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1000:, by Publius Papinius Statius, where he warned "no one is allowed to print this without penalty." In the Bibliothèque du Roi on 16 March 1503, Manutius tried to warn off those who plagiarized his content, "it happens that in the city of Lyon our books appeared under my name, but full of errors... and deceived unwary buyers due to the similarity of typography and format....Furthermore, the paper is of poor quality and has a heavy odour, and the typography, if you examine it closely, exudes a sort of (as one might phrase it) 'Frenchiness'." He described the counterfeit's typographical errors in detail so that readers might distinguish a real Aldine from a fake. In spite of his efforts, the Lyonese printers were quick to use Manutius's critique to improve their counterfeits.
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862:, a straightforward text. During the 15th century, books were often chained to a reading platform to protect valuable property, requiring the reader to stay stationary. Publishers often added commentary to their published classics. Thus, pages became overloaded with scholarship and serious material which produced a large book that was difficult to transport. The Aldine Press removed these inconveniences; Manutius's books were "published without commentary and in smaller sizes, usually octavos of five by eight or four by six inches." His famous octavo editions are often regarded as the first prototype of the mass-market paperback.
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These woodcuts soon came to Venice and were viewed as part of the "new humanist manuscript." The woodcut images "included aspects of both continuity and discontinuity that involved the activity of
Manutius, who was called upon to wholly explicate the new potential of the printed book and deal with the crisis of the illumination." Many of the Aldine Press's publications contained illumination, but Manutius let patrons decide the illumination details while he worked to translate and publish.
457:
3871:, vol. 45, no. 24 (14 December 2023), pp. 7–9. " wanted to save the world by printing the classics.... Everywhere he looked was work and more work: corrupted manuscripts, fragments; nothing was complete, nothing was fully preserved.... As an editor, Aldus said he had to 'assume mind-set'... And yet 'I have never yet produced a book with which I felt satisfied.' ... 'I am... content to be oppressed, content to be unhappy.' A true Renaissance perfectionist....
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1054:. Torresani and Manutius were already business partners, but the marriage combined the two partners' shares in the publishing business. After the marriage, Manutius lived at Torresani's house. Shrinking in popularity, in 1506 the Aldine Press was moved to a house now covered by a bank building in the Venice square,
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1994 marked the 500th anniversary of Aldus
Manutius's first publication. On Manutius, Paul F. Grendler wrote, "Aldus ensured the survival of a large number of ancient texts and greatly facilitated the diffusion of the values, enthusiasms, and scholarship of Italian Renaissance Humanism to the rest of
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included
Manutius's privilege from the Doge of Venice indicating that any use or imitation of Manutius's Greek and Italic typefaces was forbidden. Despite trying to have the typeface protected legally, Manutius could not stop printers outside of Venice from using his work, which led to the typeface's
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by Virgil was the first completed book in italic type. A falling out between
Manutius and Griffo brought Griffo to leave and supply other publishers with the italic type originally commissioned by the Aldine Press. Griffo only made one set of punches for the Aldine Press, which were used until 1559.
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The quality and popularity of
Manutius's work made it more expensive in the 20th century than others published around the same time. In 1991, Martin Lowry found that an auction in New York took place where "initial prices of $ 6,000 – $ 8,000 and $ 8,000 – $ 12,000 were
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Before the printing press and during the
Italian Renaissance, illuminated manuscripts were individually created by a credited artist. When print publishing became popular, woodcuts were used to mass-illuminate works. The woodcuts were often reused in several editions, thereby decreasing their value.
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to provide capital letters for the Aldine Press's italic type. He died the next month, 6 February, and "with his death, the importance of Italy as a seminal and dynamic force in printing came to an end." Torresani and his two sons carried on the business during the youth of
Manutius's children, and
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Manutius did not hold the same power of innovation over Latin classics as with Greek classics because the publication of these works started 30 years before his time. To promote the Aldine editions in Latin, Manutius promoted the quality of his publications through his prefaces. Manutius was on the
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and gave him lands in Carpi. Manutius determined that Venice was the best location for his work, settling there in 1490. In Venice, Manutius began gathering publishing contracts, at which point he met Andrea
Torresano, who was also engaged in print publishing. Torresano and Manutius became lifelong
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The
Palazzo dei Pio chapel in Carpi has a painted mural that includes Aldus Manutius along with Alberto and Leonello Pio. In Bassiano, Manutius's birthplace, a monument was erected to commemorate the 450th year since Manutius's death. The inscription is Manutius's own words: "for the abundance of
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The Aldine Press produced more than 100 editions from 1495 to 1505. The majority were Greek classics, but many notable Latin and
Italian works were published as well. Aldus often produced small-format editions that were cheap and sold readily. These inexpensive books—the first paperbacks—were, as
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presumes the handwriting of scribes Pomponio Leto and Bartolomeo Sanvito was the inspiration for the typeface. Other scholars believe the first Greek typeface was derived from the handwriting of Immanuel Rhusotas, another scribe during the time of Manutius. The Aldine Press commissioned the first
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Manutius's editions of the classics were so highly respected that the dolphin-and-anchor device was almost immediately pirated by French and Italian publishers. Many modern organizations use the image of a dolphin wrapped around an anchor. The device has been used by the nineteenth-century London
205:. Manutius devoted the later part of his life to publishing and disseminating rare texts. His interest in and preservation of Greek manuscripts mark him as an innovative publisher of his age dedicated to the editions he produced. Aldus Manutius introduced the small portable book format with his
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As the Aldine Press grew in popularity, Aldine counterfeits also increased. Manutius acquired privileges for his printing press from the Venetian Senate, specifically, for "his types, his pioneering octavo format, and even individual texts." Pope Alexander VI in 1502 and Pope Julius II in 1514
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and Petrarch using Bernardo Bembo's personal manuscript collection. Pietro Bembo worked with Manutius from 1501 to 1502 to provide an accurate edition of Dante and Petrarch and also introduced punctuation. Bembo later made a diagram of sins to illustrate the 1515 Aldine edition of Dante.
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With the Aldine Press's increasing popularity, people would come to visit the shop, interrupting Manutius's work. Manutius put up a sign that read, "Whoever you are, Aldus asks you again and again what it is you want from him. State your business briefly and then immediately go away."
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scholars, in 1502 to promote Greek studies. Symonds writes that the New Academy's "rules were written in Greek, its members spoke Greek, their names were Hellenized, and their official titles were Greek." Members of the New Academy included Desiderius Erasmus, Pietro Bembo, and
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in their original Greek form were pure and unadulterated by translation. Before Manutius, publishers rarely printed volumes in Greek, mainly due to the complexity of providing a standardized Greek typeface. Manutius published rare manuscripts in their original Greek and
453:, each held fifty per cent of the press. From Torresano's fifty per cent, Manutius was given one-fifth, but accounts are unclear as to whether Manutius's one-fifth refers to ten per cent of the Aldine Press or ownership exclusively to one-fifth of Torresano's share.
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won a lawsuit against his Torresani relatives for sole ownership of Manutius' italic typeface and in 1539 led the press with the Sons of Aldus imprint alongside his brothers until his death in 1574. The publishing symbol and motto were never wholly abandoned by the
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Erasmus was impressed by Manutius; "in a long passage he extols the 'tireless efforts' of Manutius in restoring ancient learning, truly 'a Herculean task,' and he announces that 'Aldus is building up a library which has no other limits than the world itself'."
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and book design while publishing lower-cost editions. This was carried out under continual difficulties, including problems arising from strikes among his workmen, unauthorized use of Manutius's materials by rivals, and frequent interruptions by war.
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Prefatory letters, popular in first editions of Latin works years before, were also common for Aldine editions. Manutius used the Aldine editions to ask scholarly questions and provide information for his readers. In the preface of
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549:. His research using Manutius's resources and Greek scholars enabled him to expand his collection of proverbs from 819 entries to 3,260 entries. The Aldine press published this newly expanded collection of proverbs,
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who were looking for two criminals. Manutius's guide ran in fear, taking with him all of Manutius's personal effects. This suspicious activity led the guards to arrest Manutius. Manutius knew the Marquis of Mantua,
709:. He called these "Precursors of the Greek Library" because they served as guides to the Greek language. Under Manutius's supervision, the Aldine Press published 75 texts by Classical Greek and Byzantine authors.
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Before Manutius, there were fewer than ten Greek titles in print, most of which had to be imported from the Accursius Press of Milan. Only four Italian towns were authorized to produce Greek publications: Milan,
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and tutored Pico's nephews, the lords of Carpi, Alberto and Leonello Pio. While a tutor, Manutius published two works for his pupils and their mother. In his late thirties or early forties, Manutius settled in
852:, also refers to a handheld weapon, a hint that Aldus intended the books in his Portable Library to be the weapons of scholars. It was for these pocket-sized classics Aldus designed the italic font.
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to create the new typeface. The handwriting reproduced for the many Aldine Press typefaces is a topic of conflicting opinions by scholars; Symonds (1911) suggests Petrarch's handwriting, while the
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Manutius desired to "inspire and refine his readers by inundating them with Greek." He originally came to Venice because of its many Greek resources; Venice held Greek manuscripts from the time of
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Farrington, Lynne (2015). ""Though I could lead a quiet and peaceful life, I have chosen one full of toil and trouble":1 Aldus Manutius and the printing history of the Hypnerotomachia Poliphili".
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referenced Manutius while meditating on the poetic connotations of the semicolon in her Northrop Frye lecture on "Stillness" at the University of Toronto's The Centre for Comparative Literature.
1070:, and wrote letters to him to explain the situation, but it took six days until Manutius's imprisonment was brought to Gonzaga's attention. While waiting, Manutius spent five days in jail in
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Erasmus was working on. Erasmus travelled to Venice, where he spent his first ten months working at the Aldine Press. He lived in Manutius and Torresano's home, where he shared a room with
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Many scholars consider the development of the portable book as Manutius's most celebrated contribution to printing and publishing. These mobile books were the first known appearance of an
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Manutius converted to the smaller format in 1501 with the publication of Virgil. As time went on, Manutius self-advertised his portable format through the dedication pages he published.
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devoted to him. One of the novel's characters, Griffo Gerritszoon, designs a fictitious font called "Gerritszoon" that is preinstalled on every Mac, in allusion to Manutius's associate
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meaning "make haste slowly," indicating quickness combined with firmness in the execution of a great scheme. The symbol and phrase were taken from a Roman coin minted during Emperor
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let Manutius publish the missing parts of Valerius Maximus's work, which Cuspinianus "had found in a manuscript in Vienna." Francesco Negri let Manutius publish the missing text of
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In March 1506, Manutius decided to travel for six months in search of new and reliable manuscripts. While travelling with a guide, Manutius was stopped by border guards of the
1082:(after 30 March 1509) with an accompanying work by Manutius on Horatian metrics dedicated to Carles was contingent on this experience and Manutius's connection with Carles.
482:. Manutius started the first volume of his Aristotle edition in 1495. Four more volumes were published together in 1497 and 1498. The Aldine Press produced nine comedies of
387:. In Carpi, Manutius shared a close bond with his student, Alberto Pio. At the end of the 1480s, Manutius published two works addressed to his two pupils and their mother,
674:. M.J.C. Lowry, a lecturer in history at the University of Warwick, has a different view, regarding the New Academy as a hopeful dream rather than an organized institute.
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with Erasmus's translation from Greek into Latin. With the success and accuracy of their first collaboration, Manutius agreed to publish the expanded version of the
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forms. He commissioned the creation of typefaces in Greek and Latin resembling the humanist handwriting of his time; typefaces that are the first known precursor of
931:'s curator for printed books and bindings, writes that Manutius intended "to make available in type a face comfortable for its readers" with the cursive typeface.
923:. Manutius commissioned typefaces designed to look like the handwriting of humanists both in Latin and Greek in order to uphold the manuscript tradition. In the
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237:. As the Aldine Press grew in popularity, Manutius's innovations were quickly copied across Italy despite his efforts to prevent the piracy of Aldine editions.
873:. His Greek octavos were double the price at 60 soldi. For context, a master mason would earn about 50 soldi a day to make between 50 and 100 ducats a year.
662:, the Aldine Press commissioned a typeface based on classical Greek manuscripts so that readers could experience the original Greek text more authentically.
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The octavos were moderately priced considering the known average salaries of the time, but they were not cheap. Manutius priced his Latin octavos at 30
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granted Manutius printing privileges from the papacy. This did not stop Aldine Press counterfeits, as there was little penalty for piracy at the time.
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poems that Manutius published in July 1501. In addition to editing Greek manuscripts, Manutius corrected and improved texts originally published in
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Pincus, Debra (2008). "Giovanni Bellini's Humanist Signature: Pietro Bembo, Aldus Manutius and Humanism in Early Sixteenth-Century Venice".
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Greek script designed "with accents and letters cast separately and combined by the compositor." The typeface was first used in publishing
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business partners, and for their first contract together Manutius hired Torresano to print the first edition of his Latin grammar book the
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Europe". "He jettisoned commentary because he felt that it prevented the dialogue between author and reader that the Renaissance prized."
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Manutius described his new format of books as "libelli portatiles in formam enchiridii" ("portable small books in the form of a manual").
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Art of the Printed Book, 1455–1955: Masterpieces of Typograph through Five Centuries from the Collections of the Pierpont Morgan Library
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367:, Manutius was granted citizenship of the town of Carpi on 8 March 1480 where he owned local property, and in 1482 he travelled to
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1023:(1502), he argues that Heroides 17, 19, and 21 (the letters of Helen, Hero, and Cudippe, respectively) were the work of the poet
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Griffo's original italic type did not include capital letters, so many of the Aldine Press publications forwent capital letters.
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through the Aldine Press. Erasmus's original letter to Manutius inquires about the printer's proposed plans: a Greek
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Manutius spoke Greek in his household and employed thirty Greek speakers at the Aldine Press. Greek speakers from
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were written in Greek, and the prefaces to Manutius's editions were also in Greek. Manutius printed editions of
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tried to lessen Venice's influence. Manutius reappeared in 1513 with an edition of Plato that he dedicated to
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produced Greek passages but required the minimal Greek letters to be left blank and later filled in by hand.
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Partial list of Humanist authors translated and published by the Aldine Press under Manutius's supervision:
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574:, and other Greek collaborators to translate for the Aldine Press. He published an edition of minor Greek
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bible. Through correspondence, the two came to an agreement. In December 1507, the Aldine Press published
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Because of the Aldine Press's growing reputation for meticulous, accurate publications, Dutch philosopher
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Bible but never saw it come to fruition. However, before his death Manutius had begun an edition of the
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by Constantine Lascaris in 1495. The Roman typeface was finished later the same year and Pietro Bembo's
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to become a print publisher. He met Andrea Torresano in Venice and the two co-founded the Aldine Press.
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3905:"Aldo Manuzio a Los Angeles. La collezione Ahmanson-Murphy all'University of California Los Angeles"
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A partial list of works translated and published by the Aldine Press under Manutius's supervision.
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and was produced in higher-than-normal print runs (1,000 rather than the usual 200 to 500 copies).
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lookout for rare manuscripts, but often found instead missing parts of previously published works.
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Manutius attempted to discourage piracy with blunt warnings at the end of his publications, as in
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is used as the name of the fictional corporation that owns and markets the "Gerritszoon" font.
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book. He also helped to standardize use of punctuation including the comma and the semicolon.
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in 1496, which was the Aldine Press's first Latin publication by a contemporary author. The
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Manutius is also known as "Aldus Manutius the Elder" to distinguish him from his grandson,
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and their calligraphy was a model for the casts used for Greek type. Instructions for
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3430:. Self-Publishing Review: Professional book reviews and editorial services since 2008
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Annales de l'imprimerie des Alde, ou Histoire des trois Manuce et de leurs éditions
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3613:. Central Rappahannock Regional Library Inspiring Lifelong Learning. Archived from
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Print culture in Renaissance Italy: The editor and the vernacular text, 1470–1600
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While publishing Greek manuscripts, Manutius founded the New Academy, a group of
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Giovanni Pico and Alberto Pio's families funded the starting costs of Manutius's
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Bust of Aldo Manuzio. Panteon Veneto; Istituto Veneto di Scienze, Lettere ed Arti
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Lyons, Martyn. 2011. Books: a living history. Los Angeles: J. Paul Getty Museum.
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3738:. Vol. 17 (11th ed.). Cambridge University Press. pp. 624–626.
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The World of Aldus Manutius: Business and Scholarship in Renaissance Venice
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features a fictionalized version of Aldus Manutius, as well as a fictional
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until the expiration of their firm in its third generation of operation by
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authors. Manutius launched Pietro Bembo's career as a writer by publishing
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and was home to a large cluster of Greek scholars who travelled there from
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Barker, Nicolas (2016). "A Manuscript Made For Pier Francesco Barbarigo".
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in June 1502. The dolphin-and-anchor symbol is associated with the phrase
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3634:"A Tribute to the Printer Aldus Manutius, and the Roots of the Paperback"
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Nicholas Jenson and the Rise of Venetian Publishing in Renaissance Europe
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832:. The international honour society for library and information science,
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Manutius adopted the image of a dolphin wrapped around an anchor as his
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Five Centuries Later. Aldus Manutius: Culture, Typography and Philology
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The Afterlife of Aldus: Posthumous Fame, Collectors and the Book Trade.
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and was used by Manutius until 1501. Five italic words were printed in
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The press's first great achievement was a five-volume folio edition of
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2193:(in Italian). Vol. 96. Rome: Istituto dell'Enciclopedia Italiana.
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good books which, we hope, will finally put to flight all ignorance."
658:, in 1468, donated his large Greek manuscript collection. To preserve
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In 1505, Manutius married Maria, the daughter of Andrea Torresani of
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Eats, Shoot & Leaves: The Zero Tolerance Approach to Punctuation
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Manutius and Griffo's original typeface is the first known model of
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1265:"Manuzio" ("Manutius" in the English translation) is the name of a
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in a preface that compares the miseries of warfare and the woes of
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Student Publications Spotlight: Aldus Journal of Translation 2016
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between 1449 and 1452. He grew up in a wealthy family during the
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The Greek Editions of Aldus Manutius And His Greek Collaborators
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The Evolution of Type: A Graphic Guide to 100 Landmark Typefaces
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Olin, John C. (1994). "Chapter 3: Erasmus and Aldus Manutius.".
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Along with Greek classics, the Aldine Press published Latin and
379:. Pico recommended Manutius to become the tutor of his nephews,
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3702:"Student Publications Spotlight: Aldus Journal of Translation"
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Partial list of Latin editions published during his lifetime:
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Most of Manutius's early life is rather unknown. According to
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with the sublime and tranquil objects of the student's life.
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Warburg Institute colloquia, 32. London: Warburg Institute.
3574:. San Francisco Bay Cities Club of Printing House Craftsman.
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Manutius's name is the inspiration for Progetto Manuzio, an
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and another night in Canneto. He was eventually released by
391:—both works were published in Venice by Baptista de Tortis:
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Aldus Manutius: Printer and publisher of Renaissance Venice
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In Aedibus Aldi: The Legacy of Aldus Manutius and His Press
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was named after Aldus Manutius and dedicated to his memory.
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3504:"The 'New Academy' of Aldus Manutius: a Renaissance dream"
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Deconstructing Bembo: Typographic Beauty and Bloody Murder
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1228:, a software company founded in Seattle in 1985 known for
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3939:(in French) (3rd ed.). A Paris: chez Jules Renouard.
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A Dictionary of English Manuscript Terminology 1450–2000
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for a time with his longtime friend and fellow student,
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in the early 1470s. From 1475 to 1478, Manutius studied
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texts for his readers because he believed that works by
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Manutius wrote his will on 16 January 1515 instructing
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3509:. Bulletin of the John Rylands Library. Archived from
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was the first book published in the new Roman script.
3704:. Brown University: Office of Global Engagement. 2016
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2490:
2466:
2451:
2299:
2289:
2287:
2272:
2260:
2127:
1302:
Greek editions published during Manutius's lifetime:
1094:, Manutius's son, born 1512, took over the business.
820:'s reign that was given to Manutius by Pietro Bembo.
174:
3339:
3130:
3002:
2918:
2906:
2894:
2807:
2783:
2738:
2666:
2478:
2403:
2379:
2317:
2254:
2242:
2160:
2088:
1998:
Urania, Meteora, The Gardens of the Hesperides, etc.
1992:
The Land and Customs of the Zygians call Circassians
731:
hired the Aldine Press to produce accurate texts of
3142:
2825:
2115:
244:sought out Manutius to publish his translations of
156:
150:
3819:Aldus Manutius: A Legacy More Lasting than Bronze.
3817:Clemons, G. Scott, and H. George Fletcher.(2015).
3079:
2284:
2221:
509:suspended the press for a time. During that time,
257:to become a humanist scholar. He was friends with
2026:, Desiderius Erasmus Roterodamus (September 1508)
1356:Thesaurus, Corn of Amalthea and Gardens of Adones
563:along with many other Aldine Press publications.
4031:
3382:Aldus Manutius A Legacy More Lasting than Bronze
2594:
1172:started at $ 25,000 – $ 30,000."
3801:Aldus Manutius: Humanism and the Latin Classics
3610:Mr. Penumbra's 24-Hour Bookstore by Robin Sloan
3447:Aldus Manutius: Humanism and the Latin Classics
3379:
3214:
3112:
2882:
2870:
2855:
2843:
2795:
2588:
2513:
2356:
2344:
886:, an illustrated book printed by Aldus Manutius
836:, uses the dolphin and anchor as its insignia.
3855:Aldus Manutius: The Invention of the Publisher
3459:Aldus Manutius: Humanist, Teacher, and Printer
1421:Epistolae diversorum philosophorum oratorum...
1262:to Aldus Manutius and San Francisco to Venice.
898:copy of the Aldine Vergil of 1501, printed on
513:asked Manutius to publish his translations of
321:and in his youth was sent to Rome to become a
3747:. The Source of the Originals. Archived from
2069:Magazine, Smithsonian; Nadeau, Barbie Latza.
1535:Commentary on Aristotle's Posterior Analytics
712:
582:(1509). Printing work halted again while the
27:Italian printer and humanist (1449/1452–1515)
3412:
3401:
3166:
3061:
2990:
2966:
2771:
2732:
2720:
2696:
2684:
2660:
2648:
2561:
2549:
2537:
2215:
2203:
2172:
2109:
3572:John Henry Nash: The Aldus of San Francisco
3423:
3350:
3184:
2573:
1256:John Henry Nash: The Aldus of San Francisco
3943:
3631:
3368:
3026:
3014:
2708:
2068:
987:
42:
3965:
3849:, "Case-endings and Calamity" (review of
3832:Kray, Jill and Paolo Sachet, eds. (2018)
3632:Schuessler, Jennifer (26 February 2015).
3569:
3208:
1944:Instructional Principles of Latin Grammar
383:and Leonello Pio, princes of the town of
313:Aldus Manutius was born close to Rome in
3929:
3798:
3455:
3317:
3124:
3073:
3051:– via Taylor & Francis Online.
2954:
2636:
2433:
2397:
2184:
2094:
1537:, Ioannes Grammaticus (Philoponus), 1504
1457:Poetae Christiani Veteres, second volume
1034:
889:
875:
788:
455:
304:
275:
4075:Italian typographers and type designers
4005:Exhibit on Aldus Manutius and his press
3785:
3718:
3679:
3551:
3471:Pietro Bembo: Lover, linguist, cardinal
3468:
3252:
3148:
2460:
2373:
2332:
2148:
1666:, Julius Firmicus, October 1499. &
1451:Poetae Christiani Veteres, first volume
471:); shown here is the first page of the
399:(March/May 1487 to March 1491) and the
14:
4032:
3881:
3772:
3658:
3591:
3309:Aldus Manutius: The making of the myth
3306:
3097:
2820:Angerhofer, Maxwell & Maxwell 1995
2759:
2747:
2622:Angerhofer, Maxwell & Maxwell 1995
2526:Angerhofer, Maxwell & Maxwell 1995
2472:
2121:
911:Everyday handwriting in Venice was in
3954:
3902:
3530:
3501:
3490:
3479:
3444:
3284:Angerhofer; Maxwell; Maxwell (1995).
3267:
3136:
2978:
2942:
2930:
2831:
2672:
2501:
2484:
2445:
2421:
2409:
2385:
2071:"The Man Who Changed Reading Forever"
1978:, Aldus Manutius (February–June 1501)
1624:, Alexander of Aphrodisias, 1513/1514
1622:Commentary On the Topics of Aristotle
1126:, the first-ever to be published; it
793:Imprint of Aldus Manutius, in Bembo,
375:, where he stayed two years to study
3580:
3328:
3085:
2600:
2305:
2293:
2278:
2266:
2227:
2191:Dizionario Biografico degli Italiani
1582:Greek Orators (2 volumes), 1508–1509
1332:Epitome of the Eight Parts of Speech
1004:Illuminated manuscripts and prefaces
800:
751:The press printed first editions of
555:, in 1508. After the publication of
463:printed by Aldus Manutius, 1495–98 (
435:Erotemata cum interpretatione Latina
4095:15th-century Italian businesspeople
4090:Italian businesspeople in retailing
3413:Fletcher III, Harry George (1988).
3402:Fletcher III, Harry George (1995).
3390:
3352:"Beta Phi Mu Honor Society Website"
3220:
3100:The Library: An Illustrated History
1133:
627:, and they only published works by
24:
4080:People from the Province of Latina
3765:
3473:. McGill-Queen's University Press.
3342:Aldo Manuzio Renaissance in Venice
3161:TYPE GALLERY – LINOTYPE ALDUS 2018
3102:. Skyhorse Publishing. p. 74.
1994:, Giorgio Interiano (October 1502)
601:Manutius strove for excellence in
253:In his youth, Manutius studied in
25:
4106:
3986:
3583:Erasmus, Utopia & the Jesuits
1933:
1653:
1465:, Constantine Lascaris, 1501–1503
1398:Prolegomena to the Deipnosophists
1380:Institutiones Graecae Grammatices
1297:
850:A Legacy More Lasting than Bronze
609:
3992:
3878:Make haste slowly." (p. 8.)
3644:from the original on 30 May 2018
3606:
3462:. The John Carter Brown Library.
3172:
3003:Beltramini & Gasparotto 2016
2919:Beltramini & Gasparotto 2016
2907:Beltramini & Gasparotto 2016
2895:Beltramini & Gasparotto 2016
2808:Beltramini & Gasparotto 2016
2784:Beltramini & Gasparotto 2016
2318:Beltramini & Gasparotto 2016
2255:Beltramini & Gasparotto 2016
2243:Beltramini & Gasparotto 2016
2161:Beltramini & Gasparotto 2016
1481:History of the Peloponnesian War
1251:, is named after Aldus Manutius.
1202:Mr. Penumbra's 24-Hour Bookstore
1030:
880:A page from Francesco Colonna's
146:
3966:Vacalebre, Natale, ed. (2018).
3745:"TYPE GALLERY – LINOTYPE ALDUS"
3340:Beltramini; Gasparotto (2016).
3226:
3091:
3020:
2606:
2051:
1946:, Aldus Manutius (5 March 1493)
1880:On the Meaning of Archaic Words
1289:
578:(1508) and the lesser works of
418:
3373:. The Pierpont Morgan Library.
2178:
2062:
1570:, Quintus Smyrnaeus, 1504–1505
1416:Catalogues of Aldus's editions
465:Libreria antiquaria Pregliasco
280:Aldus Manutius, pictured with
13:
1:
4060:Italian Renaissance humanists
3948:. Cambridge University Press.
3041:10.1080/02666286.2015.1023076
1549:, Gregorius Nazianzenus, 1504
1185:free text project similar to
1175:
1168:in Jenson's editions: Aldus'
1128:appeared posthumously in 1518
984:popularity outside of Italy.
839:
415:, published on 9 March 1493.
373:Giovanni Pico della Mirandola
300:
191:
65:
4055:16th-century Venetian people
4050:15th-century Venetian people
3821:New York: The Grolier Club.
3803:. Harvard University Press.
3417:. Bernard M. Rosenthal, Inc.
2056:
1952:, Lorenzo Maioli (July 1497)
1853:Horace (after 30 March 1509)
1543:, Flavius Philostratus, 1504
1245:Aldus Journal of Translation
977:The 1502 publication of the
906:
7:
4070:Italian publishers (people)
3585:. Fordham University Press.
3495:. Cornell University Press.
3449:. Harvard University Press.
3404:In praise of Aldus Manutius
3369:Blumenthal, Joseph (1973).
3113:Clemons & Fletcher 2015
2883:Clemons & Fletcher 2015
2871:Clemons & Fletcher 2015
2856:Clemons & Fletcher 2015
2844:Clemons & Fletcher 2015
2796:Clemons & Fletcher 2015
2589:Clemons & Fletcher 2015
2514:Clemons & Fletcher 2015
2357:Clemons & Fletcher 2015
2345:Clemons & Fletcher 2015
1541:Life of Apollonius of Tyana
1471:, Stephanus Byzantius, 1502
1441:, Nonnus of Panopolis, 1501
927:Harry George Fletcher III,
216:Manutius wanted to produce
10:
4111:
4011:, Brigham Young University
3944:Richardson, Brian (1994).
3857:, Reaktion, October 2023,
3776:Stampa e Cultura in Europa
3424:Friedlander, Joel (2009).
3380:Clemons; Fletcher (2015).
3333:. Oxford University Press.
3276:
1976:Rudiments of Latin Grammar
1463:De octo partibus orationis
1148:ever, a boon to scholars.
1118:, also known as the Greek
1105:Aldus Manutius the Younger
934:Manutius commissioned the
869:, which was a fourth of a
778:. The 1501 publication of
713:Latin and Italian classics
422:
271:Aldus Manutius the Younger
48:Manutius, illustration in
3786:Calasso, Roberto (2015).
3773:Braida, Lodovica (2003).
3570:O'day, Edward F. (1928).
3290:. Harold B. Lee Library.
2185:Pignatti, Franco (2019).
1756:Christian Poets, Volume 2
1680:Christian Poets, Volume 1
1670:, Manilius (October 1499)
1382:, U. Bolzanius, 1497/1498
1142:
883:Hypnerotomachia Poliphili
769:Hypnerotomachia Poliphili
413:Institutiones grammaticae
337:and attended lectures by
125:
114:
106:
88:
57:
41:
34:
3886:. J. Paul Getty Museum.
3799:Manutius, Aldus (2017).
3789:The Art of the Publisher
3680:Staikos, K. Sp. (2016).
3320:Aldus and His Dream Book
3318:Barolini, Helen (1992).
1928:Lucretius (January 1515)
1513:, Ammonius Hermiae, 1503
1326:Rules of the New Academy
1170:Hypnerotomachia Polifili
1039:Aldo Manuzio (left) and
660:ancient Greek literature
654:. Venice was also where
443:Pier Francesco Barbarigo
397:Epistola Catherinae Piae
135:Founding the New Academy
110:Aldus Manutius the Elder
50:Vita di Aldo Pio Manuzio
4024:Works by Aldus Manutius
4015:Works by Aldus Manutius
3882:Martin, Davies (1995).
3735:Encyclopædia Britannica
3720:Symonds, John Addington
3533:Books: A Living History
3469:Kidwell, Carol (2004).
3456:Grendler, Paul (1984).
3445:Grant, John N. (2017).
3395:. Secker & Warburg.
3098:Murray, Stuart (2009).
1950:Gleanings in Dialectics
1493:Historiarum libri novem
1352:, Theocritus, 1495–1496
988:Counterfeits and piracy
969:in 1500 and in 1501 an
929:Pierpont Morgan Library
441:. Andrea Torresano and
363:Encyclopædia Britannica
4085:Printers of incunabula
3903:Nuovo, Angela (2016).
3868:London Review of Books
3743:Zapf, Hermann (2018).
3535:. Getty Publications.
3531:Lyons, Martyn (2011).
3502:Lowry, M.J.C. (1976).
3491:Lowry, Martin (1979).
3484:. Basil Blackwell Inc.
3480:Lowry, Martin (1991).
1840:Vergil (December 1505)
1827:, Ovid (February 1503)
1811:, Ovid (December 1502)
1648:, Aldus Manutius, 1515
1594:, M. Chrysoloras, 1512
1499:Tragoediae septendecim
1346:, Theodorus Gaza, 1495
1192:A typeface created by
1110:Manutius dreamed of a
1047:
998:Sylvarum libri quinque
967:St. Catherine of Siena
903:
887:
797:
782:introduced the use of
475:
358:John Addington Symonds
310:
297:
187:
4009:Harold B. Lee Library
3921:10.4403/jlis.it-11426
3659:Seddon, Tony (2015).
3391:Eco, Umberto (1989).
1925:Vergil (October 1514)
1894:, Cicero (March 1514)
1529:Anthology of Epigrams
1477:, Julius Pollux, 1502
1247:, a publication from
1038:
893:
879:
792:
681:prepared and proofed
572:Ioannis Grigoropoulos
543:Adagiorum collectanea
459:
308:
279:
4001:at Wikimedia Commons
3955:Truss, Lynn (2004).
3594:Artibus et Historiae
3329:Beal, Peter (2011).
2552:, pp. 7, 43–59.
2218:, pp. 3, 40–41.
2075:Smithsonian Magazine
1882:, Festus (June 1513)
1876:, Cicero (June 1513)
1837:(after 4 April 1503)
1412:, Aristophanes, 1498
1370:, I. Crastonus, 1497
1368:Dictionarium Graecum
1364:, Theophrastus, 1497
1160:quotes on copies of
1063:Marquisate of Mantua
896:John Rylands Library
439:Constantine Lascaris
121:, printer, publisher
119:Renaissance humanist
4040:15th-century births
3931:Renouard, Ant. Aug.
3684:. Oak Knoll Press.
3555:. Liber Liber. 2018
3393:Foucault's pendulum
3384:. The Grolier Club.
3344:. Marsilio Editori.
3311:. Marsilio Editori.
3270:, pp. ix–viii.
3255:, pp. 113–115.
2448:, pp. 378–420.
2187:"Torresano, Andrea"
2024:Adagiorum Chiliades
1612:Greek Orators, 1513
1600:, C. lascaris, 1512
1558:, Demosthenes, 1504
1531:, M. Planudes, 1503
1429:, Dioscorides, 1499
1374:Hours of the Virgin
1276:Foucault's Pendulum
925:New Aldine Studies,
699:Musaeus Grammaticus
566:Manutius relied on
557:Adagiorum Chiliades
552:Adagiorum Chiliades
473:Posterior Analytics
319:Italian Renaissance
142:Aldus Pius Manutius
3751:on 25 January 2023
3617:on 25 October 2017
3415:New Aldine Studies
2012:Adriano Castellesi
1986:Gianfrancesco Pico
1562:Horae in Laudem...
1547:Carmina ad bene...
1511:De interpretatione
1483:, Thucydides, 1502
1404:Nicomachean Ethics
1392:History of animals
1362:Historia Plantarum
1316:, Musaeus, c. 1495
1048:
947:New Aldine Studies
919:or the humanistic
904:
888:
807:publisher's device
798:
672:Scipio Fortiguerra
656:Cardinal Bessarion
535:Iphigenia in Aulis
522:Iphigenia in Aulis
511:Desiderius Erasmus
507:Second Italian War
476:
451:Agostino Barbarigo
311:
298:
247:Iphigenia in Aulis
100:Republic of Venice
3997:Media related to
3842:978-1-908590-55-8
3827:978-1-6058-3061-2
3663:. Firefly Books.
3406:. Morgan Library.
3127:, pp. 15–16.
3076:, pp. 22–24.
3062:Fletcher III 1988
2991:Fletcher III 1988
2981:, pp. 85–88.
2967:Fletcher III 1988
2897:, pp. 91–92.
2810:, pp. 84–85.
2772:Fletcher III 1988
2762:, pp. 81–86.
2733:Fletcher III 1988
2721:Fletcher III 1988
2699:, pp. 77–82.
2697:Fletcher III 1988
2687:, pp. 88–91.
2685:Fletcher III 1988
2661:Fletcher III 1988
2649:Fletcher III 1988
2562:Fletcher III 1988
2550:Fletcher III 1995
2538:Fletcher III 1995
2436:, pp. 13–14.
2424:, pp. 72–73.
2400:, pp. 12–14.
2347:, pp. 55–70.
2335:, pp. 59–64.
2308:, pp. 47–52.
2281:, pp. 46–47.
2269:, pp. 39–44.
2216:Fletcher III 1988
2204:Fletcher III 1988
2173:Fletcher III 1988
2110:Fletcher III 1988
2004:(May–August 1505)
1848:Pliny the Younger
1740:Letter to Friends
1642:, Athenaeus, 1514
1636:, Hesychius, 1514
1607:Orators' Speeches
1501:, Euripides, 1503
1495:, Herodotus, 1502
1489:, Sophocles, 1502
1427:De materia medica
1406:, Aristotle, 1498
1400:, Athenaeus, 1498
1394:, Aristotle, 1497
1388:, Aristotle, 1497
1340:, Aristotle, 1495
1226:Aldus Corporation
1187:Project Gutenberg
1087:Giulio Campagnola
1068:Francesco Gonzaga
1045:Bernardino Loschi
902:and hand-coloured
826:William Pickering
801:Imprint and motto
764:Francesco Colonna
755:collected works,
639:. Venice printer
584:League of Cambrai
547:Girolamo Aleandro
393:Musarum Panagyris
360:, writing in the
339:Domizio Calderini
335:Gaspare da Verona
139:
138:
16:(Redirected from
4102:
4065:Italian printers
3996:
3981:
3960:
3949:
3940:
3924:
3897:
3863:978 1 78914 7797
3814:
3793:
3780:
3760:
3758:
3756:
3739:
3727:
3725:"Manutius"
3713:
3711:
3709:
3695:
3674:
3653:
3651:
3649:
3626:
3624:
3622:
3601:
3586:
3575:
3564:
3562:
3560:
3546:
3525:
3523:
3521:
3516:on 10 March 2022
3515:
3508:
3496:
3485:
3474:
3463:
3450:
3439:
3437:
3435:
3418:
3407:
3396:
3385:
3374:
3363:
3361:
3359:
3345:
3334:
3323:
3322:. Italica Press.
3312:
3301:
3271:
3265:
3256:
3250:
3244:
3243:
3230:
3224:
3218:
3212:
3206:
3200:
3194:
3188:
3185:Friedlander 2009
3182:
3176:
3170:
3164:
3158:
3152:
3146:
3140:
3134:
3128:
3122:
3116:
3110:
3104:
3103:
3095:
3089:
3083:
3077:
3071:
3065:
3059:
3053:
3052:
3029:Word & Image
3024:
3018:
3012:
3006:
3000:
2994:
2993:, pp. 7–13.
2988:
2982:
2976:
2970:
2964:
2958:
2952:
2946:
2940:
2934:
2928:
2922:
2916:
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2898:
2892:
2886:
2880:
2874:
2868:
2859:
2853:
2847:
2841:
2835:
2829:
2823:
2817:
2811:
2805:
2799:
2793:
2787:
2781:
2775:
2769:
2763:
2757:
2751:
2745:
2736:
2730:
2724:
2718:
2712:
2706:
2700:
2694:
2688:
2682:
2676:
2670:
2664:
2658:
2652:
2646:
2640:
2634:
2625:
2619:
2613:
2610:
2604:
2598:
2592:
2586:
2577:
2574:Beta Phi Mu 2018
2571:
2565:
2559:
2553:
2547:
2541:
2535:
2529:
2528:, pp. 5–14.
2523:
2517:
2511:
2505:
2499:
2488:
2482:
2476:
2470:
2464:
2458:
2449:
2443:
2437:
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2419:
2413:
2407:
2401:
2395:
2389:
2383:
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2354:
2348:
2342:
2336:
2330:
2321:
2315:
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2276:
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2264:
2258:
2252:
2246:
2240:
2231:
2225:
2219:
2213:
2207:
2201:
2195:
2194:
2182:
2176:
2170:
2164:
2158:
2152:
2146:
2125:
2119:
2113:
2107:
2098:
2092:
2086:
2085:
2083:
2081:
2066:
2046:(September 1514)
2044:Jacopo Sannazaro
2014:(September 1505)
2002:Giovanni Pontano
1960:Angelo Poliziano
1892:Rhetorical Works
1871:and his brother
1780:Valerius Maximus
1692:John of Damascus
1588:, Plutarch, 1509
1525:, Xenophon, 1503
1334:, Lascaris, 1495
1314:Hero and Leander
1267:vanity publisher
1249:Brown University
1215:Francesco Griffo
1134:Modern influence
1122:translated from
939:Francesco Griffo
705:, and the Greek
695:Hero and Leander
445:, nephew of the
377:Greek literature
365:Eleventh Edition
353:as his teacher.
351:Battista Guarino
323:humanist scholar
201:who founded the
196:
195: 1449/1452
193:
188:Aldo Pio Manuzio
181:
180:
177:
176:
173:
170:
167:
164:
161:
158:
155:
152:
107:Other names
70:
69: 1449/1452
67:
46:
32:
31:
21:
4110:
4109:
4105:
4104:
4103:
4101:
4100:
4099:
4030:
4029:
3989:
3984:
3978:
3959:. Gotham Books.
3894:
3811:
3768:
3766:Further reading
3763:
3754:
3752:
3707:
3705:
3692:
3671:
3647:
3645:
3620:
3618:
3558:
3556:
3543:
3519:
3517:
3513:
3506:
3433:
3431:
3357:
3355:
3298:
3279:
3274:
3266:
3259:
3251:
3247:
3232:
3231:
3227:
3219:
3215:
3207:
3203:
3195:
3191:
3183:
3179:
3171:
3167:
3159:
3155:
3147:
3143:
3135:
3131:
3123:
3119:
3111:
3107:
3096:
3092:
3084:
3080:
3072:
3068:
3060:
3056:
3025:
3021:
3015:Blumenthal 1973
3013:
3009:
3001:
2997:
2989:
2985:
2977:
2973:
2969:, pp. 1–8.
2965:
2961:
2953:
2949:
2945:, p. xxiv.
2941:
2937:
2933:, p. xvii.
2929:
2925:
2917:
2913:
2905:
2901:
2893:
2889:
2881:
2877:
2869:
2862:
2854:
2850:
2842:
2838:
2830:
2826:
2818:
2814:
2806:
2802:
2794:
2790:
2782:
2778:
2774:, pp. 2–5.
2770:
2766:
2758:
2754:
2746:
2739:
2731:
2727:
2719:
2715:
2709:Schuessler 2015
2707:
2703:
2695:
2691:
2683:
2679:
2671:
2667:
2659:
2655:
2651:, pp. 4–5.
2647:
2643:
2635:
2628:
2620:
2616:
2611:
2607:
2599:
2595:
2587:
2580:
2572:
2568:
2564:, pp. 4–7.
2560:
2556:
2548:
2544:
2536:
2532:
2524:
2520:
2512:
2508:
2504:, p. xxii.
2500:
2491:
2483:
2479:
2471:
2467:
2459:
2452:
2444:
2440:
2432:
2428:
2420:
2416:
2408:
2404:
2396:
2392:
2384:
2380:
2372:
2363:
2355:
2351:
2343:
2339:
2331:
2324:
2316:
2312:
2304:
2300:
2292:
2285:
2277:
2273:
2265:
2261:
2253:
2249:
2241:
2234:
2226:
2222:
2214:
2210:
2202:
2198:
2183:
2179:
2175:, pp. 1–3.
2171:
2167:
2159:
2155:
2147:
2128:
2120:
2116:
2108:
2101:
2093:
2089:
2079:
2077:
2067:
2063:
2059:
2054:
2049:
1970:Niccolò Perotti
1936:
1931:
1888:(December 1513)
1850:(November 1508)
1722:(December 1501)
1676:(December 1500)
1656:
1651:
1579:, Erasmus, 1508
1300:
1292:
1178:
1162:Decor Puellarum
1145:
1136:
1076:Geoffroy Carles
1041:Alberto III Pio
1033:
1006:
990:
909:
848:, described in
842:
803:
746:Julius Firmicus
715:
612:
427:
421:
303:
194:
149:
145:
134:
102:
93:
92:6 February 1515
84:
71:
68:
64:
63:
53:
37:
28:
23:
22:
15:
12:
11:
5:
4108:
4098:
4097:
4092:
4087:
4082:
4077:
4072:
4067:
4062:
4057:
4052:
4047:
4042:
4028:
4027:
4026:at Archive.org
4021:
4012:
4002:
3999:Aldus Manutius
3988:
3987:External links
3985:
3983:
3982:
3976:
3962:
3961:
3951:
3950:
3941:
3926:
3925:
3899:
3898:
3892:
3879:
3847:Maglaque, Erin
3844:
3830:
3815:
3809:
3795:
3794:
3782:
3781:
3769:
3767:
3764:
3762:
3761:
3740:
3730:Chisholm, Hugh
3715:
3714:
3697:
3696:
3690:
3676:
3675:
3669:
3655:
3654:
3638:New York Times
3628:
3627:
3603:
3602:
3588:
3587:
3577:
3576:
3566:
3565:
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3225:
3213:
3201:
3189:
3177:
3165:
3153:
3141:
3139:, p. 137.
3129:
3117:
3115:, p. 320.
3105:
3090:
3078:
3066:
3054:
3019:
3007:
3005:, p. 131.
2995:
2983:
2971:
2959:
2947:
2935:
2923:
2921:, p. 102.
2911:
2899:
2887:
2885:, p. 142.
2875:
2873:, p. 146.
2860:
2858:, p. 144.
2848:
2846:, p. 141.
2836:
2824:
2812:
2800:
2788:
2786:, p. 160.
2776:
2764:
2752:
2737:
2725:
2713:
2701:
2689:
2677:
2675:, p. 142.
2665:
2653:
2641:
2626:
2614:
2605:
2593:
2578:
2566:
2554:
2542:
2530:
2518:
2516:, p. 102.
2506:
2489:
2487:, p. 223.
2477:
2475:, p. 100.
2465:
2450:
2438:
2426:
2414:
2412:, p. 177.
2402:
2390:
2388:, p. 183.
2378:
2376:, p. 625.
2361:
2349:
2337:
2322:
2310:
2298:
2283:
2271:
2259:
2257:, p. 127.
2247:
2245:, p. 295.
2232:
2220:
2208:
2196:
2177:
2165:
2163:, p. 157.
2153:
2151:, p. 624.
2126:
2114:
2099:
2087:
2060:
2058:
2055:
2053:
2050:
2048:
2047:
2037:
2036:(January 1513)
2034:Ercole Strozzi
2027:
2015:
2005:
1995:
1989:
1982:On Imagination
1979:
1973:
1963:
1956:Complete Works
1953:
1947:
1940:
1935:
1934:Humanist works
1932:
1930:
1929:
1926:
1923:
1917:
1898:On Agriculture
1895:
1889:
1883:
1877:
1860:
1854:
1851:
1841:
1838:
1828:
1812:
1807:Remedia amoris
1805:, Ars amandi,
1795:
1794:(October 1502)
1783:
1782:(October 1502)
1777:
1771:
1753:
1747:
1737:
1736:(January 1502)
1723:
1717:
1707:
1701:
1695:
1694:(January 1501)
1677:
1671:
1660:
1655:
1654:Latin classics
1652:
1650:
1649:
1643:
1640:Deipnosophists
1637:
1631:
1625:
1619:
1616:Complete works
1613:
1610:
1604:
1601:
1595:
1589:
1583:
1580:
1574:
1571:
1565:
1559:
1553:
1550:
1544:
1538:
1532:
1526:
1520:
1519:, Ulpian, 1503
1514:
1508:
1507:, Lucian, 1503
1505:Complete works
1502:
1496:
1490:
1484:
1478:
1472:
1466:
1460:
1454:
1448:
1442:
1436:
1435:, Aratus, 1499
1430:
1424:
1418:
1413:
1407:
1401:
1395:
1389:
1383:
1377:
1371:
1365:
1359:
1353:
1347:
1341:
1335:
1329:
1323:
1317:
1311:
1310:, c. 1494–1495
1308:Galeomyomachia
1304:
1299:
1298:Greek editions
1296:
1291:
1288:
1287:
1286:
1280:
1263:
1252:
1241:
1222:
1211:secret society
1197:
1190:
1177:
1174:
1144:
1141:
1135:
1132:
1032:
1029:
1005:
1002:
989:
986:
921:littera antica
908:
905:
841:
838:
802:
799:
772:, and Dante's
757:Pietro Bembo's
714:
711:
703:Galeomyomachia
648:Constantinople
611:
610:Greek classics
608:
568:Marcus Musurus
537:in an 80-page
423:Main article:
420:
417:
408:printing press
302:
299:
286:Pequot Library
282:William Caxton
137:
136:
127:
126:Known for
123:
122:
116:
112:
111:
108:
104:
103:
94:
90:
86:
85:
72:
61:
59:
55:
54:
47:
39:
38:
36:Aldus Manutius
35:
26:
9:
6:
4:
3:
2:
4107:
4096:
4093:
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4088:
4086:
4083:
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4066:
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4058:
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4022:
4020:
4016:
4013:
4010:
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3991:
3990:
3979:
3977:9788822266019
3973:
3969:
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3927:
3922:
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3910:
3906:
3901:
3900:
3895:
3893:9780892363445
3889:
3885:
3880:
3877:
3875:
3874:Festina lente
3870:
3869:
3864:
3860:
3856:
3852:
3851:Oren Margolis
3848:
3845:
3843:
3839:
3835:
3831:
3828:
3824:
3820:
3816:
3812:
3810:9780674971639
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3717:
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3699:
3698:
3693:
3691:9781584563426
3687:
3683:
3678:
3677:
3672:
3670:9781770855045
3666:
3662:
3657:
3656:
3643:
3639:
3635:
3630:
3629:
3616:
3612:
3611:
3607:Sais, Mercy.
3605:
3604:
3600:(58): 89–119.
3599:
3595:
3590:
3589:
3584:
3579:
3578:
3573:
3568:
3567:
3554:
3550:
3549:
3544:
3542:9781606060834
3538:
3534:
3529:
3528:
3512:
3505:
3500:
3499:
3494:
3489:
3488:
3483:
3478:
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3442:
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3428:
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3405:
3400:
3399:
3394:
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3377:
3372:
3367:
3366:
3353:
3349:
3348:
3343:
3338:
3337:
3332:
3327:
3326:
3321:
3316:
3315:
3310:
3305:
3304:
3299:
3297:9780842523295
3293:
3289:
3288:
3282:
3281:
3269:
3264:
3262:
3254:
3249:
3241:
3240:
3235:
3229:
3222:
3217:
3210:
3205:
3198:
3193:
3186:
3181:
3174:
3169:
3162:
3157:
3150:
3145:
3138:
3133:
3126:
3125:Barolini 1992
3121:
3114:
3109:
3101:
3094:
3088:, p. 45.
3087:
3082:
3075:
3074:Grendler 1984
3070:
3063:
3058:
3050:
3046:
3042:
3038:
3035:(2): 88–101.
3034:
3030:
3023:
3017:, p. 11.
3016:
3011:
3004:
2999:
2992:
2987:
2980:
2975:
2968:
2963:
2957:, p. 84.
2956:
2955:Barolini 1992
2951:
2944:
2939:
2932:
2927:
2920:
2915:
2909:, p. 92.
2908:
2903:
2896:
2891:
2884:
2879:
2872:
2867:
2865:
2857:
2852:
2845:
2840:
2834:, p. 78.
2833:
2828:
2822:, p. 49.
2821:
2816:
2809:
2804:
2798:, p. 90.
2797:
2792:
2785:
2780:
2773:
2768:
2761:
2756:
2750:, p. 81.
2749:
2744:
2742:
2735:, p. 77.
2734:
2729:
2722:
2717:
2710:
2705:
2698:
2693:
2686:
2681:
2674:
2669:
2663:, p. 88.
2662:
2657:
2650:
2645:
2639:, p. 22.
2638:
2637:Grendler 1984
2633:
2631:
2623:
2618:
2609:
2602:
2597:
2591:, p. 97.
2590:
2585:
2583:
2575:
2570:
2563:
2558:
2551:
2546:
2539:
2534:
2527:
2522:
2515:
2510:
2503:
2498:
2496:
2494:
2486:
2481:
2474:
2469:
2463:, p. 18.
2462:
2457:
2455:
2447:
2442:
2435:
2434:Barolini 1992
2430:
2423:
2418:
2411:
2406:
2399:
2398:Barolini 1992
2394:
2387:
2382:
2375:
2370:
2368:
2366:
2359:, p. 94.
2358:
2353:
2346:
2341:
2334:
2329:
2327:
2320:, p. 85.
2319:
2314:
2307:
2302:
2296:, p. 47.
2295:
2290:
2288:
2280:
2275:
2268:
2263:
2256:
2251:
2244:
2239:
2237:
2230:, p. 46.
2229:
2224:
2217:
2212:
2205:
2200:
2192:
2188:
2181:
2174:
2169:
2162:
2157:
2150:
2145:
2143:
2141:
2139:
2137:
2135:
2133:
2131:
2124:, p. 22.
2123:
2118:
2111:
2106:
2104:
2096:
2095:Barolini 1992
2091:
2076:
2072:
2065:
2061:
2045:
2041:
2038:
2035:
2031:
2028:
2025:
2021:
2020:
2016:
2013:
2009:
2006:
2003:
1999:
1996:
1993:
1990:
1987:
1983:
1980:
1977:
1974:
1971:
1967:
1964:
1961:
1957:
1954:
1951:
1948:
1945:
1942:
1941:
1939:
1927:
1924:
1922:(August 1514)
1921:
1918:
1915:
1911:
1907:
1903:
1899:
1896:
1893:
1890:
1887:
1886:Julius Caesar
1884:
1881:
1878:
1875:
1874:
1870:
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1813:
1810:
1808:
1804:
1800:
1796:
1793:
1789:
1788:
1787:Metamorphoses
1784:
1781:
1778:
1776:(August 1502)
1775:
1772:
1769:
1765:
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1757:
1754:
1751:
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1738:
1735:
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1716:(August 1501)
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1618:, Plato, 1513
1617:
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1434:
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1425:
1422:
1419:
1417:
1414:
1411:
1410:Nine Comedies
1408:
1405:
1402:
1399:
1396:
1393:
1390:
1387:
1384:
1381:
1378:
1375:
1372:
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1315:
1312:
1309:
1306:
1305:
1303:
1295:
1284:
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1278:
1277:
1272:
1271:Umberto Eco's
1268:
1264:
1261:
1257:
1253:
1250:
1246:
1242:
1239:
1238:Adobe Systems
1235:
1231:
1227:
1223:
1220:
1219:festina lente
1216:
1212:
1208:
1204:
1203:
1198:
1195:
1191:
1188:
1184:
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1173:
1171:
1167:
1166:Aulus Gellius
1163:
1157:
1153:
1149:
1140:
1131:
1129:
1125:
1121:
1120:Old Testament
1117:
1113:
1108:
1106:
1102:
1097:
1093:
1088:
1083:
1081:
1077:
1073:
1069:
1064:
1059:
1057:
1053:
1046:
1042:
1037:
1031:Personal life
1028:
1026:
1022:
1021:
1020:Metamorphoses
1016:
1010:
1001:
999:
994:
985:
982:
981:
980:Metamorphoses
975:
972:
968:
964:
959:
957:
953:
948:
944:
940:
937:
932:
930:
926:
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885:
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863:
861:
856:
853:
851:
847:
837:
835:
831:
827:
821:
819:
815:
813:
812:festina lente
808:
796:
791:
787:
785:
781:
777:
776:
775:Divine Comedy
771:
770:
765:
761:
758:
754:
749:
747:
743:
737:
734:
730:
726:
725:
720:
710:
708:
704:
700:
696:
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688:
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3854:
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3426:
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2716:
2704:
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2668:
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2644:
2624:, p. 2.
2617:
2608:
2596:
2569:
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2533:
2521:
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2480:
2468:
2461:Kidwell 2004
2441:
2429:
2417:
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2374:Symonds 1911
2352:
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2333:Staikos 2016
2313:
2301:
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2206:, p. 3.
2199:
2190:
2180:
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2149:Symonds 1911
2117:
2112:, p. 1.
2097:, p. 1.
2090:
2078:. Retrieved
2074:
2064:
2039:
2029:
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1859:(April 1509)
1843:
1830:
1814:
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1785:
1755:
1752:(April 1502)
1746:(April 1502)
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1700:(April 1501)
1679:
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1663:
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1568:Posthomerica
1567:
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1534:
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1523:Paralipomena
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1319:
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1307:
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1293:
1290:Publications
1274:
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1218:
1200:
1194:Hermann Zapf
1169:
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1161:
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1150:
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1137:
1109:
1101:Aldine Press
1084:
1072:Casal Romano
1060:
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860:editio minor
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773:
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729:Bembo family
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498:, Rome, and
488:Pietro Bembo
484:Aristophanes
477:
472:
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428:
425:Aldine Press
419:Aldine Press
412:
405:
400:
396:
392:
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355:
312:
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252:
245:
239:
226:Aristophanes
215:
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203:Aldine Press
141:
140:
131:Aldine Press
82:Papal States
62:Aldo Manuzio
49:
29:
4045:1515 deaths
3970:. Olschki.
3915:(1): 1–24.
2760:Barker 2016
2748:Barker 2016
2473:Pincus 2008
2122:Seddon 2015
2080:19 November
2032:, Tito and
1972:(July 1499)
1966:Cornucopiae
1962:(July 1498)
1863:Letters to
1770:(June 1502)
1668:Astronomica
1664:Astronomica
1573:Aesop, 1505
1552:Homer, 1504
1517:Prolegomena
1475:Onomasticon
1283:Anne Carson
1273:1988 novel
1207:Robin Sloan
1090:eventually
1056:Campo Manin
963:italic type
936:punchcutter
917:blackletter
846:Enchiridion
834:Beta Phi Mu
795:Gli Asolani
753:Poliziano's
742:Cuspinianus
687:typesetters
683:manuscripts
641:John Speyer
235:italic type
4034:Categories
3268:Grant 2017
3209:O'day 1928
3137:Lowry 1991
2979:Grant 2017
2943:Grant 2017
2931:Grant 2017
2832:Lyons 2011
2673:Lowry 1979
2502:Grant 2017
2485:Grant 2017
2446:Lowry 1976
2422:Lowry 1979
2410:Lowry 1991
2386:Lowry 1991
2052:References
2008:On Hunting
1920:Quintilian
1916:(May 1514)
1734:Propertius
1706:(May 1501)
1684:Prudentius
1469:De urbibus
1433:Phaenomena
1199:The novel
1176:References
1116:Septuagint
1112:trilingual
840:Enchiridia
629:Theocritus
603:typography
588:Pope Leo X
492:Petrarch's
401:Paraenesis
301:Early life
207:enchiridia
3553:"Manuzio"
3086:Olin 1994
3049:193189159
2601:Beal 2011
2306:Olin 1994
2294:Olin 1994
2279:Olin 1994
2267:Olin 1994
2228:Olin 1994
2057:Citations
1914:Palladius
1910:Columella
1674:Lucretius
1592:Erotemata
1577:Adagiorum
1487:Tragedies
1439:Metabole
1328:, c. 1501
1322:, c. 1497
1260:John Nash
1254:The book
1230:PageMaker
952:Erotemata
907:Typefaces
830:Doubleday
828:, and by
818:Vespasian
667:Hellenist
633:Isocrates
480:Aristotle
461:Aristotle
395:with its
369:Mirandola
290:Southport
222:Aristotle
211:paperback
133:at Venice
3933:(1834).
3722:(1911).
3642:Archived
3221:Eco 1989
1831:Homilies
1824:Ex Ponto
1799:Heroides
1764:Iuvencus
1760:Sedulius
1730:Tibullus
1726:Catullus
1586:Opuscula
1556:Orations
1258:relates
1240:in 1994.
1234:FreeHand
956:De Aetna
824:firm of
724:De Aetna
625:Florence
580:Plutarch
531:polyglot
496:Florence
403:(1490).
315:Bassiano
199:humanist
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18:Manutius
4007:at the
3909:JLIS.it
3755:30 June
3732:(ed.).
3708:29 June
3621:29 June
3559:29 June
3434:29 June
3358:30 June
3277:Sources
3239:YouTube
2040:Arcadia
1873:Quintus
1865:Atticus
1857:Sallust
1844:Letters
1820:Tristia
1774:Statius
1720:Martial
1714:Persius
1710:Juvenal
1688:Prosper
1646:Grammar
1634:Lexikon
1598:Epitome
1386:Physics
1344:Grammar
1338:Organon
1320:Psalter
1183:Italian
1025:Sabinus
943:Bologna
913:cursive
760:Asolani
719:Italian
707:Psalter
691:binders
621:Vicenza
576:orators
561:Moralia
490:edited
381:Alberto
347:Ferrara
242:Erasmus
184:Italian
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3648:18 May
3539:
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1869:Brutus
1835:Origen
1809:, etc.
1803:Amores
1768:Arator
1744:Cicero
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1704:Horace
1698:Vergil
1630:, 1514
1609:, 1513
1564:, 1504
1459:, 1502
1453:, 1501
1447:, 1501
1445:Bibbia
1423:, 1499
1376:, 1497
1358:, 1496
1350:Idylls
1143:Legacy
1124:Hebrew
1096:Paulus
1092:Paulus
1080:Horace
900:vellum
780:Virgil
701:, the
635:, and
623:, and
617:Venice
539:octavo
529:and a
516:Hecuba
333:under
264:Venice
96:Venice
76:(near
52:(1759)
3728:. In
3520:7 May
3514:(PDF)
3507:(PDF)
3045:S2CID
2030:Poems
1906:Varro
1816:Fasti
1750:Lucan
1052:Asola
971:Opera
871:ducat
867:soldi
733:Dante
679:Crete
652:Crete
637:Homer
592:Italy
527:Plato
500:Milan
469:Turin
385:Carpi
349:with
343:Greek
331:Latin
325:. In
296:panel
284:, at
231:Latin
218:Greek
3972:ISBN
3888:ISBN
3859:ISBN
3838:ISBN
3823:ISBN
3805:ISBN
3757:2017
3710:2017
3686:ISBN
3665:ISBN
3650:2018
3623:2017
3561:2017
3537:ISBN
3522:2018
3436:2017
3360:2017
3292:ISBN
3173:Sais
2082:2023
1902:Cato
1792:Ovid
1628:Suda
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