
2201:
2186:
2176:
1988:
1978:
1654:
1640:
1518:
1458:
1382:
976:(Royal Pipe Band of the Council of Ourense). The Royal Pipe Band, founded by
954:
Traditional use include both solo performances or with a snare-drum known as
887:
709:
had been used in the Middle Ages, but were not revived until the 1970s, when
500:
1049:, and a conical bore with seven finger-holes on the front. The bass drone (
2736:
2416:
2401:
2340:
2191:
2116:
2036:
2026:
1898:
1878:
1868:
1659:
1649:
1632:
1533:
1405:
1291:
1255:
608:
458:
450:
192:
215:. The departure of the Romans in the 5th century led to the invasions of
2166:
2091:
2061:
2046:
1837:
1669:
1664:
1168:
697:
and the like. Though the instrument is now more closely associated with
682:
612:
310:
269:
265:
242:
2492:
2211:
2206:
2181:
2156:
2141:
2031:
1099:
2572:
2537:
2251:
2226:
2096:
2071:
2066:
1903:
1883:
1873:
1817:
1797:
1463:
1285:
1236:
1014:
778:
762:
734:
377:
330:
322:
261:
234:
2146:
1787:
1587:
Cronshaw, Andrew. "Celtic Iberia". 2001. In Mathieson, Kenny (Ed.),
2721:
2635:
2482:
2477:
2286:
2231:
2086:
2076:
2051:
1983:
1445:
1330:
1254:
is that the first cadence is also the last. They end in an enlarged
1243:
1211:
965:
855:
744:
636:
436:
305:
The Galician folk revival drew on early 20th century performers like
212:
165:
137:
2021:
1081:
scale. Using techniques like cross-fingering and half-holding, the
1073:. This two extra drones are placed by the right arm of the player.
368:, learning the folk styles; others went to the renowned workshop of
35:
2731:
2726:
2502:
2271:
2126:
2104:
2008:
1782:
1508:
1425:
1324:
1199:
1147:
1137:
1078:
846:
753:
678:
640:
632:
518:
446:
225:
173:
141:
133:
2281:
2256:
1993:
2655:
2582:
2567:
2557:
2512:
2507:
2196:
2151:
1998:
1924:
1913:
1893:
1431:
1247:
1232:
1117:
969:
944:
863:
815:
627:
582:
552:
273:
169:
481:
384:
2592:
2577:
2562:
2472:
2291:
2081:
1863:
1601:
1207:
851:
783:
674:
1065:, which sticks out from the bag and plays an octave above the
925:, while the 20th century produced performers like Vega's son,
2711:
2013:
1802:
1777:
1436:
1240:
1042:
934:
901:
842:
834:
767:
590:
578:
496:
402:
398:
220:
200:
177:
405:, gained her an international following. The appearance of
376:. Some of these musicians then formed their own bands, like
136:, that has some similarities with the neighbouring area of
2587:
1807:
1046:
781:, in small groups or by a single female singer. A pair of
706:
701:, the first recordings of the hurdy gurdy were by Galician
228:, in northern Galicia. Galicia was then taken over by the
1888:
984:
of snare drums, tenor drums, bass drums, tambourines and
958:(a wooden natural-skinned drum with gut snares), and the
673:
often use strong flamenco influences in their sound. The
571:
Folk wind instruments of the area include the Cantabrian
168:
of recent years has become strongly influenced by modern
1192:
The oldest and best-known form of Galician music is the
1007:(C). Asturian bagpipes are usually played along with a
751:
is typically found as accompaniment to bagpipes. The
291:, also show illustrations of people playing bagpipes.
256:, had been found at a site which soon became known as
73:"Traditional music of Galicia, Cantabria and Asturias"
1381:
is the term for social dances, though there are also
639:. Cantabria has a rich dance repertoire for soprano
1289:) are also known, as well as the local variation of
974:
Real Banda de Gaitas da Excma. Deputación de Ourense
1206:as a major source, while others fancily point to
2749:
1180:is a joyful 3/4 jota-type song, often played at
921:. Musicians of that era included the legendary
801:) are strips of wood held between the fingers.
791:) are rubbed together, and accompany dancing.
472:Other modern Galician bagpipe players include
1940:
1617:
325:. The middle of the century saw the rise of
933:. The best-known modern Asturian player is
62:introducing citations to additional sources
833:may refer to a variety of different pipes,
248:In 810, it was claimed that the remains of
140:. The music is characterized by the use of
1947:
1933:
1624:
1610:
1184:(community gatherings at a local shrine).
765:, similar to the Portuguese and Castilian
540:
287:, a collection of manuscripts written in
335:
151:
52:Relevant discussion may be found on the
18:Music of Galicia, Cantabria and Asturias
1153:included three asturian movements (two
14:
2758:Music of Spain by autonomous community
2750:
1591:, pp. 140–175. Backbeat Books.
1928:
1605:
1551:Ortigueira's Festival of Celtic World
910:). Both releases broke records, and
660:
589:, who makes them in D. A transverse
350:Festival Internacional do Mundo Celta
2433:Benidorm International Song Festival
397:and a subsequent collaboration with
387:, a singer originally with the band
29:
2448:Festival Internacional de Santander
729:Percussion instruments include the
566:
24:
1954:
1452:
1262:there are also swift songs called
25:
2789:
914:sold more than a million copies.
2309:
1631:
1576:"Porqué Se Llamaron "Son Lalín""
1161:) in his famous orchestral work
45:relies largely or entirely on a
34:
2366:Galicia, Cantabria and Asturias
1556:Interceltic Festival of Morrazo
1568:
1298:Other Asturian dances include
1020:
13:
1:
1561:
972:sponsors a bagpipe band, the
724:
651:(not to be confused with the
445:, included more fusions with
260:. It became Europe's premier
1544:
1097:The most common type is the
761:) is a double-faced, square
374:Universidade Popular de Vigo
126:Northwest Iberian folk music
7:
747:played with one stick, the
593:with six holes is called a
10:
2794:
1271:Marching tunes (Galician:
1187:
931:José Antonio García Suárez
611:, which also includes the
577:, a kind of conical-bored
525:, created by the producer
511:
429:La Vieja Trova Santiaguera
298:
294:
147:
2704:
2664:
2606:
2468:
2461:
2425:
2389:
2318:
2307:
2125:
1969:
1962:
1856:
1770:
1678:
1639:
1373:
555:, as well as an array of
499:and music groups such as
1089:
897:A Irmandade Das Estrelas
822:
424:A irmandade das estrelas
2438:Eurovision Song Contest
1726:Irish traditional music
1171:. 34, written in 1887.
1151:Nikolai Rimsky-Korsakov
797:(Asturian and Spanish:
599:; it is similar to the
541:Traditional instruments
461:. The album received a
285:Cantigas de Santa Maria
1750:Celtic music in the US
1706:Celtic music in Canada
1030:
605:pito pastoril (galego)
341:
258:Santiago de Compostela
160:
344:During the regime of
340:Asturian folk dancers
339:
299:Further information:
155:
2376:Navarre and La Rioja
1423:), and the imported
667:stringed instruments
523:Muiñeira de Chantada
394:Estou vivindo no ceo
58:improve this article
2462:Musical instruments
1743:Scottish folk music
1679:Regions and nations
1578:. 22 February 2020.
1397:(sword dances) and
1355:baile de los pollos
870:and in Portugal in
691:Faustino Santalices
391:, whose 1995 album
366:Os Irmáns Garceiras
264:destination in the
239:Kingdom of Asturias
2768:Music of Cantabria
2397:Spanish folk music
2262:Soleá por Bulerías
2172:Cantes a palo seco
1400:danzas de arcillos
1388:danzas de palillos
1337:marcha procesional
1164:Capriccio espagnol
1159:Fandango Asturiano
1077:holes creates the
982:percussion section
923:Ramón García Tuero
661:String instruments
474:Xosé Manuel Budiño
439:. His follow-up,
342:
230:Visigothic Kingdom
161:
2773:Music of Asturias
2745:
2744:
2700:
2699:
2528:Guitarra de canya
2498:Cross-strung harp
2305:
2304:
2135:
1922:
1921:
1701:Cape Breton music
1394:danzas de espadas
1069:, or the smaller
990:Highland bagpipes
968:. The Council of
927:José Remis Ovalle
631:and the imported
195:slowly conquered
123:
122:
108:
16:(Redirected from
2785:
2763:Music of Galicia
2466:
2465:
2351:Castile and Leon
2336:Balearic Islands
2313:
2129:
1967:
1966:
1949:
1942:
1935:
1926:
1925:
1760:Welsh folk music
1696:Cantabrian music
1626:
1619:
1612:
1603:
1602:
1580:
1579:
1572:
1391:(stick dances),
1246:which has added
1204:Gregorian chants
643:, also known as
567:Wind instruments
561:wind instruments
486:Sonia Lebedynski
442:Os amores libres
346:Francisco Franco
309:, a bagpipe and
118:
115:
109:
107:
66:
38:
30:
21:
2793:
2792:
2788:
2787:
2786:
2784:
2783:
2782:
2748:
2747:
2746:
2741:
2705:Music ensembles
2696:
2660:
2602:
2518:Gaita gastoreña
2457:
2426:Music festivals
2421:
2407:Spanish hip hop
2385:
2319:Music by region
2314:
2301:
2121:
1958:
1953:
1923:
1918:
1852:
1766:
1674:
1635:
1630:
1584:
1583:
1574:
1573:
1569:
1564:
1547:
1494:Fuxan Os Ventos
1455:
1453:Popular artists
1412:pasacorredoiras
1376:
1190:
1092:
1083:chromatic scale
1023:
940:Tierra De Nadie
919:José Remis Vega
912:Tierra De Nadie
907:Tierra De Nadie
900:) and Asturian
825:
727:
703:Perfecto Feijoo
695:Xosé Lois Rivas
663:
569:
543:
514:
467:Best Folk Album
465:nomination for
327:Ricardo Portela
319:Aires d'a Terra
307:Perfecto Feijoo
303:
297:
217:Germanic tribes
150:
119:
113:
110:
67:
65:
51:
39:
28:
23:
22:
15:
12:
11:
5:
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2648:
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2565:
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2555:
2550:
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2390:Music by genre
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2346:Canary Islands
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2297:Romani (Gypsy)
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2269:
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2239:
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2209:
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2199:
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2169:
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2159:
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2138:
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1956:Music of Spain
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1891:
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1881:
1876:
1871:
1866:
1860:
1858:
1854:
1853:
1851:
1850:
1848:Welsh bagpipes
1845:
1843:Uilleann pipes
1840:
1835:
1830:
1825:
1820:
1815:
1813:Irish bouzouki
1810:
1805:
1800:
1795:
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1772:
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1738:Scottish music
1735:
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1716:Galician music
1713:
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1698:
1693:
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1686:Asturian music
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1541:
1539:Rodrigo Cuevas
1536:
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1526:
1521:
1516:
1514:Susana Seivane
1511:
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1496:
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1471:
1466:
1461:
1454:
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1375:
1372:
1189:
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1091:
1088:
1022:
1019:
978:José Lois Foxo
876:Trás-os-Montes
824:
821:
726:
723:
719:Rodrigo Romaní
715:Quico Comesaña
671:Xesús Pimentel
662:
659:
568:
565:
542:
539:
527:Gustavo Ramudo
513:
510:
478:Susana Seivane
433:The Chieftains
362:Os Campaneiros
301:Movida viguesa
296:
293:
182:Susana Seivane
149:
146:
121:
120:
114:September 2020
56:. Please help
42:
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26:
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2651:Sac de gemecs
2649:
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2514:
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2499:
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2491:
2489:
2488:Catalan shawm
2486:
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2476:
2474:
2471:
2470:
2467:
2464:
2460:
2454:
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2443:Benidorm Fest
2441:
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2436:
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2431:
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2418:
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2413:
2412:Spanish opera
2410:
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2225:
2223:
2220:
2218:
2215:
2213:
2210:
2208:
2205:
2203:
2202:Flamenco jazz
2200:
2198:
2195:
2193:
2190:
2188:
2187:Campanilleros
2185:
2183:
2180:
2178:
2177:Cantes libres
2175:
2173:
2170:
2168:
2165:
2163:
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2020:
2017:
2015:
2012:
2010:
2007:
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2002:
2000:
1997:
1995:
1992:
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1987:
1985:
1982:
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1979:Catalan rumba
1977:
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1968:
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1861:
1859:
1857:Musical forms
1855:
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1736:
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1727:
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1711:Cornish music
1709:
1707:
1704:
1702:
1699:
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1692:
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1687:
1684:
1683:
1681:
1677:
1671:
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1666:
1663:
1661:
1658:
1656:
1655:Celtic fusion
1653:
1651:
1648:
1647:
1645:
1643:and subgenres
1642:
1638:
1634:
1627:
1622:
1620:
1615:
1613:
1608:
1607:
1604:
1598:
1597:0-87930-623-8
1594:
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1577:
1571:
1567:
1557:
1554:
1552:
1549:
1548:
1540:
1537:
1535:
1532:
1530:
1529:Mercedes Peón
1527:
1525:
1522:
1520:
1519:Cristina Pato
1517:
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1512:
1510:
1507:
1505:
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1459:Luar na Lubre
1457:
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1389:
1384:
1383:weapon dances
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1234:
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1220:
1217:songs called
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946:
942:
941:
937:, whose 1998
936:
932:
928:
924:
920:
915:
913:
909:
908:
903:
899:
898:
893:
889:
888:roots revival
883:
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869:
865:
861:
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853:
848:
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840:
836:
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708:
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696:
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688:
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680:
676:
672:
668:
658:
656:
655:
654:requinta fife
650:
646:
642:
638:
634:
630:
629:
624:
623:
618:
614:
610:
609:fipple flutes
606:
602:
598:
597:
592:
588:
584:
580:
576:
575:
574:pitu montañés
564:
562:
558:
554:
550:
549:
538:
536:
532:
531:Mercedes Peón
528:
524:
520:
509:
506:
502:
501:Llan de cubel
498:
493:
491:
490:Mercedes Peón
487:
483:
479:
475:
470:
468:
464:
460:
456:
452:
448:
444:
443:
438:
434:
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267:
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259:
255:
252:, one of the
251:
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236:
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127:
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99:
96:
92:
89:
85:
82:
78:
75: –
74:
70:
69:Find sources:
63:
59:
55:
49:
48:
47:single source
43:This article
41:
37:
32:
31:
19:
2778:Celtic music
2453:OTI Festival
2417:Spanish rock
2402:Spanish jazz
2192:Cartageneras
2110:Género chico
2037:New flamenco
1894:Piobaireachd
1879:Cymanfa Ganu
1869:Barzaz Breiz
1691:Breton music
1660:Celtic metal
1650:Celtic chant
1633:Celtic music
1589:Celtic music
1588:
1570:
1534:Tanxugueiras
1469:Carlos Núñez
1444:
1430:
1424:
1420:
1419:, Asturian:
1416:
1410:
1404:
1398:
1392:
1386:
1378:
1377:
1365:
1359:
1353:
1347:
1341:
1335:
1329:
1323:
1317:
1311:
1306:
1299:
1297:
1290:
1284:
1278:
1277:, Asturian:
1272:
1270:
1263:
1259:
1251:
1224:
1223:
1218:
1198:, a form of
1193:
1191:
1181:
1175:
1173:
1162:
1158:
1154:
1141:
1135:
1128:
1122:
1116:
1110:
1104:
1098:
1096:
1093:
1075:
1070:
1066:
1062:
1058:
1054:
1050:
1038:
1024:
1008:
1004:
1000:
996:
994:
959:
955:
953:
949:Xuacu Amieva
938:
916:
911:
905:
895:
892:Carlos Núñez
884:
828:
826:
814:
808:
802:
798:
792:
788:
782:
772:
766:
758:
752:
748:
738:
730:
728:
699:French music
686:
664:
652:
648:
644:
626:
620:
604:
594:
587:Antón Corral
572:
570:
551:, a kind of
546:
544:
515:
494:
471:
463:Latin Grammy
459:Berber music
453:(especially
451:Celtic music
440:
422:
419:Carlos Núñez
416:
392:
382:
370:Antón Corral
343:
314:
304:
289:old Galician
281:Martín Codax
278:
247:
193:Roman Empire
190:
162:
157:
125:
124:
111:
101:
94:
87:
80:
68:
44:
2361:Extremadura
2167:Cante jondo
2092:Tono humano
2062:Rock urbano
2057:Rock català
1771:Instruments
1755:Welsh music
1721:Irish music
1670:Celtic rock
1665:Celtic punk
1504:Berrogüetto
1499:Xabier Díaz
1479:Rosa Cedrón
1349:corri-corri
1283:, Spanish:
1021:Description
880:Estremadura
757:(Asturian:
683:hurdy gurdy
613:tin whistle
537:stand out.
529:. Nowadays
411:Fía na Roca
407:Fía na Roca
354:Os Areeiras
311:hurdy-gurdy
270:Scandinavia
266:Middle Ages
250:Saint James
243:Reconquista
235:troubadours
2752:Categories
2626:Cabreiresa
2573:Txalaparta
2548:Psalterium
2538:Kirikoketa
2252:Siguiriyas
2227:Martinetes
2222:Malagueñas
2101:Xiringüelu
2097:Villancico
2067:Seguidilla
2042:Nova Cançó
1909:Strathspey
1904:Sea shanty
1884:Cynghanedd
1874:Cerdd Dant
1838:Welsh Harp
1818:Irish harp
1798:Concertina
1733:Manx music
1562:References
1474:Treixadura
1464:Milladoiro
1417:pasacalles
1367:xiringüelu
1361:giraldilla
1286:pasacalles
1265:pandeirada
1237:a cappella
1219:alelohuías
1212:Phoenician
1130:contrapaso
1106:carballesa
1015:snare drum
999:(B-flat),
986:tarrañolas
794:Tarrañolas
779:tambourine
777:, a large
774:pandeireta
763:frame drum
735:snare drum
725:Percussion
711:Emilio Cao
557:percussion
378:Milladoiro
358:Os Rosales
331:Milladoiro
323:Pontevedra
262:pilgrimage
207:and Astur-
84:newspapers
2722:Chirigota
2677:Classical
2646:Sanabresa
2636:Odrecillo
2483:Castanets
2478:Bandurria
2356:Catalonia
2326:Andalusia
2287:Verdiales
2232:Peteneras
2087:Tonadilla
2077:Tajaraste
2072:Sevillana
2052:Pasodoble
2047:Pasacalle
1984:Chirigota
1545:Festivals
1446:pasodoble
1331:pasodoble
1244:polyphony
1229:arhythmic
1155:Alboradas
1124:chouteira
1112:ribeirana
1063:ronquilla
1059:ronquillo
966:bass drum
856:Catalonia
847:clarinets
839:recorders
827:The term
810:canaveira
804:Charrasco
799:tejoletas
745:bass drum
705:in 1904.
637:accordion
437:Ry Cooder
213:Mirandese
186:Castilian
166:folk-rock
158:gaiteiros
156:Galician
138:Cantabria
54:talk page
2732:Rondalla
2727:Comparsa
2717:Charanga
2682:Flamenco
2631:Galician
2616:Asturian
2598:Zambomba
2533:Guitarro
2503:Dulzaina
2493:Chácaras
2381:Valencia
2272:Tarantas
2217:Guajiras
2212:Granaína
2207:Garrotín
2182:Cantiñas
2157:Bulerías
2142:Alegrías
2127:Flamenco
2105:Zarzuela
2032:Muiñeira
2009:Fandango
2004:Ensalada
1783:bagpipes
1509:SonDeSeu
1426:fandango
1421:pasucáis
1343:rebudixu
1325:fandango
1319:pericote
1313:respingu
1280:pasucáis
1233:bagpipes
1200:chanting
1182:romerías
1157:and one
1148:composer
1142:alborada
1138:asturian
1100:muiñeira
1079:diatonic
1035:Asturian
1031:punteiro
1027:Galician
1003:(D) and
1001:grileira
956:tamboril
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389:Na Lúa
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