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De vulgari eloquentia

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220: 22: 1859: 97:, but Dante made some innovations in his work: firstly, the subject (writing in vernacular) was an uncommon topic in literary discussion at that time. Also significant was how Dante approached this theme; that is, he presented an argument for giving vernacular the same dignity and legitimacy Latin was typically given. Finally, Dante wrote this essay in order to analyse the origin and the 1551:. About the philosophical works, it is important to know that Dante read not only first hand texts, but also summaries that sometimes were not of the original work, but of an intermediary one. The influence and importance of the contribution of the Sicilian language is emphasized by his assertion that "the first hundred and fifty years of Italian poetry was written in Sicilian". 1657:"Et primo de siciliano examinemus ingenium: nam videtur sicilianum vulgare sibi famam pre aliis asciscere eo quod quicquid poetantur Ytali sicilianum vocatur..." ("First let us turn our attention to the language of Sicily, since the Sicilian vernacular seems to hold itself in higher regard than any other, and because all the poetry written by the 1576:. Both works were Occitan manuals of grammar for troubadour poetry. They implicitly and explicitly defended Occitan as the best vernacular for song and verse, prompting Dante to come to the defence of his beloved Tuscan tongue. The popularity of both singing and composing in Occitan by Italians prompted Dante to write: 112:
is an unfinished project, and so information about its intended structure is limited. Dante interrupted his work at the fourteenth chapter of the second book, and though historians have tried to find a reason for this, it is not known why he so abruptly aborted his essay. At some point, Dante
1862: 188:, among the fourteen varieties he claims to have found in the Italian region in Book 1 (X,9): "Quare ad minus xiiii vulgaribus sola videtur Ytalia variari." ("Hence, Italy alone appears to display a variation of at least 14 vulgar languages.") 117:
and the "mediocre" style, and nothing at all is known about the third book. It is thought, however, that the first book was meant to be a sort of preface to the following three books, and so shorter than the others.
2181: 130:, which he thinks was born unitary and, at a later stage, was separated into different idioms because of the presumptuousness demonstrated by humankind at the time of the building of the 61:. Although meant to consist of four books, it abruptly terminates in the middle of the second book. It was probably composed shortly after Dante went into exile, circa 1302–1305. 2116: 185: 1662: 101:
of the vernacular, because, in his opinion, this language was not something static, but something that evolves and needed a historical contextualisation.
134:. He compiles a map of the geographical position of the languages he knows, dividing the European territory into three parts: one to the east, with the 142:, which he believed included Magyar and Slavic languages; one to the south, separated into three Romance languages identified by their word for 'yes': 64:
In the first book, Dante discusses the relationship between Latin and the vernacular languages, and the search for an "illustrious" vernacular in the
1625: 2015: 1582:, meaning "To the perpetual shame and lowness of the wicked men of Italy, that praise somebody else's vernacular and despise their own, I say..." ( 1806: 1317: 114: 1579:
A perpetuale infamia e depressione delli malvagi uomini d'Italia, che commendano lo volgare altrui, e lo loro proprio dispregiano, dico...
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In the second book, Dante deals with literary genres, specifying which are the ones that suit the vernacular.
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philosophy, and references to texts by representatives of what is sometimes referred to as
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Weiss, R. (April 1942). "Links between the 'Convivio' and the 'De Vulgari Eloquentia'".
180:", which is a static language consisting of unchanging rules, needed to make up for the 2083: 1823: 1779: 1750: 1620: 1592: 1466: 1277: 1248: 1098: 1048: 977: 902: 887: 820: 778: 489: 434: 315: 297: 139: 184:. In chapters ten to fifteen of the first book, Dante writes about his search for the 153: 2159: 1827: 1719: 1522: 1490: 1441: 1297: 1188: 1027: 1022: 847: 810: 771: 678: 429: 374: 309: 203: 79: 1573: 972: 2205: 2189: 2073: 2068: 2009: 1933: 1815: 1771: 1742: 1518: 1461: 1406: 1292: 962: 788: 507: 424: 417: 285: 181: 163: 143: 238: 2078: 1995: 1904: 1630: 1426: 1342: 1158: 1017: 927: 892: 832: 727: 673: 630: 323: 87: 58: 2237: 2124: 1559: 1370: 1168: 1002: 897: 827: 717: 710: 570: 502: 135: 131: 83: 45: 2297: 2277: 2252: 2173: 1985: 1959: 1543: 1471: 1456: 1307: 1108: 967: 942: 907: 754: 722: 253: 243: 1849: 1926: 1819: 1451: 1396: 997: 783: 638: 607: 475: 2032: 1615: 1476: 1436: 1411: 922: 917: 601: 591: 94: 275: 21: 2149: 2134: 2129: 2002: 1783: 1754: 1562: 1128: 1007: 992: 987: 766: 688: 649: 563: 454: 350: 98: 50: 2182:
Francesca da Rimini and Paolo Malatesta Appraised by Dante and Virgil
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Dante took inspiration from rhetorical essays written in Latin,
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area; the second book is an analysis of the structure of the
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In the beginning, Dante tackles the historical evolution of
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mentions a fourth book in which he planned to deal with the
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De Vulgari Eloquentia, Lib. I, XII, 2 (English translation)
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The major Occitan work that influenced Dante was probably
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The Southern French Nobility and the Albigensian Crusade
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Ewert, A. (July 1940). "Dante's Theory of Language".
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18: 2304:1300s books 2225:(1919 film) 2033:Contrapasso 1616:Etymologiae 1528:Ars Poetica 1477:Wooden iron 1437:Rhetrickery 1412:Oral skills 1348:Composition 1283:Contrastive 1103:(c. 350 BC) 1093:(c. 350 BC) 1083:(c. 350 BC) 1073:(c. 350 BC) 1063:(c. 370 BC) 923:Demosthenes 903:Brueggemann 838:Ideological 689:Homiletics‎ 602:Declamation 592:Apologetics 442:Five canons 310:Renaissance 293:Middle Ages 164:sì language 144:oc language 115:comic genre 95:Middle Ages 90:of poetry. 2298:Categories 2135:83 Beatrix 2003:Purgatorio 1943:(disputed) 1686:Weiss 1942 1674:Ewert 1940 1563:troubadour 1333:Technology 1323:Procedural 1143:(c. 50 BC) 1129:De Oratore 993:Quintilian 988:Protagoras 843:Metaphoric 767:Propaganda 650:Epideictic 564:Sotto voce 518:Persuasion 513:Operations 455:Dispositio 351:Chironomia 99:philosophy 51:vernacular 1853:in Latin. 1828:193663077 1613:like the 1447:Seduction 1278:Cognitive 1266:Subfields 1193:(100–400) 948:Isocrates 888:Augustine 878:Aristotle 853:Narrative 803:Criticism 748:Philippic 662:Panegyric 645:Elocution 626:Dialectic 546:Situation 407:Facilitas 401:Enthymeme 380:Eloquence 362:Delectare 174:gramatica 159:hoc illud 105:Structure 57:essay by 2222:Beatrice 2010:Paradiso 1974:Convivio 1934:Eclogues 1869:LibriVox 1659:Italians 1623:and the 1603:Boëthius 1585:Convivio 1523:Sicilian 1318:Pedagogy 1298:Feminist 1069:Rhetoric 1059:Phaedrus 1053:(380 BC) 1003:Richards 973:Perelman 821:Pentadic 816:Dramatic 760:Suasoria 738:Diatribe 679:Forensic 656:Encomium 621:Demagogy 490:Imitatio 462:Elocutio 448:Inventio 418:Informal 337:Concepts 264:Sophists 259:Calliope 249:Atticism 244:Asianism 212:Rhetoric 204:a series 202:Part of 128:language 80:Sicilian 2271:Related 1996:Inferno 1967:Le Rime 1784:3717624 1755:3716632 1708:Sources 1560:Catalan 1558:by the 1519:Occitan 1363:Related 1338:Therapy 1328:Science 1293:Digital 1173:(c. 50) 1163:(46 BC) 1153:(46 BC) 1133:(55 BC) 1123:(80 BC) 1113:(84 BC) 1049:Gorgias 1018:Toulmin 1013:Tacitus 963:McLuhan 938:Gorgias 933:Erasmus 928:Derrida 893:Bakhtin 883:Aspasia 848:Mimesis 811:Cluster 743:Eristic 733:Polemic 728:Oratory 706:Lecture 469:Memoria 413:Fallacy 356:Decorum 303:Trivium 231:History 178:grammar 122:Content 75:canzuni 66:Italian 1826:  1782:  1753:  1722:  1568:. The 1549:Cicero 1535:, the 1533:Horace 1422:Pistis 1417:Orator 1343:Visual 1253:(1970) 1243:(1966) 1233:(1521) 1223:(1305) 1159:Orator 1099:Topics 1028:Weaver 958:Lysias 953:Lucian 943:Hobbes 918:de Man 913:Cicero 711:Public 694:Sermon 669:Eulogy 597:Debate 585:Genres 531:Pathos 497:Kairos 484:Hypsos 430:Scheme 395:Eunoia 375:Device 369:Docere 195:Models 166:(from 162:) and 156:(from 146:(from 28:, 1577 1824:S2CID 1780:JSTOR 1751:JSTOR 1645:Notes 1213:(426) 1203:(102) 1041:Works 1008:Smith 998:Ramus 983:Plato 978:Pizan 908:Burke 898:Booth 833:Genre 828:Frame 571:Topos 556:Grand 551:Style 538:Logos 524:Ethos 508:Modes 435:Trope 70:canto 55:Latin 1720:ISBN 1387:Doxa 1183:(95) 1023:Vico 772:Spin 1816:doi 1812:117 1772:doi 1743:doi 1629:by 1619:by 1601:by 1547:by 1531:by 1462:TED 1308:New 968:Ong 176:, " 169:sic 152:), 149:hoc 78:in 2300:: 1822:. 1804:. 1778:. 1768:37 1766:. 1749:. 1739:35 1737:. 1605:, 1521:, 206:on 1897:e 1890:t 1883:v 1830:. 1818:: 1786:. 1774:: 1757:. 1745:: 1728:. 1506:e 1499:t 1492:v 42:: 37:(

Index


Ecclesiastical Latin
[devulˈgaːrieloˈkwɛntsja]
vernacular
Latin
Dante Alighieri
Italian
canzuni
Sicilian
literary genre
Sicilian School
Middle Ages
philosophy
comic genre
language
Tower of Babel
Greek languages
Germanic languages
oc language
oïl language
sì language
grammar
natural languages
illustrious vernacular
a series
Rhetoric

History
Ancient Greece
Asianism

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