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Speech balloon

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122: 635: 611: 1450: 786: 3546: 587: 1260:(i.e. three dots) is also used to express silence in a much more significant way than the mere absence of bubbles. This is specially seen when a character is supposed to say something, to indicate a stunned silence or when a sarcastic comment is expected by the reader. The ellipsis, along with the big drop of sweat on the character's temple – usually depicting shame, confusion, or embarrassment caused by other people's actions – is one of the 1162: 25: 3535: 3523: 1774: 501: 146: 3556: 980: 603: 623: 1022:. Depending on the shape, size, and position of the bubble, as well as the texture and shape of the letters within it, Sim could convey large amounts of information about the speaker. This included separate bubbles for different states of mind (drunkenness, etc.), for echoes, and a special class of bubbles for one single floating apparition. 931:) may have a jagged tail like the conventional drawing of a lightning flash and either a squared-off or jagged outline. Letters are sometimes italicised without also being bold. Broadcast bubbles indicate that the speaker is communicating through an electronic device, such as a telephone, radio or television, or is robotic. 725:
is generally credited as the first American comic strip character. His words initially appeared on his yellow shirt, but word balloons very much like those used presently were added almost immediately, as early as 1896. By the start of the 20th century, word balloons were ubiquitous; since that time,
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The most common is the speech bubble. It is used in two forms for two circumstances: an in-panel character and an off-panel character. An in-panel character (one who is fully or mostly visible in the panel of the strip of comic that the reader is viewing) uses a bubble with a pointer, termed a tail,
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can be used to convey the emotion that goes with the speech, such as red for anger or green for envy. This style is seldom used in modern comics. Alternatively (especially in online-published comics), colours can be used to provide an additional cue about who is speaking. Main characters often have
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Thought bubbles are sometimes seen as an inefficient method of expressing thought because they are attached directly to the head of the thinker, unlike methods such as caption boxes, which can be used both as an expression of thought and narration while existing in an entirely different panel from
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An off-panel character (the comic book equivalent of being "off screen") has several options, some of them rather unconventional. The first is a standard speech bubble with a tail pointing toward the speaker's position (sometimes seen with a symbol at the end to represent specific characters). The
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series). In the same series, speech balloons are occasionally even held and blown up to function as actual balloons or the words of the speech bubble are occasionally shown coming out the side of the speech bubble, to signify that the speaker is moving so fast that their words cannot keep up with
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purposes, such as showing location and time, or conveying editorial commentary. They are generally rectangular and positioned near the edge of the panel. Often they are also colored to indicate the difference between themselves and the word balloons used by the characters, which are almost always
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to allow words (and much less often, pictures) to be understood as representing a character's speech or thoughts. A formal distinction is often made between the balloon that indicates speech and the one that indicates thoughts; the balloon that conveys thoughts is often referred to as a
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use bubbles without tails to indicate a distant or unseen speaker. They have also experimented with using different types of lettering for characters of different nationalities to indicate that they speak a different language which Asterix may not understand; Goths speak in
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in 2003, one of the critiques made to his otherwise successful adaptation was the character's use of words that never appeared in the comics. Fesser claimed: "When you see a bubble speech containing a lightning falling on a pig, what do you imagine the character's saying?"
1617:(i.e., a simple vertical line) is used in all other places. This reduces confusion with the number one, and also serves to indicate when the personal pronoun "I" is meant. This lettering convention can be seen in computer fonts designed for comic book lettering, which use 1523:
In order for comic strip and graphic novel dialogue to make sense, it has to be read in order. Thus, conventions have evolved in the order in which the communication bubbles are read. The individual bubbles are read in the order of the language. For example, in
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for movies, is not uncommon in American comics for dramatic contrast. In contrast to captions, the corners of such balloons never coincide with those of the panel; for further distinction, they often have a double outline, a different background color, or
1328:, in which characters may speak up to five different languages in the same scene, most dialogue is unmarked (languages mostly being inferred by who is speaking and to whom), but miniature flags indicate the language being spoken where this is relevant. 1079:. The agent in question is a vile manipulator who creates discord in a group of people with a single innocent-sounding comment. His victims start quarreling and ultimately fighting each other while speaking in green-colored speech bubbles. 696:
industry during the 20th century, the appearance of speech balloons has become increasingly standardized, though the formal conventions that have evolved in different cultures (USA as opposed to Japan, for example) can be quite distinct.
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are usually drawn with a dashed (dotted) outline, smaller font or gray lettering to indicate the tone is softer, as most speech is printed in black. Another form, sometimes encountered in manga, looks like an occidental thought
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In some comics, characters who are upside down when speaking also have the lettering in their speech bubbles turned upside down. As this only hinders the reading of the comic, this seems to be used only for humorous effect.
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would draw in all the individual letters in the balloons and sound effects by hand. A modern alternative, used by most comics presently and universal in English-translated manga, is to letter with computer programs. The
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When one character has multiple balloons within a panel, often only the balloon nearest to the speaker's head has a tail, and the others are connected to it in sequence by narrow bands. This style is often used in
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the bubble, instead of out. (This tail is still pointing towards the speaker.) The third option replaces the tail with a sort of bottleneck that connects with the side of the panel. It can be seen in the works of
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In Western graphic art, labels that reveal what a pictured figure is saying have appeared since at least the 13th century. These were in common European use by the early 16th century. Word balloons (also known as
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A stormy cloud with a rough lightning shape sticking out of it, either in a bubble or just floating above the character's head as a modified 'cloudy' thought bubble, depicts anger, not always verbally expressed.
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One of the universal emblems of the art of comics is the use of a single punctuation mark to depict a character's emotions, much more efficiently than any possible sentence. A speech bubble with a single big
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occasionally take substance and are used in various ways, including Christmas decorations or perches for birds. Sometimes balloons can be influenced by the strip's environment: in the Italian strip
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individual thematic colours, and their speech bubbles are frequently tinted with their colour; especially in situations when there are not any characters visible for speech bubbles to point toward.
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art between 600 and 900 AD. Earlier, paintings, depicting stories in subsequent frames, using descriptive text resembling bubbles-text, were used in murals, one such example written in
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in Britain. They later became disused, but by 1904 had regained their popularity, although they were still considered novel enough to require explanation. With the development of the
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graphic symbols that have become used by other comics around the world, although they are still rare in Western tradition. Japanese even has a sound effect for "deafening silence",
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The resemblance between the 'z' sound and that of a snore is a frequent feature in other countries. However, in Japanese manga the common symbol for sleep is a large bubble of
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indicate a character is screaming or shouting, usually with a jagged outline or a thicker line which can be colored. Their lettering is usually larger or bolder than normal.
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comic strip where two men from Alaska remarked on how cold it was, by saying the speech balloons froze as they said them, and the words had to be thawed out to be heard.
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by replacing it with more or less elaborate drawings and expressionistic symbols. For example, instead of calling someone a swine, a pig is drawn in the speech bubble.
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of the early 1980s used this same concept, but with changing phrases on the "T-shirts" worn by the animal-based characters, depending on the characters' thoughts.
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series decorates speech bubbles with beautiful flowers depicting an extremely soft, sweet voice (usually preceding a violent outburst by the same character).
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When hand-lettering, upper-case lettering saves time and effort because it requires drawing only three guidelines, while mixed-case lettering requires five.
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speech is written without brackets, but occasional actual English speech is written within brackets, to indicate that it is unintelligible to the main
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experimented with mixed-case lettering for all its comic books. Most mainstream titles have since returned to traditional all upper-case lettering.
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speaks in a shaky angular kind of bubble with scratchy lettering. Other characters, such as John Dee, have special shapes of bubbles for their own.
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Some comics will have the actual foreign language in the speech balloon, with the translation as a footnote; this is done with Latin aphorisms in
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Characters distant (in space or time) from the scene of the panel can still speak, in squared bubbles without a tail; this usage, equivalent to
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In several occasions, comics artists have used balloons (or similar narrative devices) as if they have true substance, usually for humorous
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In comics, a bubble without a tail means that the speaker is not merely outside the reader's field of view, but also invisible to the
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In many comic books, words that would be foreign to the narration but are displayed in translation for the reader are surrounded by
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Speech bubbles are used not only to include a character's words, but also emotions, voice inflections and unspecified language.
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An early pioneer in experimenting with many different types of speech balloons and lettering for different types of speech was
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series being a good example. Sometimes, the punctuation marks stand alone above the character's head, with no bubble needed.
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In the Western world, it is common to replace profanity with a string of nonsense symbols (&%$ @*$ #), sometimes termed
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words, P.T. Bridgeport speaks in circus posters, Sarcophagus MacAbre speaks in condolence cards, "Mr. Pig" (a take on
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white. Increasingly in modern comics, captions are frequently used to convey an internal monologue or typical speech.
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Another, less conventional thought bubble has emerged: the "fuzzy" thought bubble. Used in manga (by such artists as
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comic, has musical notes drawn into her word balloons at all times, to convey that she speaks in a sing-song voice.
1191: 3483: 3397: 2414: 2404: 2387: 2109: 1688:, the last words of a murdered Toon (cartoon character) are found under his body in the form of a speech balloon. 3313: 3171: 2061: 1697: 1425: 1183: 42: 3473: 2081: 1940:"Encyclopeida Britannica; Comic Strip Evolution - The first half of the 20th century: the evolution of the form" 75: 3387: 3145: 2565: 2445: 2127: 1480: 1239:(!) indicates surprise or terror. This device is used much in the European comic tradition, the Belgian artist 1187: 172: 46: 1073:(depictive illustrations and rebuses), etc. Another experiment with speech bubbles was exclusive to one book, 3478: 3224: 3176: 2359: 1109: 914:
The shape of a speech balloon can be used to convey further information. Common ones include the following:
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The chain thought bubble is the almost universal symbol for thinking in cartoons. It consists of a large,
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speaks in bubbles in a many-colored explosive background with uneven lettering, and the irreverent raven
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Some characters and strips use unconventional methods of communication. Perhaps the most notable is the
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the character thinking. However, they are restricted to the current viewpoint character. An example is
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contextual alternates to replace the single-stroke "I" with a serifed one in appropriate contexts.
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character. His (but not the other characters') words would appear on his large, smock-like shirt.
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versions of "I" are used exclusively where a capital I would appear in normal print text, and a
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lettering has gradually become more widely used in mainstream comic books. Some comics, such as
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For a few comics, uppercase and lowercase are used as in ordinary writing. Since the mid-1980s,
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Another convention is to put the foreign speech in a distinctive lettering style; for example,
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Before the 20th century, speech was depicted using bands, flags, scrolls, or sheets of paper.
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were more common, the adoption of speech balloons was slower, with well-known examples being
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comics that the sound of a snore is represented as a series of Z's, dating back at least to
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was added with Unicode 6.0 in 2010. It can also be produced with ":speech_ballooon:" on
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Thought bubbles are used in two forms, the chain thought bubble and the "fuzzy" bubble.
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The four most common speech balloons, top to bottom: speech, whisper, thought, scream
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are sometimes used when the character thinks of an idea or solution to a problem.
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few American comic strips and comic books have relied on captions, notably
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and Windows were developed for the non-professional part of the market.
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For many comics, although the lettering is entirely in capital letters,
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have jagged "icicles" on the lower edge, representing "cold" hostility.
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One of the earliest antecedents to the modern speech bubble were the "
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Verbal Art and Performance in Ch'orti' and Maya Hieroglyphic Writing
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Traditionally, most mainstream comic books are lettered entirely in
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Association des Critiques et des journalistes de Bande Dessinée
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Characters speaking in "grawlix" symbols, to indicate profanity
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Also noteworthy are the many variations of the form created by
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they freeze and crack when the temperature is very low, or an
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is written in English, but supposed to take place mainly in a
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The Yellow Kid on paper and stage, Contemporary illustrations
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country. Thus, what is supposed to be representations of
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To indicate a frightened or quiet manner of speech.
1483:. Although not specifically addressed to children, 1357:"Z's" redirects here. For the Latin character, see 49:. Unsourced material may be challenged and removed. 1549:used usually emulate the style of hand-lettering. 3431:Comic & Fantasy Art Amateur Press Association 557:) are a graphic convention used most commonly in 3572: 3230:Comics and comic strips made into feature films 3421:Canadian Comic Book Creator Awards Association 3309:Michigan State University Comic Art Collection 1919: 1270: 711:, was created by English satirical cartoonist 2103: 1510:was portrayed in a movie by Spanish director 1505: 1484: 1472: 1082:Font variation is a common tactic in comics. 974: 843:, often as an unspecified member of a crowd. 523: 1540:Traditionally, a cartoonist or occupational 1190:. Unsourced material may be challenged and 16:Graphic convention in comics to show speech 3469:British Amateur Press Association (comics) 3267:Billy Ireland Cartoon Library & Museum 2110: 2096: 2062:"Looking at Lettering: CAPS vs Mixed Case" 2056: 2054: 1572:of Scottish or Irish origin starting with 530: 516: 3464:Academy of Comic-Book Fans and Collectors 3378:Association of Comics Magazine Publishers 1795:– an oval design, often with text inside. 1432:The above-mentioned Albert Uderzo in the 1210:Learn how and when to remove this message 109:Learn how and when to remove this message 3426:Canadian Society for the Study of Comics 1628: 1582:An interjection such as "er", "um", etc. 1448: 978: 784: 633: 626:In this 1807 political cartoon opposing 621: 609: 601: 585: 120: 2051: 950:have blood or slime dripping from them. 125:A speech bubble from a 1941 edition of 3573: 1994: 1937: 3284:Caricature & Cartoon Museum Basel 2091: 1957: 1762:sequence added to Emoji 2.0 in 2015. 1698:general-purpose illustration software 1144:is notable because she speaks almost 3235:Comics solicited but never published 2013:from the original on April 10, 2014. 1966:"Comic Book Grammar & Tradition" 1938:Kunzle, David M. (August 30, 2024). 1280: 1225: 1188:adding citations to reliable sources 1155: 873:Often, non-human characters such as 688:) often used them—as did cartoonist 47:adding citations to reliable sources 18: 3555: 3383:Australian Cartoonists' Association 3373:Association of Canadian Cartoonists 2042:"We're all using these emoji wrong" 1970:Blambot Comic Fonts & Lettering 1643:, for example, the notes played by 817:second option, which originated in 743:during the 1930s. In Europe, where 13: 1963: 1692:Computer-generated speech balloons 1403:coming out of a character's nose. 1151: 1050:In the famous French comic series 1035:strip. Deacon Mushrat speaks with 858: 638:Speech bubbles in a 1953 Japanese 14: 3597: 2075: 1874: 1833:. Retrieved on August 24, 2006. 1501:are often seen in their bubbles. 1407:Drawings within the speech bubble 1345:Since the Japanese language uses 1121:magazine's recurring comic strip 793: 3554: 3545: 3544: 3533: 3521: 3484:Comic Legends Legal Defense Fund 3398:Samahang Kartunista ng Pilipinas 3299:Fred Waring's Cartoon Collection 1995:Burgas, Greg (January 7, 2013). 1772: 1415:drawn into their word balloons. 1411:Singing characters usually have 1160: 966:Captions are generally used for 780: 499: 144: 23: 3314:Museum of Comic and Cartoon Art 2034: 2017: 34:needs additional citations for 3388:Comic Art Professional Society 2128:Glossary of comics terminology 1988: 1931: 1905: 1887: 1868: 1843: 1824: 909: 799:directed towards the speaker. 707:regarded as the world's first 606:1775 cartoon printed in Boston 592:The Annunciation to Saint Anne 1: 3479:Comic Book Legal Defense Fund 1817: 986:'s words appear on his shirt. 684:(including some published by 264:Comics by country and culture 3393:National Cartoonists Society 3182:Based on television programs 1916:. Retrieved October 17, 2007 1850:Hull, Kerry Michael (2003). 1831:Evolution of speech balloons 1535: 1352: 1347:two writing directionalities 7: 3324:Words & Pictures Museum 1765: 1719: 1380:' early 20th-century strip 1076:Asterix and the Roman Agent 1007:American animated TV series 961: 10: 3602: 3368:Academy of Comic Book Arts 3340:Center for Cartoon Studies 3262:Belgian Comic Strip Center 2117: 1685:Who Censored Roger Rabbit? 1356: 1315:characters in the series. 975:Artist-specific variations 581: 3516: 3474:Club des bandes dessinées 3454: 3406: 3360: 3353: 3332: 3252: 3208:Best-selling comic series 3195: 3164: 3133: 3124: 3104: 2993: 2897: 2847: 2831: 2822: 2786:Portrayal of black people 2751: 2698: 2538: 2527: 2460: 2433: 2380: 2347: 2292: 2256: 2134: 2125: 1997:"Comics You Should Own – 1556:, with a few exceptions: 1291:⟨like this⟩ 1271: 703:The Glasgow Looking Glass 1944:Encyclopaedia Britannica 1518: 1499:faux Japanese characters 1325:Stand Still, Stay Silent 1246:The Adventures of Tintin 821:, has the tail pointing 813:" dialogue-based humor. 764:The Adventures of Tintin 3279:British Cartoon Archive 3272:National Cartoon Museum 1560:Name particles such as 1426:Josie and the Pussycats 1423:, a character in their 1372:It is a convention for 3489:Finnish Comics Society 3446:Svenska Serieakademien 3436:Comics Studies Society 3304:Gibiteca Antonio Gobbo 2808:Women in Refrigerators 2803:The Hawkeye Initiative 2441:Female comics creators 1837:July 14, 2006, at the 1660:In the Flemish series 1506: 1485: 1473: 1454: 1361:. For other uses, see 987: 790: 645: 631: 619: 607: 599: 131: 3225:Comic books on CD/DVD 2475:Comics historiography 2029:Washington City Paper 1926:The Art of Caricature 1629:Substance of balloons 1489:was initiated during 1452: 1383:The Katzenjammer Kids 982: 788: 637: 625: 613: 605: 589: 124: 3441:Sequart Organization 3187:Based on video games 2769:Gender and webcomics 2334:Publishing companies 2006:Comic Book Resources 1976:on November 10, 2022 1881:Smithsonian Magazine 1184:improve this section 1138:in the manga series 1019:Cerebus the Aardvark 429:South African comics 43:improve this article 3499:The Hero Initiative 2779:American mainstream 2581:Comics in education 2184:Comic strip formats 2066:Multiversity Comics 1602:From 2002 to 2004, 1596:Pearls Before Swine 1568:, and the "c" in a 1479:series, created by 1468:One example is the 1088:series, written by 841:viewpoint character 719:Richard F. Outcault 682:American Revolution 628:Jefferson's Embargo 3581:Comics terminology 3540:Cartoon portal 3294:The Cartoon Museum 3289:Cartoon Art Museum 3013:France and Belgium 2798:Portrayal of women 2791:African characters 2759:Ethnic stereotypes 1804:The Bubble Project 1756:LEFT SPEECH BUBBLE 1724:Unicode character 1702:Comic Book Creator 1455: 1367:Z (disambiguation) 1322:. In the webcomic 1148:in side scribble. 988: 791: 700:In the UK in 1825 646: 632: 620: 608: 600: 576:conversation cloud 132: 3568: 3567: 3528:Comics portal 3512: 3511: 3345:The Kubert School 3248: 3247: 3120: 3119: 2818: 2817: 2743:Widescreen comics 2586:Comics journalism 2456: 2455: 2248:Political cartoon 2189:Daily comic strip 2068:(April 22, 2014). 1706:Microsoft Windows 1700:. Products like 1297:Gilbert Hernandez 1281:Foreign languages 1226:Punctuation marks 1220: 1219: 1212: 1041:Nikita Khrushchev 925:Broadcast bubbles 811:call-and-response 686:Benjamin Franklin 551:dialogue balloons 540: 539: 506:Comics portal 449:Vietnamese comics 419:Portuguese comics 409:Philippine comics 390: 323: 305:Australian comics 301: 245:Political cartoon 119: 118: 111: 93: 3593: 3558: 3557: 3548: 3547: 3538: 3537: 3526: 3525: 3504:Xeric Foundation 3358: 3357: 3172:Based on fiction 3131: 3130: 2905:China and Taiwan 2829: 2828: 2628:Graphic medicine 2571:Autobiographical 2536: 2535: 2514:Japanese (manga) 2420:Japanese (manga) 2345: 2344: 2112: 2105: 2098: 2089: 2088: 2084:, 13th Dimension 2069: 2058: 2049: 2038: 2032: 2031:(July 27, 2012). 2021: 2015: 2014: 1992: 1986: 1985: 1983: 1981: 1972:. Archived from 1961: 1955: 1954: 1952: 1950: 1935: 1929: 1923: 1917: 1909: 1903: 1902: 1891: 1885: 1884: 1872: 1866: 1865: 1847: 1841: 1828: 1782: 1777: 1776: 1757: 1754: 1751: 1749: 1736: 1733: 1730: 1728: 1509: 1491:Francisco Franco 1488: 1481:Francisco Ibáñez 1478: 1421:Melody Valentine 1299:'s series about 1292: 1276: 1274: 1273: 1237:exclamation mark 1215: 1208: 1204: 1201: 1195: 1164: 1156: 749:Alain Saint-Ogan 660:, dating to the 596:Bernhard Strigel 532: 525: 518: 504: 503: 404:Pakistani comics 384: 357:Hungarian comics 317: 310:Brazilian comics 287: 278:Argentine comics 148: 134: 133: 114: 107: 103: 100: 94: 92: 58:"Speech balloon" 51: 27: 19: 3601: 3600: 3596: 3595: 3594: 3592: 3591: 3590: 3571: 3570: 3569: 3564: 3532: 3520: 3508: 3494:Friends of Lulu 3456: 3450: 3408: 3402: 3349: 3328: 3254: 3253:Collections and 3244: 3218:manga magazines 3191: 3160: 3151:Manga magazines 3116: 3100: 2989: 2893: 2843: 2814: 2747: 2718:Talking animals 2694: 2655:Science fiction 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In 1636: 1626: 1622: 1620: 1616: 1612: 1607: 1605: 1604:Marvel Comics 1600: 1598: 1597: 1592: 1587: 1581: 1578: 1575: 1571: 1567: 1563: 1559: 1558: 1557: 1555: 1550: 1548: 1543: 1533: 1531: 1527: 1516: 1513: 1512:Javier Fesser 1508: 1502: 1500: 1496: 1492: 1487: 1482: 1477: 1476: 1471: 1466: 1464: 1460: 1451: 1447: 1445: 1441: 1437: 1435: 1430: 1428: 1427: 1422: 1418: 1417:Archie Comics 1414: 1413:musical notes 1404: 1402: 1397: 1395: 1394: 1389: 1385: 1384: 1379: 1378:Rudolph Dirks 1375: 1368: 1364: 1360: 1350: 1348: 1343: 1341: 1337: 1335: 1329: 1327: 1326: 1321: 1316: 1314: 1310: 1306: 1302: 1298: 1294: 1288: 1278: 1267: 1263: 1259: 1255: 1250: 1248: 1247: 1242: 1238: 1234: 1233:question mark 1223: 1214: 1211: 1203: 1193: 1189: 1185: 1179: 1178: 1174: 1169:This section 1167: 1163: 1158: 1157: 1149: 1147: 1143: 1142: 1137: 1133: 1128: 1126: 1125: 1120: 1119: 1113: 1111: 1107: 1103: 1099: 1095: 1091: 1087: 1086: 1080: 1078: 1077: 1072: 1068: 1063: 1059: 1055: 1054: 1048: 1046: 1045:faux Cyrillic 1042: 1038: 1034: 1033: 1028: 1023: 1021: 1020: 1015: 1010: 1008: 1004: 1000: 997: 993: 985: 981: 972: 969: 955: 952: 949: 946: 943: 940: 936: 933: 930: 929:radio bubbles 926: 923: 920: 917: 916: 915: 907: 905: 904: 899: 895: 889: 887: 882: 880: 876: 871: 869: 864: 856: 854: 849: 844: 842: 837: 835: 834: 829: 824: 820: 814: 812: 808: 807: 800: 787: 781:Popular forms 778: 776: 775: 770: 766: 765: 760: 756: 755: 750: 746: 742: 740: 735: 734: 729: 724: 720: 716: 714: 713:William Heath 710: 706: 704: 698: 695: 691: 690:James Gillray 687: 683: 679: 673: 671: 667: 663: 659: 655: 651: 643: 642: 636: 629: 624: 617: 616:James Gillray 612: 604: 597: 593: 588: 579: 577: 573: 568: 564: 560: 556: 555:word balloons 552: 548: 544: 533: 528: 526: 521: 519: 514: 513: 511: 510: 507: 502: 497: 496: 491: 488: 486: 483: 481: 478: 476: 473: 471: 468: 466: 463: 462: 461: 460: 456: 455: 450: 447: 445: 442: 440: 437: 435: 432: 430: 427: 425: 422: 420: 417: 415: 414:Polish comics 412: 410: 407: 405: 402: 400: 397: 395: 392: 388: 383: 380: 378: 375: 373: 370: 368: 365: 363: 362:Indian comics 360: 358: 355: 353: 352:German comics 350: 348: 345: 343: 340: 338: 335: 333: 330: 328: 325: 321: 316: 313: 311: 308: 306: 303: 299: 295: 291: 286: 285: 281: 279: 276: 274: 271: 270: 269: 268: 265: 262: 261: 256: 253: 251: 248: 246: 243: 241: 240:Graphic novel 238: 236: 233: 231: 228: 226: 225:Digital comic 223: 221: 218: 216: 213: 212: 211: 210: 207:Media formats 206: 205: 200: 197: 195: 192: 191: 190: 189: 185: 184: 179: 176: 174: 171: 169: 166: 165: 164: 163: 160: 157: 156: 152: 147: 143: 142: 139: 136: 135: 130: 129: 123: 113: 110: 102: 91: 88: 84: 81: 77: 74: 70: 67: 63: 60: –  59: 55: 54:Find sources: 48: 44: 38: 37: 32:This article 30: 26: 21: 20: 3407:Critical and 3361:Professional 3146:Comic strips 2839:South Africa 2738:Supervillain 2274:Photo comics 2269:Motion comic 2221:Mobile comic 2147:Ashcan comic 2065: 2045: 2036: 2028: 2019: 2004: 1998: 1990: 1980:September 7, 1978:. Retrieved 1974:the original 1969: 1959: 1947:. 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