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1980s, and the "funny pages" were often arranged in a way they appeared at the front of Sunday editions. In 1931, George Gallup's first poll had the comic section as the most important part of the newspaper, with additional surveys pointing out that the comic strips were the second most popular feature after the picture page. During the 1930s, many comic sections had between 12 and 16 pages, although in some cases, these had up to 24 pages.
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1159:. In the United States, a daily strip appears in newspapers on weekdays, Monday through Saturday, as contrasted with a Sunday strip, which typically only appears on Sundays. Daily strips usually are printed in black and white, and Sunday strips are usually in color. However, a few newspapers have published daily strips in color, and some newspapers have published Sunday strips in black and white.
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many strips were collected together. During the 1930s, the original art for a daily strip could be drawn as large as 25 inches wide by six inches high. Over decades, the size of daily strips became smaller and smaller, until by 2000, four standard daily strips could fit in an area once occupied by a single daily strip. As strips have become smaller, the number of panels have been reduced.
2343:(which has caused higher printing costs) beginning during the fifties and sixties led to Sunday strips being published on smaller and more diverse formats. As newspapers have reduced the page count of Sunday comic sections since the late 1990s (by the 2010s, most sections have only four pages, with the back page not always being destined for comics) has also led to further downsizes.
2081:. At a time when comic books were coming under fire for supposed sexual, violent, and subversive content, Kelly feared the same would happen to comic strips. Going before the Congressional subcommittee, he proceeded to charm the members with his drawings and the force of his personality. The comic strip was safe for satire.
1035:. Numerous events in newspaper comic strips have reverberated throughout society at large, though few of these events occurred in recent years, owing mainly to the declining use of continuous storylines on newspaper comic strips, which since the 1970s had been waning as an entertainment form. From 1903 to 1905
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While in the early 20th century comic strips were a frequent target for detractors of "yellow journalism", by the 1920s the medium became wildly popular. While radio, and later, television surpassed newspapers as a means of entertainment, most comic strip characters were widely recognizable until the
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relegated newspaper reading to an occasional basis rather than daily, syndicators were abandoning long stories and urging cartoonists to switch to simple daily gags, or week-long "storylines" (with six consecutive (mostly unrelated) strips following a same subject), with longer storylines being used
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The two conventional formats for newspaper comics are strips and single gag panels. The strips are usually displayed horizontally, wider than they are tall. Single panels are square, circular or taller than they are wide. Strips usually, but not always, are broken up into several smaller panels with
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daily comic strip ended in 1994 after newspapers objected to a storyline they considered to be a satire on abortion). Some of the taboo words and topics are mentioned daily on television and other forms of visual media. Webcomics and comics distributed primarily to college newspapers are much freer
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strip that features Pig talking to his sister, and says the phrase "I SIS!" repeatedly after correcting his sister's grammar. The strip then cuts to a scene of a NSA wiretap agent, following a scene of Pig being arrested by the FBI saying "Never correct your sister's grammar", implying that the CIA
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As comics are easier for children to access compared to other types of media, they have a significantly more rigid censorship code than other media. Stephan Pastis has lamented that the "unwritten" censorship code is still "stuck somewhere in the 1950s". Generally, comics are not allowed to include
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Today's strip artists, with the help of the NCS, enthusiastically promote the medium, which since the 1970s (and particularly the 1990s) has been considered to be in decline due to numerous factors such as changing tastes in humor and entertainment, the waning relevance of newspapers in general and
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Early daily strips were large, often running the entire width of the newspaper, and were sometimes three or more inches high. Initially, a newspaper page included only a single daily strip, usually either at the top or the bottom of the page. By the 1920s, many newspapers had a comics page on which
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fame, requested that his strip not be continued by another cartoonist after his death. He also rejected the idea of hiring an inker or letterer, comparing it to a golfer hiring a man to make his putts. Schulz's family has honored his wishes and refused numerous proposals by syndicators to continue
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Daily strips have suffered as well. Before the mid-1910s, there was not a "standard" size", with strips running the entire width of a page or having more than one tier. By the 1920s, strips often covered six of the eight columns occupied by a traditional broadsheet paper. During the 1940s, strips
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has written extensively on the issue, arguing that size reduction and dropped panels reduce both the potential and freedom of a cartoonist. After a lengthy battle with his syndicate, Watterson won the privilege of making half page-sized Sunday strips where he could arrange the panels any way he
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While the 1997 Switcheroonie was a one-time publicity stunt, an artist taking over a feature from its originator is an old tradition in newspaper cartooning (as it is in the comic book industry). In fact, the practice has made possible the longevity of the genre's more popular strips. Examples
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that allow their panels to be rearranged in several different ways while remaining readable. Such formats usually include throwaway panels at the beginning, which some newspapers will omit for space. As a result, cartoonists have less incentive to put great efforts into these panels.
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The writing style of comic strips changed as well after World War II. With an increase in the number of college-educated readers, there was a shift away from slapstick comedy and towards more cerebral humor. Slapstick and visual gags became more confined to Sunday strips, because as
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and other newspapers which featured few or no comic strips. Hearst's critics often assumed that all the strips in his papers were fronts for his own political and social views. Hearst did occasionally work with or pitch ideas to cartoonists, most notably his continued support of
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were reduced to four columns wide (with a "transition" width of five columns). As newspapers became narrower beginning in the 1970s, strips have gotten even smaller, often being just three columns wide, a similar width to the one most daily panels occupied before the 1940s.
1309:(the plastic or cardboard trays in which molten metal is poured to make plates) or even plates ready to be put directly on the printing press. He also notes that with electronic means of distribution becoming more prevalent printed sheets "are definitely on their way out."
2719:". Younger cartoonists have claimed commonplace words, images, and issues should be allowed in the comics, considering that the pressure on "clean" humor has been a chief factor for the declining popularity of comic strips since the 1990s (Aaron McGruder, creator of
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librarian Randy Scott describes these as "large sheets of paper on which newspaper comics have traditionally been distributed to subscribing newspapers. Typically each sheet will have either six daily strips of a given title or one Sunday strip. Thus, a week of
971:, it was an unusual move, since cartoonists regularly deserted Pulitzer for Hearst. In a highly unusual court decision, Hearst retained the rights to the name "Katzenjammer Kids", while creator Dirks retained the rights to the characters. Hearst promptly hired
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in the 1950s, caricaturing him as a bobcat named Simple J. Malarkey, a megalomaniac who was bent on taking over the characters' birdwatching club and rooting out all undesirables. Kelly also defended the medium against possible government regulation in the
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developed sophisticated caricature styles using strips of expressive comic figures with captions that could be read left to right to cumulative effect, as well as business models for advertising and selling cheap comic illustration on regular subscription.
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received a full page, and daily strips were generally the width of the page. The competition between papers for having more cartoons than the rest from the mid-1920s, the growth of large-scale newspaper advertising during most of the thirties, paper
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and
Charles Schulz, among others) have done their strips almost completely by themselves; often criticizing the use of assistants for the same reasons most have about their editors hiring anyone else to continue their work after their retirement.
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was the first mass-produced publication to tell stories using illustrations and is regarded as the world's first comic strip. It satirised the political and social life of
Scotland in the 1820s. It was conceived and illustrated by William Heath.
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ran to 9 editions between 1812 and 1819, spun off two sequels, a prequel, numerous pirate imitations and copies including French, German, Danish and translations. His image was available on pottery, textiles wallpaper and other merchandise.
1039:, wrote his comic series "The UpsideDowns of Old Man Muffaroo and Little Lady Lovekins". These comics were made in such a way that one could read the 6 panel comic, flip the book and keep reading. He made 64 such comics in total.
938:("Shockheaded Peter"). In the story's final act, the boys, after perpetrating some mischief, are tossed into a sack of grain, run through a mill, and consumed by a flock of geese (without anybody mourning their demise).
1556:, because of paper shortages, the size of Sunday strips began to shrink. After the war, strips continued to get smaller and smaller because of increased paper and printing costs. The last full-page comic strip was the
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openly voicing his discontent about being forced to draw his Sunday strips in such rigid formats from the beginning. Kelly's heirs opted to end the strip in 1975 as a form of protest against the practice. Since then,
1484:. Sunday pages during the 1930s and into the 1940s often carried a secondary strip by the same artist as the main strip. No matter whether it appeared above or below a main strip, the extra strip was known as the
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Since the consolidation of newspaper comics by the first quarter of the 20th century, most cartoonists have used a group of assistants (with usually one of them credited). However, quite a few cartoonists (e.g.:
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The comics have long held a distorted mirror to contemporary society, and almost from the beginning have been used for political or social commentary. This ranged from the conservative slant of Harold Gray's
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used animals to particularly devastating effect, caricaturing many prominent politicians of the day as animal denizens of Pogo's
Okeefenokee Swamp. In a fearless move, Pogo's creator Walt Kelly took on
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Proof sheets were the means by which syndicates provided newspapers with black-and-white line art for the reproduction of strips (which they arranged to have colored in the case of Sunday strips).
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was often displayed in a two-panel format with the first panel showing some deceptive, pretentious, unwitting or scheming human behavior and the second panel revealing the truth of the situation.
2503:". A cartoonist, paid by the syndicate or sometimes a relative of the original cartoonist, continues writing the strip, a tradition that became commonplace in the early half of the 20th century.
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Sunday strip available only in a vertical arrangement. Most strips created since 1990, however, are drawn in the unbroken "third-page" format. Few newspapers still run half-page strips, as with
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was so admired by
William Randolph Hearst that he lured Flowers away from the Associated Press and to King Features Syndicate by doubling the cartoonist's salary, and renamed the feature
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Sunday comics sections employed offset color printing with multiple print runs imitating a wide range of colors. Printing plates were created with four or more colors—traditionally, the
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le quotidien
Shenbao (申报) publie dès 1884 un supplément intitulé Magazine dla vie quotidienne, les mœurs et les coutumes en Chine à une époque où les photographies sont encore rares.
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are both drawn by the sons of the creators. Some strips which are still in affiliation with the original creator are produced by small teams or entire companies, such as Jim Davis'
2575:, enabling them to continue publishing the strip after the original creator retired, left the strip, or died. This practice led to the term "legacy strips", or more pejoratively "
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2641:. Said Edward Leech of Scripps, "We don't think it is good editing or sound citizenship to picture the Senate as an assemblage of freaks and crooks... boobs and undesirables."
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hires people to write and draw a strip and then distributes it to many newspapers for a fee. Some newspaper strips begin or remain exclusive to one newspaper. For example, the
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during the 1920s, it became commonplace for strips (comedy- and adventure-laden alike) to have lengthy stories spanning weeks or months. The "Monarch of
Medioka" story in
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is one of the earliest comic strip characters and he is regarded as the first recurring character in comics. The highly popular character was spun off into his own comic,
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3064:"The Ripley's Believe It or Not! cartoon is the longest running cartoon in the world. It has been published since 1918, when Robert Ripley himself was the cartoonist"
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Sunday newspapers traditionally included a special color section. Early Sunday strips (known colloquially as "the funny papers", shortened to "the funnies"), such as
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whose picaresque journeys through
England were told through a series of comic etchings, accompanied by verse. Original published in parts between 1809 and 1811 in
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into trying to kick that football. (After I left for college, my father would clip out that strip each year and send it to me just to make sure I didn't miss it.)"
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The origin of the modern
English language comic strip can be traced to the efflorescence of caricature in late 18th century London. English caricaturists such as
1344:. They appear Monday through Saturday; until 2003 there were no Sunday papers in Flanders. In the last decades, they have switched from black and white to color.
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1552:. When Sunday strips began to appear in more than one format, it became necessary for the cartoonist to allow for rearranged, cropped or dropped panels. During
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were known during the mid-to-late 80s and 1990s respectively for their throwaways on their Sunday strips, however both strips now run "generic" title panels.
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being an early—if not the earliest—case in which the creator retained ownership of his work.) Both these practices began to change with the 1970 debut of
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began in 1972 and paved the way for some of these strips, as its human characters were manifest in diverse forms—as animals, vegetables, and minerals.
956:. Familiar comic-strip iconography such as stars for pain, sawing logs for snoring, speech balloons, and thought balloons originated in Dirks' strip.
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comics from
January 11, 2011, with a character named Ned using the word "crappy". Naked backsides and shooting guns cannot be shown, according to
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newspaper magazine supplement, continuing until March 30 of that year. Between 1939 and 1943, four different stories featuring Flossy appeared on
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in two sheets, printed much larger than the final version and ready to be cut apart and fitted into the local comics page." Comic strip historian
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espoused liberal opinions for most of its run, but by the late 1960s, it became a mouthpiece for Capp's repudiation of the counterculture.
1590:: cyan, magenta, yellow and "K" for black. With a screen of tiny dots on each printing plate, the dots allowed an image to be printed in a
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the loss of most foreign markets outside
English-speaking countries. One particularly humorous example of such promotional efforts is the
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2018:
not only mixes human, animal, and fantasy characters, but also does several different comic strip continuities under one umbrella title,
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Starting in the late 1940s, the national syndicates which distributed newspaper comic strips subjected them to very strict censorship.
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A business-driven variation has sometimes led to the same feature continuing under a different name. In one case, in the early 1940s,
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883:. However, the art form combining words and pictures developed gradually and there are many examples which led up to the comic strip.
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1031:. The history of this newspaper rivalry and the rapid appearance of comic strips in most major American newspapers is discussed by
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continuity from panel to panel. A horizontal strip can also be used for a single panel with a single gag, as seen occasionally in
1573:
was a continuing strip series seen on Sunday magazine covers. Beginning January 26, 1941, it ran on the front covers of Hearst's
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s first color Sunday comic pages in 1897. On January 31, 1912, Hearst introduced the nation's first full daily comic page in his
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Many older strips are no longer drawn by the original cartoonist, who has either died or retired. Such strips are known as "
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is sometimes found in the business section of a newspaper instead of the comics page because of the strip's commentary about
1722:. Many are exclusively published online, but the majority of traditional newspaper comic strips have some Internet presence.
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such words as "damn", "sucks", "screwed", and "hell", although there have been exceptions such as the September 22, 2010
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2597:, founded in 1987, granted artists full rights to the strips, something that Universal Press did in 1990, followed by
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covered subjects that are usually taboo in newspaper strips, such as sex and drugs. Many underground artists, notably
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written on scrolls coming out of their mouths—which makes them to some extent ancestors of the modern cartoon strips.
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2088:, whose papers had the largest circulation of strips in the United States. Hearst was notorious for his practice of
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2579:". Most syndicates signed creators to 10- or even 20-year contracts. (There have been exceptions, however, such as
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2228:, held in 1997 on April Fool's Day, an event in which dozens of prominent artists took over each other's strips.
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occasioned one of the first comic-strip copyright ownership suits in the history of the medium. When Dirks left
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using a sequence of pictures has existed through history. One medieval European example in textile form is the
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2479:, and others) are known for their heavy use of storylines, lasting between one and three weeks in most cases.
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822:. Rowlandson may also be credited with inventing the first internationally recognized comic strip character:
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727:. Printed examples emerged in 19th-century Germany and in mid 18th-century England, where some of the first
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liked. Many newspaper publishers and a few cartoonists objected to this, and some papers continued to print
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rather than the comics page because of their regular political commentary. For example, the August 12, 1974
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During the 1930s, the original art for a Sunday strip was usually drawn quite large. For example, in 1930,
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2205:, is the most prestigious award for U.S. comic strip artists. Reuben awards are presented annually by the
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2010:
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900:(Geneva, 1799–1846) is considered the father of the modern comic strips. His illustrated stories such as
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2262:(drawn and plotted by Harold Gray from 1924 to 1944 and thereafter by a succession of artists including
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also uses this theme, though the characters are mostly restricted to humans and real-life situations.
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began as strips in college newspapers under different titles, and later moved to national syndication.
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The popularity and accessibility of strips meant they were often clipped and saved; authors including
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cannot or can very rarely be openly discussed in strips, although there are exceptions, usually for
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mainly on adventure-based and dramatic strips. Strips begun during the mid-1980s or after (such as
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created an uproar when Lawrence, one of the strip's supporting characters, came out of the closet.
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comic strip with recurring characters, while the first color comic supplement was published by the
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From Comic Strips to Graphic Novels. Contributions to the Theory and History of Graphic Narrative
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was a series of seven severely moralistic tales in the vein of German children's stories such as
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3082:"Moeller, Jennifer and Marilyn Gardner. "At 75, Blondie's more modern now, but still ageless".
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had begun granting ownership rights to creators (limited to new and/or hugely popular strips).
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3412:"Dilbert Creator Scott Adams Reveals The Simple Formula That Will Double Your Odds Of Success"
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and other syndicates often provide archives of recent strips on their websites. Some, such as
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Most comic strip characters do not age throughout the strip's life, but in some strips, like
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555:. Traditionally, throughout the 20th and into the 21st century, these have been published in
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The history of comic strips also includes series that are not humorous, but tell an ongoing
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allows halftone dots of different colors to create an optical effect of full-color imagery.
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began appearing in a format of two strips to a page in full-size newspapers, such as the
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Single panels usually, but not always, are not broken up and lack continuity. The daily
1176:(1896). Harmsworth titles enjoyed a monopoly of comics in the UK until the emergence of
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914:(1831), inspired subsequent generations of German and American comic artists. In 1865,
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4124:"See you in the funny papers: Comic strips' evolution as a uniquely American art form"
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4061:"The rabbit died: Joanie's pregnancy, plus cubist breasts and other funnies feminism"
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ran from September 8, 1937, to May 2, 1938. Between the 1960s and the late 1980s, as
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as part of the London Comedy Festival. The London Cartoon Strip was created by 15 of
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initially appeared in underground publications in the 1970s before being syndicated.
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The first newspaper comic strips appeared in North America in the late 19th century.
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The world's longest comic strip is 88.9-metre (292 ft) long and on display at
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Full-page strips were eventually replaced by strips half that size. Strips such as
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During the early 20th century, comic strips were widely associated with publisher
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A number of strips have featured animals as main characters. Some are non-verbal (
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have written about their childhood collections of clipped strips. Often posted on
614:. In the late 1920s, comic strips expanded from their mirthful origins to feature
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In an issue related to size limitations, Sunday comics are often bound to rigid
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gained a considerable following among intellectuals during the 1920s and 1930s.
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364:
307:
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151:
143:
3207:
2593:, as the company gave cartoonists a 50-percent ownership share of their work.
2522:
This act is commonly criticized by modern cartoonists including Watterson and
5648:
5601:
5135:
5103:
4995:
4943:
4743:
4706:
4679:
4664:
4352:
4316:
4289:
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3914:
3902:
3838:
3778:
Here We Are Ggain: 1895-1919: the First 25 Years of American Newspaper Comics
2749:
2619:
2598:
2585:
2427:
2275:
2263:
2202:
2169:
2164:
2061:
1797:
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that appears to the eye in different gradations. The semi-opaque property of
1516:
1506:
1422:
1291:
1255:
1251:
1234:
1134:
1009:
943:
934:
919:
807:
762:, sometimes depicted Biblical events with words spoken by the figures in the
739:'s 18th-century English caricature include both narrative sequences, such as
687:
572:
498:
406:
354:
344:
290:
286:
232:
217:
2651:
in which an elderly man says, "This nursing home food sucks," and a pair of
5130:
5113:
5076:
4811:
4669:
4624:
4347:
4342:
4294:
4220:
3830:
2576:
2500:
2404:
2336:
2327:
2308:, the changes have affected comic strips. Jeff Reece, lifestyle editor of
2267:
2198:
2015:
1988:
1926:
1857:
1631:
1553:
1240:
1216:
1156:
972:
893:
720:
664:
gained popularity. Because "comic" strips are not always funny, cartoonist
654:
626:
359:
334:
329:
191:
2725:, decided to end his strip partly because of censorship issues, while the
2710:. Another example of wordplay to get around censorship is a July 27, 2016
773:
and of the incorporation of text with image, experiments with what became
575:. With the advent of the internet, online comic strips began to appear as
5048:
4357:
4311:
4267:
3711:
3694:
Stick to Drawing Comics, Monkey Brain!: Cartoonist Ignores Helpful Advice
3689:
3238:
2666:
2662:
2638:
2370:
Some cartoonists have complained about this, with Walt Kelly, creator of
2282:
2078:
1983:
1978:
1821:
1727:
1646:
1530:
1404:
1399:
1393:
1362:
1302:
1212:
1195:
1152:
984:
858:
806:
Other leading British caricaturists produced strips as well; for example
775:
665:
632:
431:
222:
2839:[History of Chinese comics: lianhuanhua] (in French). 2008-01-20
1442:
strip which is better remembered than the strip it accompanied, Ahern's
1148:
in 1948 and was not picked up for syndication until the following year.
842:
4753:
4375:
4337:
4215:
3105:
2769:
2580:
2491:
put it, "Children are more likely to read Sunday strips than dailies."
2140:
2135:
2055:
2025:
1968:
1868:
1833:
1637:
1499:
1431:
1397:
continued as a daily panel even after it expanded into a Sunday strip,
1317:
1177:
1139:
1096:
952:
in 1897—a strip starring two German-American boys visually modelled on
660:
649:
583:
462:
207:
2519:, however there is some debate if these strips fall in this category.
4806:
4240:
3176:
2685:
2681:
2463:
2441:
2340:
2332:
2105:
1956:
1894:
1680:
1565:
Comic strips have also been published in Sunday newspaper magazines.
1371:
was often drawn in the two-panel format as seen in this 1943 example.
1104:
728:
604:
587:
576:
556:
1452:
5392:
4781:
4402:
4387:
4299:
3648:"Pearls Before Swine Comic Strip, January 11, 2011 on GoComics.com"
3622:"Pearls Before Swine Comic Strip, January 10, 2011 on GoComics.com"
3600:
3063:
2357:
1906:
1698:
1591:
1480:, filled an entire newspaper page, a format known to collectors as
1427:
1329:
560:
242:
5596:
3193:
3139:
True Brit: A Celebration of the Great Comic Book Artists of the UK
2743:
1358:
493:
4304:
4282:
2994:
2657:
2540:
2293:
to avoid legal action by the AP. The latter continued to publish
2154:
1916:
1732:
1663:
1377:
983:). Thus, two versions distributed by rival syndicates graced the
915:
582:
Most strips are written and drawn by a comics artist, known as a
247:
186:
138:
5608:
2168:
often appears on the sports page because of its subject matter.
1904:), some have verbal thoughts but are not understood by humans, (
1683:
graduated from undergrounds to alternative weekly newspapers to
975:
to draw his own version of the strip. Dirks renamed his version
5490:
Association des Critiques et des journalistes de Bande Dessinée
5019:
4978:
4696:
4192:
2880:
The loves of the fox and the badger, - or the coalition wedding
2727:
2689:
1911:
1715:
1080:
995:
620:
540:
386:
374:
130:
4046:
1996:
used a wide variety of characters including humans, monsters,
1525:, drawn as a huge single panel filling an entire Sunday page.
861:
included some satirical stories in comic strip format such as
712:, with a strip's story sometimes continuing over three pages.
5007:
4397:
2981:
2837:"histoire de la bande dessinée chinoise, les lianhuanhua (1)"
1816:
1246:
755:
679:
Comic strips have appeared inside American magazines such as
673:
369:
64:
deal primarily with the United States and do not represent a
3316:"Zondagskrant als antwoord van uitgevers op krimpende markt"
1515:
Sunday page at a size of 17" Ă— 37". In 1937, the cartoonist
708:
and the rest of Europe, comic strips are also serialized in
2716:
2001:
4152:
3814:
American Newspaper Comics: An Encyclopedic Reference Guide
3224:
Scott, Randy. "The King Features Proof Sheet Collection".
2194:
best known cartoonists and depicts the history of London.
1992:
was unusual, as there were no central characters. Instead
4161:
2677:
1595:
2883:(hand-coloured etching). British Museum. 1868,0808.5095.
2866:(hand-coloured etching). British Museum. 1851,0901.1030.
2300:
1972:). Other strips are centered entirely on animals, as in
1000:
newspaper war (1887 onwards) between Pulitzer and Hearst
2817:
2623:
was censored in September 1947 and was pulled from the
987:
for decades. Dirks' version, eventually distributed by
4028:
A History of Newspaper Syndicates in the United States
1232:
s Linda White recalled, "I followed the adventures of
836:
The Tour of Doctor Syntax in search of the picturesque
2931:
The Comics: An Illustrated History of Comic Strip Art
1016:
sometime in the latter half of 1892, followed by the
38:"Funny pages" redirects here. For the 2022 film, see
4078:
3039:"'Big Deals: Comics' Highest-Profile Moments', 1999"
3019:
2739:
2274:, started by Milton Caniff in 1934 and picked up by
1184:
Making his first appearance in the British magazine
1151:
Newspaper comic strips come in two different types:
1661:went on to draw comic strips for magazines such as
1460:(January 26, 1941), an example of comic strips on
1315:experimented briefly with a two-tier daily strip,
5505:Comic & Fantasy Art Amateur Press Association
3666:
2876:
2037:
1546:, or with one strip on a tabloid page, as in the
5646:
3539:
3381:Estren, Mark James (1993). "Foreword: Onward!".
2863:Democracy;-or-a Sketch of the Life of Buonaparte
812:Democracy;-or-a Sketch of the Life of Buonaparte
5304:Comics and comic strips made into feature films
4083:. Archived from the original on March 23, 2010.
3901:
3156:. Oxford: Oxford University Press. p. 240.
1042:The longest-running American comic strips are:
5495:Canadian Comic Book Creator Awards Association
5383:Michigan State University Comic Art Collection
3765:The Smithsonian Collection of Newspaper Comics
3650:. Comics.com. January 11, 2011. Archived from
3624:. Comics.com. January 10, 2011. Archived from
2998:The Smithsonian collection of newspaper comics
2915:(paper). British Museum. 1812. 1872,1012.5011.
2899:(paper). British Museum. 1812. 1872,1012.5010.
2700:or dialogue children do not understand, as in
2326:In the early decades of the 20th century, all
1286:Michigan State University Comic Art Collection
1128:Most newspaper comic strips are syndicated; a
994:In the United States, the great popularity of
4177:
3971:The Compact History of the American Newspaper
3283:Strips in de Belgische dagbladpers, 1945–1950
2859:
2530:. The issue was addressed in six consecutive
2407:circumvented further downsizes by making his
942:provided an inspiration for German immigrant
906:(1827), first published in the US in 1842 as
855:The Caricature Magazine or Hudibrastic Mirror
516:
62:The examples and perspective in this article
3739:Comic Strips and Consumer Culture: 1890–1945
3601:"Mother Goose and Grimm/Mike Peters Website"
3357:. Chronicle, San Francisco: Chronicle, 2000.
2995:Bill Blackbeard; Martin T. Williams (1977).
2181:
1610:, which often carried comic strips, such as
818:used strips as early as 1784 for example in
691:, but also on the front covers, such as the
4101:
2665:. Such comic strip taboos were detailed in
2431:Sunday comics section until the mid-2010s.
1601:
754:("Paupers' Bible"), a tradition of picture
5543:British Amateur Press Association (comics)
5341:Billy Ireland Cartoon Library & Museum
4184:
4170:
4122:Paschal, Belinda M. (September 24, 2023).
3762:
3313:
3188:
3186:
3154:The Oxford Companion to English Literature
2765:Billy Ireland Cartoon Library & Museum
1736:, include an email address in each strip.
523:
509:
5538:Academy of Comic-Book Fans and Collectors
5452:Association of Comics Magazine Publishers
3533:
3496:"Comics-Page Changes Can Come at a Price"
2696:. This led some cartoonists to resort to
2216:issued a series of commemorative stamps,
1739:
967:for the promise of a better salary under
100:Learn how and when to remove this message
5500:Canadian Society for the Study of Comics
4153:Billy Ireland Cartoon Library and Museum
3775:
3493:
3347:
2925:
2297:, drawn by Jay Allen in Flowers' style.
2235:s Jim Davis, for example, switched with
1775:by adding descriptive text and removing
1606:The decade of the 1960s saw the rise of
1451:
1426:
1357:
1261:
1166:
879:is usually credited as one of the first
841:
781:
111:
4121:
4058:
3931:
3279:
3183:
2919:
2566:
14:
5647:
4004:
3981:
3962:Stein, Daniel and Jan-Noel Thon, eds.
3872:100 Years of American Newspaper Comics
3736:
3710:
3380:
3136:
3025:
2976:
2974:
2972:
2970:
2968:
2823:
2637:, centered on Capp's portrayal of the
2220:, marking the comic-strip centennial.
2092:, and he was frowned on by readers of
1305:described how strips were provided as
786:Thomas Rowlandson after G.M.Woodward.
5358:Caricature & Cartoon Museum Basel
4165:
3688:
3672:
3487:
3237:
3151:
3104:
2896:Adventures of Johnny Newcome Plate1 1
2301:Issues in U.S. newspaper comic strips
1867:. Sometimes these are spin-offs from
1456:Russell Patterson and Carolyn Wells'
5309:Comics solicited but never published
4104:"Panel Discussions and Comic Truths"
3578:. September 29, 1947. Archived from
2912:Adventures of Johnny Newcome plate 2
2399:won that same privilege years after
1743:
790:1800 (Metropolitan Museum, New York)
48:
5629:
5457:Australian Cartoonists' Association
5447:Association of Canadian Cartoonists
4079:Leiffer, Paul; Ware, Hames (eds.).
3977:Syndicated Comic Strips and Artists
3141:. TwoMorrows Publishing. p. 9.
3001:. Smithsonian Institution. p.
2965:
1438:(January 3, 1937), an example of a
850:1815 (Metropolitan Museum New York)
820:The Loves of the Fox and the Badger
24:
3857:The World Encyclopedia of Cartoons
3756:
3540:Katina Alexander (June 14, 1987).
3314:Michielsen, Stefaan (2003-09-26).
3152:Birch, Dinah (24 September 2009).
2314:, wrote, "Comics are sort of the '
1718:that are available to read on the
1250:, and waited each fall to see how
918:painter, author, and caricaturist
25:
5676:
4040:
3786:Comic Strips and Consumer Culture
3409:
3166:
2715:mistook the phrase "I SIS" with "
2244:s Stan Drake, while Scott Adams (
1347:
908:The Adventures of Obadiah Oldbuck
769:In China, with its traditions of
565:strips printed in black-and-white
5628:
5619:
5618:
5607:
5595:
5558:Comic Legends Legal Defense Fund
5472:Samahang Kartunista ng Pilipinas
5373:Fred Waring's Cartoon Collection
3835:The World Encyclopedia of Comics
3494:Moynihan, Shawn (May 14, 2009).
3436:""The Lynn Johnston Interview,"
2742:
2631:The controversy, as reported in
2494:
2248:) traded strips with Bil Keane (
1748:
1416:
1142:originally appeared only in the
863:The Adventures of Johnny Newcome
492:
137:
53:
5388:Museum of Comic and Cartoon Art
4059:Diamant, Anita (June 1, 1982).
3796:Encyclopedia of American Comics
3682:
3640:
3614:
3593:
3562:
3519:
3465:"Cartoonists make record strip"
3457:
3428:
3403:
3383:A History of Underground Comics
3374:
3360:
3333:
3307:
3296:from the original on 2009-03-19
3273:
3249:
3231:
3218:
3200:
3160:
3145:
3130:
3098:
3074:
3056:
3031:
2988:
2226:Great Comic Strip Switcheroonie
1571:New Adventures of Flossy Frills
1458:New Adventures of Flossy Frills
1325:dropped down to a single tier.
1190:by writer and fledgling artist
5462:Comic Art Professional Society
4202:Glossary of comics terminology
3934:A Century of Women Cartoonists
3763:Blackbeard, Bill, ed. (1977).
3542:"A Superhero For Cartoonists?"
2941:
2903:
2887:
2870:
2853:
2829:
2800:List of newspaper comic strips
2038:Social and political influence
1072:Barney Google and Snuffy Smith
13:
1:
5553:Comic Book Legal Defense Fund
4102:O'Brian, Dave (2 June 1981).
3790:Smithsonian Institution Press
3769:Smithsonian Institution Press
3368:""Popeye Google Doodle Logo""
3257:"How Cartoons Are Syndicated"
3091:The Christian Science Monitor
2810:
2612:
2552:
2008:, and more. John McPherson's
1901:The Angriest Dog in the World
1620:Fabulous Furry Freak Brothers
1162:
896:author and caricature artist
868:
573:special color comics sections
257:Comics by country and culture
5467:National Cartoonists Society
5256:Based on television programs
4047:National Cartoonists Society
3818:University of Michigan Press
2790:List of British comic strips
2214:United States Postal Service
2207:National Cartoonists Society
1692:
1400:Out Our Way with the Willets
788:Opinions on the Divorce Bill
571:offered longer sequences in
33:Comic strip (disambiguation)
7:
5398:Words & Pictures Museum
3741:. Smithsonian Institution.
3280:Baudart, SĂ©bastien (2005).
2805:Military humor comic strips
2735:
2306:As newspapers have declined
2120:Some comic strips, such as
1064:Ripley's Believe It or Not!
702:Sunday newspaper supplement
652:-continuity strips such as
76:, discuss the issue on the
10:
5681:
5442:Academy of Comic Book Arts
5414:Center for Cartoon Studies
5336:Belgian Comic Strip Center
4191:
3776:Castelli, Alfredo (2003).
3720:W. W. Norton & Company
2877:Thomas Rowlandson (1784).
2785:History of American comics
1696:
1543:New Orleans Times Picayune
1420:
1381:is a strip, and the daily
1351:
1201:Ally Sloper's Half Holiday
912:Histoire de Monsieur Jabot
903:Histoire de Mr. Vieux Bois
715:
29:
5590:
5548:Club des bandes dessinées
5528:
5480:
5434:
5427:
5406:
5326:
5282:Best-selling comic series
5269:
5238:
5207:
5198:
5178:
5067:
4971:
4921:
4905:
4896:
4860:Portrayal of black people
4825:
4772:
4612:
4601:
4534:
4507:
4454:
4421:
4366:
4330:
4208:
4199:
4093:: CS1 maint: unfit URL (
4081:"The Comic Strip Project"
3958:Comics And Their Creators
3716:Comics and Sequential Art
3169:"You can't go home again"
3084:Christian Science Monitor
2591:Universal Press Syndicate
2571:Historically, syndicates
2434:
2425:in the front page of the
2182:Publicity and recognition
2148:for its depiction of the
1562:strip for 11 April 1971.
1321:, but after a few years,
887:The Glasgow Looking Glass
3603:. Grimmy.com. 1994-01-01
3289:(in Dutch). p. 69.
3108:(1992). "Introduction".
2573:owned the creators' work
2130:, may be printed on the
1922:can converse with humans
1819:story. Examples include
1643:Underground comic strips
1602:Underground comic strips
1519:launched the innovative
1410:They'll Do It Every Time
1368:They'll Do It Every Time
1028:New York Evening Journal
1008:(1893–96) was the first
989:United Feature Syndicate
981:The Captain and the Kids
735:drawings were produced.
563:, with daily horizontal
5353:British Cartoon Archive
5346:National Cartoon Museum
3984:The Comics: Before 1945
3932:Robbins, Trina (1993).
3137:Khoury, George (2004).
3110:Complete Pogo, Volume 1
2775:Comic strip syndication
2321:
2311:The Florida Times-Union
2201:, named for cartoonist
2175:For Better or For Worse
2113:and other cartoonists,
2086:William Randolph Hearst
1803:For Better or For Worse
1777:less pertinent examples
1724:King Features Syndicate
965:William Randolph Hearst
27:Short serialized comics
5563:Finnish Comics Society
5520:Svenska Serieakademien
5510:Comics Studies Society
5378:Gibiteca Antonio Gobbo
4882:Women in Refrigerators
4877:The Hawkeye Initiative
4515:Female comics creators
4148:University of Missouri
4007:The Comics: After 1945
4005:Walker, Brian (2002).
3982:Walker, Brian (2004).
3936:. Kitchen Sink Press.
3859:(Chelsea House, 1979)
3808:The Adventurous Decade
3501:Editor & Publisher
3471:. 2003. Archived from
3355:The Designer's Lexicon
3068:Ripley's Entertainment
2860:James Gillray (1800).
2671:But That's Unprintable
2648:Mother Goose and Grimm
2603:Tribune Media Services
2601:in 1995. By 1999 both
1886:The Amazing Spider-Man
1740:Conventions and genres
1689:and children's books.
1608:underground newspapers
1465:
1449:
1372:
1274:Mother Goose and Grimm
1254:would manage to trick
1181:
1051:(1897–2006; 109 years)
851:
791:
121:
118:Progress of a Scotsman
5299:Comic books on CD/DVD
4549:Comics historiography
4157:Ohio State University
4129:The Columbus Dispatch
3966:. Berlin/Boston 2015.
3269:(3): 451. March 1926.
3241:(December 15, 2009).
2318:' of the newspaper."
2272:Terry and the Pirates
2109:. An inspiration for
1537:Terry and the Pirates
1492:which ran along with
1455:
1430:
1361:
1298:Lansing State Journal
1262:Production and format
1170:
1124:(1924–2010; 86 years)
1116:(1913–2000; 87 years)
1048:The Katzenjammer Kids
845:
785:
745:, and single panels.
645:Terry and the Pirates
567:in newspapers, while
120:1794 (British Museum)
115:
5515:Sequart Organization
5261:Based on video games
4843:Gender and webcomics
4408:Publishing companies
4144:Comic Art Collection
3911:Women and the Comics
3895:Mott, Frank Luther.
3888:Koenigsberg, Moses.
3737:Gordon, Ian (2002).
3353:Campbell, Alastair.
2676:Many issues such as
2567:Rights to the strips
2524:Pearls Before Swine'
2439:With the success of
2218:Comic Strip Classics
2144:strip was awarded a
1673:, and Pete Millar's
1295:would arrive at the
1180:comics in the 1930s.
733:sequential narrative
710:comic book magazines
541:sequence of cartoons
422:South African comics
82:create a new article
74:improve this article
31:For other uses, see
5573:The Hero Initiative
4853:American mainstream
4655:Comics in education
4258:Comic strip formats
4030:, Elmo Scott Watson
4009:. Harry N. Abrams.
3907:Yronwode, Catherine
3897:American Journalism
3892:, Moses Koenigsberg
3654:on January 24, 2011
3628:on January 15, 2011
3582:on October 23, 2007
3527:Pearls Before Swine
3475:on January 23, 2018
3208:"Live Auctioneers,
3194:"Newspaper Archive"
3173:Telling Our Stories
3114:Fantagraphics Books
2935:G. P. Putnam's Sons
2795:List of cartoonists
2712:Pearls Before Swine
2653:Pearls Before Swine
2549:with a new author.
2260:Little Orphan Annie
2146:1975 Pulitzer Prize
2053:of Garry Trudeau's
2046:Little Orphan Annie
1963:Pearls Before Swine
1852:Little Orphan Annie
1773:improve the article
1569:and Carolyn Wells'
1477:Little Orphan Annie
1387:is a single panel.
1121:Little Orphan Annie
1014:Chicago Inter-Ocean
814:. His contemporary
779:date back to 1884.
698:The American Weekly
668:has suggested that
611:Pearls Before Swine
126:
5665:Comics terminology
5614:Cartoon portal
5368:The Cartoon Museum
5363:Cartoon Art Museum
5087:France and Belgium
4872:Portrayal of women
4865:African characters
4833:Ethnic stereotypes
4108:The Boston Phoenix
4065:The Boston Phoenix
4052:2012-10-14 at the
4024:Watson, Elmo Scott
3956:Sheridan, Martin.
3547:The New York Times
3370:. 8 December 2009.
3243:"Stripper's Guide"
3228:. Fall 2009. p. 3.
3212:, January 2, 1933"
3086:, August 31, 2005"
2826:, pp. xi–xii.
2595:Creators Syndicate
2506:Hägar the Horrible
2422:Hägar the Horrible
2095:The New York Times
2031:Frank & Ernest
2000:, chickens, cows,
1466:
1450:
1373:
1182:
1113:Bringing Up Father
991:, ran until 1979.
946:, who created the
922:created the strip
852:
846:Thomas Rowlandson
792:
672:would be a better
599:Bringing Up Father
124:
122:
5642:
5641:
5602:Comics portal
5586:
5585:
5419:The Kubert School
5322:
5321:
5194:
5193:
4892:
4891:
4817:Widescreen comics
4660:Comics journalism
4530:
4529:
4322:Political cartoon
4263:Daily comic strip
3975:Strickler, Dave.
3950:Robinson, Jerry.
3826:978-0-472-11756-7
3771:/Harry N. Abrams.
3729:978-0-393-33126-4
3703:978-1-59184-185-2
3262:Popular Mechanics
2732:in this respect.
2447:Floyd Gottfredson
2401:Calvin and Hobbes
2391:Calvin and Hobbes
2381:Calvin and Hobbes
2251:The Family Circus
2150:Watergate scandal
2090:yellow journalism
2049:to the unabashed
1933:Calvin and Hobbes
1800:'s award-winning
1794:
1793:
1626:Zippy the Pinhead
1567:Russell Patterson
1549:Chicago Sun-Times
1522:Right Around Home
1512:Tillie the Toiler
1490:The Squirrel Cage
1436:The Squirrel Cage
1384:Dennis the Menace
1226:The Baltimore Sun
1173:Illustrated Chips
961:Katzenjammer Kids
949:Katzenjammer Kids
832:Poetical Magazine
816:Thomas Rowlandson
758:beginning in the
742:A Rake's Progress
616:adventure stories
533:
532:
499:Comics portal
442:Vietnamese comics
412:Portuguese comics
402:Philippine comics
383:
316:
298:Australian comics
294:
238:Political cartoon
110:
109:
102:
84:, as appropriate.
16:(Redirected from
5672:
5632:
5631:
5622:
5621:
5612:
5611:
5600:
5599:
5578:Xeric Foundation
5432:
5431:
5246:Based on fiction
5205:
5204:
4979:China and Taiwan
4903:
4902:
4702:Graphic medicine
4645:Autobiographical
4610:
4609:
4588:Japanese (manga)
4494:Japanese (manga)
4419:
4418:
4186:
4179:
4172:
4163:
4162:
4140:
4138:
4136:
4118:
4116:
4114:
4098:
4092:
4084:
4075:
4073:
4071:
4033:Waugh, Coulton.
4020:
4001:
3947:
3928:
3781:
3772:
3752:
3733:
3707:
3676:
3670:
3664:
3663:
3661:
3659:
3644:
3638:
3637:
3635:
3633:
3618:
3612:
3611:
3609:
3608:
3597:
3591:
3590:
3588:
3587:
3566:
3560:
3559:
3557:
3555:
3537:
3531:
3523:
3517:
3516:
3514:
3513:
3504:. Archived from
3491:
3485:
3484:
3482:
3480:
3461:
3455:
3454:
3452:
3451:
3442:. Archived from
3432:
3426:
3425:
3423:
3422:
3410:Gallo, Carmine.
3407:
3401:
3400:
3387:Ronin Publishing
3378:
3372:
3371:
3364:
3358:
3351:
3345:
3344:
3337:
3331:
3330:
3328:
3327:
3311:
3305:
3304:
3302:
3301:
3295:
3288:
3277:
3271:
3270:
3253:
3247:
3246:
3235:
3229:
3222:
3216:
3215:
3204:
3198:
3197:
3190:
3181:
3180:
3175:. Archived from
3164:
3158:
3157:
3149:
3143:
3142:
3134:
3128:
3127:
3112:. R. C. Harvey.
3102:
3096:
3095:
3078:
3072:
3071:
3070:. July 14, 2014.
3060:
3054:
3053:
3051:
3050:
3041:. Archived from
3035:
3029:
3023:
3017:
3016:
2992:
2986:
2985:
2978:
2963:
2962:
2960:
2959:
2945:
2939:
2938:
2923:
2917:
2916:
2907:
2901:
2900:
2891:
2885:
2884:
2874:
2868:
2867:
2857:
2851:
2850:
2845:
2844:
2833:
2827:
2821:
2752:
2747:
2746:
2673:(Bantam, 1955).
2625:Pittsburgh Press
2534:strips in 2005.
2512:Frank and Ernest
2393:at small sizes.
2243:
2234:
2188:Trafalgar Square
2127:Mallard Fillmore
1789:
1786:
1780:
1752:
1751:
1744:
1706:, also known as
1670:National Lampoon
1588:CMYK color model
1498:, both drawn by
1462:Sunday magazines
1231:
1079:Thimble Theater/
1024:
1019:New York Journal
1005:The Little Bears
998:sprang from the
959:Hugely popular,
898:Rodolphe Töpffer
881:newspaper strips
828:Rudolf Ackermann
760:Late Middle Ages
648:. In the 1940s,
525:
518:
511:
497:
496:
397:Pakistani comics
377:
350:Hungarian comics
310:
303:Brazilian comics
280:
271:Argentine comics
141:
127:
123:
105:
98:
94:
91:
85:
57:
56:
49:
46:
36:
21:
5680:
5679:
5675:
5674:
5673:
5671:
5670:
5669:
5645:
5644:
5643:
5638:
5606:
5594:
5582:
5568:Friends of Lulu
5530:
5524:
5482:
5476:
5423:
5402:
5328:
5327:Collections and
5318:
5292:manga magazines
5265:
5234:
5225:Manga magazines
5190:
5174:
5063:
4967:
4917:
4888:
4821:
4792:Talking animals
4768:
4729:Science fiction
4640:Anthropomorphic
4606:and narratology
4605:
4597:
4544:Years in comics
4526:
4503:
4467:Jewish American
4450:
4417:
4362:
4326:
4246:Trade paperback
4204:
4195:
4190:
4134:
4132:
4112:
4110:
4086:
4085:
4069:
4067:
4054:Wayback Machine
4043:
4017:
3998:
3988:Harry N. Abrams
3944:
3925:
3870:Horn, Maurice.
3855:Horn, Maurice.
3759:
3757:Further reading
3749:
3730:
3704:
3685:
3680:
3679:
3671:
3667:
3657:
3655:
3646:
3645:
3641:
3631:
3629:
3620:
3619:
3615:
3606:
3604:
3599:
3598:
3594:
3585:
3583:
3568:
3567:
3563:
3553:
3551:
3538:
3534:
3524:
3520:
3511:
3509:
3508:on May 16, 2009
3492:
3488:
3478:
3476:
3463:
3462:
3458:
3449:
3447:
3434:
3433:
3429:
3420:
3418:
3408:
3404:
3397:
3379:
3375:
3366:
3365:
3361:
3352:
3348:
3341:"ComicStripFan"
3339:
3338:
3334:
3325:
3323:
3312:
3308:
3299:
3297:
3293:
3286:
3278:
3274:
3255:
3254:
3250:
3236:
3232:
3223:
3219:
3206:
3205:
3201:
3192:
3191:
3184:
3165:
3161:
3150:
3146:
3135:
3131:
3124:
3103:
3099:
3080:
3079:
3075:
3062:
3061:
3057:
3048:
3046:
3037:
3036:
3032:
3024:
3020:
3013:
2993:
2989:
2980:
2979:
2966:
2957:
2955:
2947:
2946:
2942:
2927:Robinson, Jerry
2924:
2920:
2909:
2908:
2904:
2893:
2892:
2888:
2875:
2871:
2858:
2854:
2842:
2840:
2835:
2834:
2830:
2822:
2818:
2813:
2759:Biblia pauperum
2748:
2741:
2738:
2698:double entendre
2629:Scripps-Howard.
2615:
2569:
2560:George Herriman
2555:
2497:
2458:television news
2437:
2324:
2303:
2241:
2232:
2184:
2160:office politics
2101:George Herriman
2074:Joseph McCarthy
2040:
1790:
1784:
1781:
1770:
1753:
1749:
1742:
1712:internet comics
1701:
1695:
1655:Gilbert Shelton
1604:
1581:American Weekly
1576:American Weekly
1471:Thimble Theatre
1425:
1419:
1356:
1350:
1264:
1229:
1221:bulletin boards
1192:Charles H. Ross
1165:
1138:comic strip by
1037:Gustave Verbeek
1022:
969:Joseph Pulitzer
871:
834:, in book form
800:George Woodward
751:Biblia pauperum
737:William Hogarth
725:Bayeux Tapestry
718:
676:-neutral name.
547:, with text in
529:
491:
340:European comics
325:Croatian comics
320:Canadian comics
277:Bande dessinées
266:American comics
228:Trade paperback
146:
116:Richard Newton
106:
95:
89:
86:
71:
58:
54:
47:
37:
30:
28:
23:
22:
18:Newspaper strip
15:
12:
11:
5:
5678:
5668:
5667:
5662:
5660:Comics formats
5657:
5640:
5639:
5637:
5636:
5626:
5616:
5604:
5591:
5588:
5587:
5584:
5583:
5581:
5580:
5575:
5570:
5565:
5560:
5555:
5550:
5545:
5540:
5534:
5532:
5529:Charitable and
5526:
5525:
5523:
5522:
5517:
5512:
5507:
5502:
5497:
5492:
5486:
5484:
5478:
5477:
5475:
5474:
5469:
5464:
5459:
5454:
5449:
5444:
5438:
5436:
5429:
5425:
5424:
5422:
5421:
5416:
5410:
5408:
5404:
5403:
5401:
5400:
5395:
5390:
5385:
5380:
5375:
5370:
5365:
5360:
5355:
5350:
5349:
5348:
5338:
5332:
5330:
5324:
5323:
5320:
5319:
5317:
5316:
5314:Limited series
5311:
5306:
5301:
5296:
5295:
5294:
5289:
5279:
5273:
5271:
5267:
5266:
5264:
5263:
5258:
5253:
5251:Based on films
5248:
5242:
5240:
5236:
5235:
5233:
5232:
5227:
5222:
5217:
5211:
5209:
5202:
5196:
5195:
5192:
5191:
5189:
5188:
5182:
5180:
5176:
5175:
5173:
5172:
5171:
5170:
5163:United Kingdom
5160:
5159:
5158:
5148:
5143:
5138:
5133:
5128:
5127:
5126:
5116:
5111:
5106:
5101:
5100:
5099:
5094:
5084:
5079:
5077:Czech Republic
5073:
5071:
5065:
5064:
5062:
5061:
5056:
5051:
5046:
5045:
5044:
5034:
5029:
5028:
5027:
5017:
5016:
5015:
5005:
5004:
5003:
4993:
4992:
4991:
4986:
4975:
4973:
4969:
4968:
4966:
4965:
4964:
4963:
4953:
4948:
4947:
4946:
4936:
4931:
4925:
4923:
4919:
4918:
4916:
4915:
4909:
4907:
4900:
4894:
4893:
4890:
4889:
4887:
4886:
4885:
4884:
4879:
4869:
4868:
4867:
4857:
4856:
4855:
4845:
4840:
4835:
4829:
4827:
4823:
4822:
4820:
4819:
4814:
4809:
4804:
4799:
4794:
4789:
4784:
4778:
4776:
4770:
4769:
4767:
4766:
4761:
4756:
4751:
4746:
4741:
4736:
4731:
4726:
4725:
4724:
4714:
4709:
4704:
4699:
4694:
4693:
4692:
4682:
4677:
4672:
4667:
4662:
4657:
4652:
4647:
4642:
4637:
4632:
4627:
4622:
4616:
4614:
4607:
4603:Comics studies
4599:
4598:
4596:
4595:
4590:
4585:
4584:
4583:
4582:
4581:
4571:
4566:
4561:
4551:
4546:
4540:
4538:
4532:
4531:
4528:
4527:
4525:
4524:
4523:
4522:
4511:
4509:
4505:
4504:
4502:
4501:
4496:
4491:
4486:
4481:
4476:
4471:
4470:
4469:
4458:
4456:
4452:
4451:
4449:
4448:
4443:
4438:
4437:
4436:
4425:
4423:
4416:
4415:
4410:
4405:
4400:
4395:
4390:
4385:
4384:
4383:
4372:
4370:
4364:
4363:
4361:
4360:
4355:
4350:
4345:
4340:
4334:
4332:
4328:
4327:
4325:
4324:
4319:
4314:
4309:
4308:
4307:
4302:
4297:
4290:Digital comics
4287:
4286:
4285:
4280:
4275:
4270:
4265:
4260:
4250:
4249:
4248:
4243:
4238:
4236:Ongoing series
4233:
4228:
4226:Limited series
4223:
4212:
4210:
4206:
4205:
4200:
4197:
4196:
4189:
4188:
4181:
4174:
4166:
4160:
4159:
4150:
4141:
4119:
4099:
4076:
4056:
4042:
4041:External links
4039:
4038:
4037:
4031:
4021:
4015:
4002:
3996:
3979:
3973:
3967:
3960:
3954:
3948:
3942:
3929:
3923:
3903:Robbins, Trina
3899:
3893:
3886:
3884:978-0517124475
3876:Gramercy Books
3868:
3865:978-0877541219
3853:
3851:978-0877540304
3828:
3812:Holtz, Allan.
3810:
3806:Goulart, Ron.
3804:
3800:Goulart, Ron.
3798:
3794:Goulart, Ron.
3792:
3782:
3773:
3758:
3755:
3754:
3753:
3747:
3734:
3728:
3708:
3702:
3684:
3681:
3678:
3677:
3665:
3639:
3613:
3592:
3570:"Tain't Funny"
3561:
3532:
3518:
3486:
3456:
3427:
3402:
3395:
3373:
3359:
3346:
3332:
3306:
3272:
3248:
3230:
3217:
3199:
3182:
3179:on 2010-10-29.
3167:White, Linda.
3159:
3144:
3129:
3122:
3097:
3073:
3055:
3030:
3018:
3011:
2987:
2964:
2940:
2918:
2902:
2886:
2869:
2852:
2828:
2815:
2814:
2812:
2809:
2808:
2807:
2802:
2797:
2792:
2787:
2782:
2780:Comics studies
2777:
2772:
2767:
2762:
2754:
2753:
2737:
2734:
2614:
2611:
2607:United Feature
2568:
2565:
2554:
2551:
2536:Charles Schulz
2528:Stephan Pastis
2496:
2493:
2470:Over the Hedge
2436:
2433:
2416:Prince Valiant
2386:Bill Watterson
2323:
2320:
2302:
2299:
2295:Modest Maidens
2287:Modest Maidens
2183:
2180:
2111:Bill Watterson
2039:
2036:
1871:, for example
1846:Modesty Blaise
1828:Prince Valiant
1809:Gasoline Alley
1792:
1791:
1756:
1754:
1747:
1741:
1738:
1697:Main article:
1694:
1691:
1659:Art Spiegelman
1603:
1600:
1559:Prince Valiant
1495:Room and Board
1445:Room and Board
1421:Main article:
1418:
1415:
1389:J. R. Williams
1354:Panel (comics)
1352:Main article:
1349:
1348:Cartoon panels
1346:
1335:Spike and Suzy
1263:
1260:
1164:
1161:
1126:
1125:
1117:
1109:
1108:(1932–present)
1101:
1100:(1931–present)
1093:
1092:(1930–present)
1085:
1084:(1919–present)
1076:
1075:(1919–present)
1068:
1067:(1918–present)
1060:
1059:(1918–present)
1056:Gasoline Alley
1052:
977:Hans and Fritz
954:Max and Moritz
940:Max and Moritz
930:Max and Moritz
925:Max and Moritz
876:The Yellow Kid
870:
867:
796:Richard Newton
771:block printing
717:
714:
670:sequential art
531:
530:
528:
527:
520:
513:
505:
502:
501:
488:
487:
486:
485:
480:
475:
470:
465:
460:
452:
451:
447:
446:
445:
444:
439:
437:Turkish comics
434:
429:
427:Spanish comics
424:
419:
417:Serbian comics
414:
409:
404:
399:
394:
392:Mexican comics
389:
384:
372:
367:
365:Italian comics
362:
357:
352:
347:
342:
337:
332:
327:
322:
317:
313:Welsh-language
308:British comics
305:
300:
295:
273:
268:
260:
259:
253:
252:
251:
250:
245:
240:
235:
230:
225:
220:
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201:
197:
196:
195:
194:
189:
181:
180:
176:
175:
174:
173:
168:
163:
155:
154:
152:Comics studies
148:
147:
144:Speech balloon
142:
134:
133:
108:
107:
68:of the subject
66:worldwide view
61:
59:
52:
26:
9:
6:
4:
3:
2:
5677:
5666:
5663:
5661:
5658:
5656:
5653:
5652:
5650:
5635:
5627:
5625:
5617:
5615:
5610:
5605:
5603:
5598:
5593:
5592:
5589:
5579:
5576:
5574:
5571:
5569:
5566:
5564:
5561:
5559:
5556:
5554:
5551:
5549:
5546:
5544:
5541:
5539:
5536:
5535:
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5513:
5511:
5508:
5506:
5503:
5501:
5498:
5496:
5493:
5491:
5488:
5487:
5485:
5479:
5473:
5470:
5468:
5465:
5463:
5460:
5458:
5455:
5453:
5450:
5448:
5445:
5443:
5440:
5439:
5437:
5433:
5430:
5428:Organizations
5426:
5420:
5417:
5415:
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5411:
5409:
5405:
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5396:
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5391:
5389:
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5374:
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5364:
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5356:
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5344:
5343:
5342:
5339:
5337:
5334:
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5331:
5325:
5315:
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5310:
5307:
5305:
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5297:
5293:
5290:
5288:
5285:
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5280:
5278:
5275:
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5272:
5268:
5262:
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5177:
5169:
5166:
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5164:
5161:
5157:
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5153:
5152:
5149:
5147:
5144:
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4353:Silent comics
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4273:Sunday comics
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3997:0-8109-4970-9
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3943:0-87816-206-2
3939:
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3924:0-913035-01-7
3920:
3916:
3915:Eclipse Books
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3839:Chelsea House
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3831:Horn, Maurice
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3784:Gordon, Ian.
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3748:1-56098-856-8
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3530:at Comics.com
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3460:
3446:on 2013-06-19
3445:
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3439:
3438:Hogan's Alley
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3398:
3396:0-914171-64-X
3392:
3389:. p. 8.
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3116:. p. v.
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3087:
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3069:
3065:
3059:
3045:on 2013-06-30
3044:
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3034:
3028:, p. 14.
3027:
3022:
3014:
3012:0-87474-172-6
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2750:Comics portal
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2724:
2723:
2722:The Boondocks
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2600:
2599:King Features
2596:
2592:
2588:
2587:
2586:Mutt and Jeff
2582:
2578:
2577:zombie strips
2574:
2564:
2561:
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2537:
2533:
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2501:zombie strips
2495:Second author
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2430:
2429:
2428:Reading Eagle
2424:
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2412:
2411:
2406:
2403:ended, while
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2329:
2328:Sunday comics
2319:
2317:
2313:
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2307:
2298:
2296:
2292:
2288:
2284:
2279:
2277:
2276:George Wunder
2273:
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2264:Leonard Starr
2261:
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2240:
2239:
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2215:
2212:In 1995, the
2210:
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2204:
2203:Rube Goldberg
2200:
2195:
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2189:
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2171:
2170:Lynn Johnston
2167:
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2165:Tank McNamara
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2017:
2013:
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2011:Close to Home
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1798:Lynn Johnston
1788:
1785:December 2014
1778:
1774:
1768:
1766:
1762:
1757:This section
1755:
1746:
1745:
1737:
1735:
1734:
1730:, creator of
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1708:online comics
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1613:Fritz the Cat
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1423:Sunday comics
1417:Sunday comics
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1313:NEA Syndicate
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808:James Gillray
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693:Flossy Frills
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618:, as seen in
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569:Sunday papers
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407:Polish comics
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355:Indian comics
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345:German comics
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218:Digital comic
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200:Media formats
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90:December 2023
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60:
51:
50:
44:
42:
34:
19:
5655:Comic strips
5481:Critical and
5435:Professional
5220:Comic strips
4913:South Africa
4812:Supervillain
4348:Photo comics
4343:Motion comic
4295:Mobile comic
4252:
4221:Ashcan comic
4133:. Retrieved
4127:
4111:. Retrieved
4107:
4070:September 1,
4068:. Retrieved
4064:
4034:
4027:
4006:
3983:
3976:
3970:
3963:
3957:
3951:
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3910:
3896:
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3856:
3834:
3813:
3807:
3801:
3795:
3785:
3777:
3764:
3738:
3715:
3712:Eisner, Will
3693:
3690:Adams, Scott
3683:Bibliography
3668:
3658:December 27,
3656:. Retrieved
3652:the original
3642:
3632:December 27,
3630:. Retrieved
3626:the original
3616:
3605:. Retrieved
3595:
3584:. Retrieved
3580:the original
3573:
3564:
3552:. Retrieved
3550:. p. 34
3545:
3535:
3526:
3521:
3510:. Retrieved
3506:the original
3499:
3489:
3477:. Retrieved
3473:the original
3468:
3459:
3448:. Retrieved
3444:the original
3437:
3430:
3419:. Retrieved
3415:
3405:
3382:
3376:
3362:
3354:
3349:
3335:
3324:. Retrieved
3320:De Standaard
3319:
3309:
3298:. Retrieved
3282:
3275:
3266:
3260:
3251:
3239:Holtz, Allan
3233:
3225:
3220:
3209:
3202:
3177:the original
3172:
3162:
3153:
3147:
3138:
3132:
3109:
3100:
3089:
3083:
3076:
3067:
3058:
3047:. Retrieved
3043:the original
3033:
3021:
2997:
2990:
2982:"Toonopedia"
2956:. Retrieved
2952:
2943:
2930:
2921:
2911:
2905:
2895:
2889:
2879:
2872:
2862:
2855:
2847:
2841:. Retrieved
2831:
2819:
2757:
2726:
2720:
2705:
2694:Bloom County
2693:
2675:
2670:
2656:
2652:
2646:
2643:
2632:
2618:
2616:
2584:
2570:
2556:
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2481:
2474:
2468:
2462:
2452:Mickey Mouse
2451:
2440:
2438:
2426:
2420:
2414:
2410:Non Sequitur
2408:
2405:Wiley Miller
2400:
2395:
2390:
2379:
2371:
2369:
2362:
2356:
2349:
2345:
2337:World War II
2325:
2309:
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2291:Glamor Girls
2290:
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2268:Andrew Pepoy
2259:
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2079:McCarthy era
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2067:
2060:
2059:. Al Capp's
2054:
2044:
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2029:
2021:Non Sequitur
2019:
2016:Wiley Miller
2009:
1994:The Far Side
1993:
1989:The Far Side
1987:
1977:
1973:
1967:
1961:
1955:
1949:
1943:
1937:
1931:
1927:Bloom County
1925:
1920:), and some
1915:
1905:
1899:
1893:
1891:
1884:
1878:
1872:
1862:
1858:Flash Gordon
1856:
1850:
1844:
1838:
1832:
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1820:
1814:
1807:
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1795:
1782:
1771:Please help
1759:may contain
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1668:
1662:
1636:
1632:Bloom County
1630:
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1239:
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1210:
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1153:daily strips
1150:
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1095:
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985:comics pages
980:
976:
973:Harold Knerr
960:
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731:or humorous
721:Storytelling
719:
709:
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686:
680:
678:
659:
655:Judge Parker
653:
643:
637:
631:
627:Captain Easy
625:
619:
609:
603:
597:
591:
581:
536:
534:
360:Irish comics
335:Dutch comics
330:Czech comics
275:
212:
192:Photo comics
117:
96:
87:
63:
40:
5634:WikiProject
5270:Other lists
5215:Comic books
5131:Netherlands
5037:Philippines
4749:Underground
4712:Non-fiction
4630:Alternative
4376:Cartoonists
4358:Text comics
4312:Gag cartoon
4268:Lianhuanhua
4253:Comic strip
4135:January 10,
3867:– 6 volumes
3802:The Funnies
3696:. Penguin.
3479:January 23,
3106:Kelly, Walt
3026:Gordon 2002
2953:blogs.bl.uk
2824:Eisner 2008
2667:Dave Breger
2663:Scott Adams
2661:cartoonist
2639:U.S. Senate
2454:comic strip
2283:Don Flowers
1984:Gary Larson
1979:Donald Duck
1945:Citizen Dog
1869:comic books
1822:The Phantom
1728:Scott Adams
1651:Dan O'Neill
1647:Vaughn Bode
1531:The Phantom
1405:Jimmy Hatlo
1394:Out Our Way
1391:' long-run
1363:Jimmy Hatlo
1303:Allan Holtz
1269:Mike Peters
1213:John Updike
1204:, in 1884.
1196:Ally Sloper
859:Thomas Tegg
776:lianhuanhua
666:Will Eisner
633:Buck Rogers
590:strips are
537:comic strip
463:Cartoonists
432:Thai comics
223:Gag cartoon
213:Comic strip
125:Comic strip
41:Funny Pages
5649:Categories
4898:By country
4739:Teen humor
4574:Modern Age
4569:Bronze Age
4564:Silver Age
4559:Golden Age
4499:Macedonian
4474:Australian
4455:By country
4441:Minicomics
4338:Film comic
4331:Techniques
4216:Comic book
4035:The Comics
3952:The Comics
3673:Adams 2007
3607:2012-12-27
3586:2009-05-15
3554:August 18,
3512:2009-05-15
3450:2013-01-16
3421:2017-06-13
3326:2009-05-15
3322:(in Dutch)
3300:2009-05-15
3049:2013-01-15
2958:2019-07-29
2843:2010-01-10
2811:References
2770:Comic book
2702:Greg Evans
2620:Li'l Abner
2613:Censorship
2581:Bud Fisher
2553:Assistants
2316:third rail
2141:Doonesbury
2136:op-ed page
2122:Doonesbury
2062:Li'l Abner
2056:Doonesbury
2051:liberalism
2026:Bob Thaves
1969:Pooch Cafe
1840:Mary Worth
1834:Dick Tracy
1765:irrelevant
1638:Doonesbury
1500:Gene Ahern
1488:, such as
1432:Gene Ahern
1323:Star Hawks
1318:Star Hawks
1178:DC Thomson
1163:Popularity
1140:Walt Kelly
1097:Dick Tracy
1033:Ian Gordon
869:Newspapers
764:miniatures
695:series on
688:Boys' Life
661:Mary Worth
650:soap-opera
584:cartoonist
557:newspapers
545:serialized
473:Publishers
468:Collecting
208:Comic book
187:Cartooning
5239:By source
5230:Webcomics
5208:By format
5186:Australia
4989:Hong Kong
4929:Argentina
4807:Superhero
4764:Wrestling
4734:Superhero
4675:Dystopian
4650:Celebrity
4635:Ambiguous
4593:Webcomics
4446:Webcomics
4429:Editorial
4422:By format
4403:Letterers
4388:Colorists
4241:Minicomic
3969:Tebbell.
3890:King News
3841:, (1982)
3837:. (1976)
3816:. (2012)
3440:#1, 1994"
3210:Etta Kett
2686:terrorism
2682:narcotics
2489:Jim Davis
2464:Get Fuzzy
2442:The Gumps
2341:inflation
2333:rationing
2192:Britain's
2132:editorial
2115:Krazy Kat
2106:Krazy Kat
1957:Get Fuzzy
1895:Marmaduke
1761:excessive
1704:Webcomics
1693:Webcomics
1681:Jay Lynch
1509:drew his
1482:full page
1194:in 1867,
1130:syndicate
1105:Alley Oop
729:satirical
704:. In the
605:Marmaduke
588:gag-a-day
577:webcomics
561:magazines
450:Community
380:Hong Kong
161:Education
78:talk page
5624:Category
5531:outreach
5483:academic
5393:ToonSeum
5141:Portugal
5049:Thailand
5032:Pakistan
4922:Americas
4838:Feminist
4782:Antihero
4620:Abstract
4554:American
4489:Filipino
4479:Canadian
4462:American
4368:Creators
4300:Webcomic
4231:One-shot
4113:29 March
4089:cite web
4050:Archived
3909:(1985).
3878:, 1996)
3714:(2008).
3692:(2007).
3469:BBC News
3291:Archived
2929:(1974).
2736:See also
2692:, as in
2669:'s book
2517:Garfield
2487:creator
2485:Garfield
2384:creator
2358:Garfield
2258:include
2230:Garfield
1907:Garfield
1874:Superman
1817:dramatic
1767:examples
1720:Internet
1699:Webcomic
1676:CARtoons
1592:halftone
1583:covers.
1330:Flanders
1010:American
979:(later,
553:captions
549:balloons
243:Webcomic
166:Glossary
72:You may
5407:Schools
5329:museums
5179:Oceania
5114:Ireland
5109:Hungary
5104:Germany
5097:Belgium
5082:Croatia
5059:Vietnam
4797:Masking
4759:Western
4717:Romance
4685:Fantasy
4536:History
4413:Writers
4393:Editors
4305:Webtoon
4283:Yonkoma
4209:Formats
4146:at the
3788:(1998)
3226:Insight
2658:Dilbert
2547:Peanuts
2541:Peanuts
2352:formats
2335:during
2270:), and
2246:Dilbert
2238:Blondie
2209:(NCS).
2155:Dilbert
2006:amoebas
1951:Buckles
1917:Peanuts
1733:Dilbert
1664:Playboy
1378:Peanuts
1089:Blondie
848:My Wife
716:History
682:Liberty
593:Blondie
483:Writers
283:Belgium
248:Webtoon
179:Methods
171:History
5277:Awards
5146:Serbia
5136:Poland
5069:Europe
5054:Turkey
4951:Mexico
4944:Quebec
4939:Canada
4934:Brazil
4906:Africa
4826:Themes
4774:Tropes
4707:Horror
4697:Gekiga
4680:Erotic
4613:Genres
4579:events
4398:Inkers
4278:Topper
4193:Comics
4013:
3994:
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3416:Forbes
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2728:Popeye
2690:satire
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2532:Pearls
2435:Format
2199:Reuben
2162:, and
1998:aliens
1966:, and
1912:Snoopy
1883:, and
1880:Batman
1864:Tarzan
1861:, and
1716:comics
1714:, are
1657:, and
1486:topper
1440:topper
1081:Popeye
996:comics
916:German
756:Bibles
642:, and
639:Tarzan
621:Popeye
608:, and
458:Awards
387:Manhwa
375:Manhua
291:Quebec
287:France
131:Comics
43:(film)
5287:manga
5200:Lists
5168:Wales
5151:Spain
5119:Italy
5020:Korea
5013:lists
5008:Japan
4996:India
4802:Rogue
4670:Crime
4625:Adult
4508:Other
4484:Cuban
3294:(PDF)
3287:(PDF)
2707:Luann
2538:, of
2476:Monty
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894:Swiss
674:genre
539:is a
478:Sales
370:Manga
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5156:list
5124:list
5092:list
5042:list
5025:list
5001:list
4984:list
4972:Asia
4961:list
4848:LGBT
4722:list
4690:list
4520:list
4434:list
4381:list
4137:2024
4115:2024
4095:link
4072:2024
4011:ISBN
3992:ISBN
3938:ISBN
3919:ISBN
3880:ISBN
3861:ISBN
3847:ISBN
3843:Avon
3822:ISBN
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3724:ISBN
3698:ISBN
3660:2012
3634:2012
3575:Time
3556:2012
3481:2018
3391:ISBN
3118:ISBN
3007:ISBN
2717:ISIS
2634:Time
2605:and
2509:and
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